September, 2010

Young Lady, This Will Go On Your Permanent Record: Sue Williams, Al-Qaeda is the CIA

Can’t we all just learn to trust Sue Williams? So what if, after all her stylistic shifts, she’s showing a new body of work devoted to 9/11 conspiracy theories? And big deal that these are the exact same theories espoused by President Ahmadinejad of Iran that were publicly denounced by President Obama. For all of the artists who give lip service to taking risks, Williams[.....]

Contraband, a new series by Taryn Simon

Through the process of documenting America’s foundation through both mythology and quotidian objects, photographer Taryn Simon reflects on the heart of national identity by capturing that which is often obscured. Her recent series An American Index of the Hidden and Unfamiliar (2007), investigates objects and scenes that are often literally and metaphorically out of visual reach by the average citizen in the United States. For[.....]

Zeng Fanzhi

The listlessness of people waiting in an emergency waiting room contrasts discomfortingly with the gruesomeness of the chunks of human flesh appearing as fresh meat and liberal washes of red. This work is from one of Zeng Fanzhi’s earliest series, known as the “Hospital” series, markedly influenced by German Expressionism and its manifestation of society’s anxieties and decadence, as studied during his formative years at[.....]

Leo Villareal at the San Jose Museum of Art

Today’s article is from our friends at Art Practical, where Michele Carlson discusses the new traveling survey exhibition by Leo Villareal at the San Jose Museum of Art. It’s hard to know where to look upon entering Leo Villareal’s exhibition. Light literally dances on every wall and even on the ceiling—the blinking lights bridge the many large light sculptures and installations, melting the exhibition space[.....]

From the DS Archives: Wallworks

From the DS Archives reintroduces Wallworks, a group show held at the Yerba Buena Center for the Arts in 2009.  The exhibition showcased site specific installations from a handful of artists responding to Fumihiko Maki’s architectural design of the building. Among them, Los Angeles-based artist Edgar Arceneaux who will be giving a lecture at California College of the Arts in San Francisco on September 30th.[.....]

Off the Beaten Path

Interstate 4 seems unremarkable by most standards. The drive from Tampa starts out with the congestion of a medium sized American city, that could easily be mistaken for so many other cities by the casual observer. Shortly after leaving Tampa, the highway cuts through the ridge of Florida.  The ridge is the lower spine of the much higher ranges to the north, Appalachians, Smokey’s and[.....]

Caught in the Act

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley In 1975, when Bob Dylan was on his Rolling Thunder Revue tour, traveling the country with an entourage of creatives—among them Joni Mitchell, Allen Ginsberg, Ramblin’ Jack Elliott, and Joan Baez—he played Madison Square Gardens. As had become his habit, he wore black-eyeliner over whiteface makeup and a feathered, flat-brimmed hat on[.....]