On view at Rhona Hoffman Gallery is Light, Time, Chemistry, an exhibition of work by Spencer Finch. In this exhibition, Finch references both phenomenology and the psychology of perception, capturing and re-contextualizing fleeting and ephemeral elements from our surroundings. Among the many works exhibited is Periscope, a photographic device composed of mirrors and ventilation ducts that extends from inside the gallery to the outside and allows visitors to view the changing sky. The periscope was used to expose a cyanotype directly on the wall of the gallery, creating a hazy blue image from a two-day exposure of the Chicago sky.
Also on display is Finch’s installation Shadow, Sculpture of Centaur, Tuileries (after Atget), a component of a larger body of work entitled Shadows (After Atget). In this work, Finch captures the ephemeral phenomenon of shadows, focusing specifically on re-creating light from locations of Eugene Atget’s photographs of Paris. Employing a fluorescent tube lamp covered with colored filters of Isaac Newton’s spectrum, the light functions as a reverse prism, emitting the very polychrome grey light of the Parisian shadows photographed by Atget almost one hundred years ago.
Spencer Finch was born in New Haven, Connecticut, and lives and works in Brooklyn, NY. He studied at Rhode Island School of Design, Hamilton College in New York and Doshisha University in Kyoto. Finch had a major solo exhibition What Time Is It On The Sun? at MASS MoCA, Massachusetts in 2007, which was accompanied by a monograph with essays by Susan Cross and Daniel Birnbaum. The artist will be a participant in the upcoming 53rd Venice Biennale this June.