This Sunday’s From the DS Archives unearths a feature on artist Kathy Grayson that presents a compelling example of contemporary painting. While Grayson’s work is realized in paint, her process capitalizes on the technologies of globalization. She appropriates You Tube footage and then uses computer programs to capture and abstract the transference of data, which facilitates digital broadcasting. Grayson’s Bangalore series visualizes an otherwise invisible everyday process.
The translation of information from an original event to a digital screen takes many forms. While the process of transferring data from the camera to satellite to analogue broadcast to a digital screen device occurs countless times each day, we usually absorb this information with little to no awareness of the process. Fueled by this topic, painter Kathy Grayson is currently presenting a new body of work titled Bangalore on view at Kim Light Gallery in Los Angeles. The artist has taken televised sports footage of professional tennis matches for the subject of her new paintings. Utilizing YouTube footage of the matches, the artist examines the abstraction that occurs from the digital compression of data. Grayson runs footage through computer applications to distort and abstract the images, reconfiguring the digital remains to create what she calls a “stirring up of the video data to make interesting ruptures in figurative painting.”
Grayson is a graduate of Dartmouth College and currently lives and works in New York City. The artist serves as the director of Deitch Projects in NYC and works as an independent curator, essayist and book editor. Recent exhibitions include works at Park Life in San Francisco and D’Amelio Terras in NYC.