All Editions: A STPI Survey Show


Universe Revolves ON (XVIII), Hema Upadhyay, Edition of 12, Etching, aquatint, open-bite and screenprint on machine made fabriano 100% cotton paper 71 x 92 (28" x 36¼”) © Hema Upadhyay/Singapore Tyler Print Institute

Hema Upadhyay creates works based primarily on photography and painting, and she resumed her foray in printmaking as a means of experimentation, after a decade’s hiatus. Her art practice revolves around issues of identity, dislocation, nostalgia and gender, often drawn from her family history of migration and her personal experience with the socio-economic inequalities present in Asia. The visceral impacts of these socio-political issues on the human condition are frequently represented through miniature and collaged bodies. In Universe Revolves ON (XVIII), cut-outs of flailing and falling bodies disrupt the intricate etchings of botanical tree forms shrouded in delicate silk-screened patterns, drawing attention to the attendant psychological and social upheaval and theme of human displacement arising from the rapid urbanization in Mumbai. Upadhyay completed her BFA (Painting) in 1995 and MFA in 1997 from the Faculty of Fine Arts, M.S. University, Baroda, and is now based in Mumbai.

Break the Ice, Qiu Zhijie, Edition of 12, Etching and relief print, STPI handmade paper 107 x 81 (42¼" x 32”) © Qiu Zhijie/Singapore Tyler Print Institute

Qiu Zhijie is a Chinese contemporary artist and works with a diverse range of media including photography, video, calligraphy, painting, installation and performance, and combines writing and curatorial practice with his artistic explorations. In 2006, Qiu started the Nanjing Yangtze River Bridge Project. Imbued with historical and national significance, as a symbol of modernity and resilience in China, Qiu excavates the meanings associated with the site by investigating the over 2,000 suicides occurring at the bridge since its completion in 1968. Break the Ice is emblematic of Qiu’s combination of traditional Chinese ink painting and Western-based lithography techniques, and the work reflects on the consequences of mammoth, industrial structures on a nation’s history and individuals’ personal lives. Qiu was born in Fujian, China and now lives and works in Beijing. He graduated from Zhejiang Academy of Fine Arts in printmaking.

The works of Upadhyay and Qiu are on view at All Editions: A STPI Survey Show (16 January – 20 February 2010) at Singapore Tyler Print Institute. The exhibition also features works by Ghada Amer/Reza Farkhondeh, Ashley Bickerton and Lin Tianmiao, from their residencies at the institute.

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