January, 2011

Master of Puppets – Philippe Parreno at the Serpentine Gallery

Upon entering Philippe Parreno’s exhibition at the Serpentine Gallery, for thirty minutes, you the viewer, are forced to relinquish control. Every movement you make has been carefully orchestrated by the artist – where you walk, what you see, the time spent in each room, what is visible of the world around… Four rooms, four videos. But no real choice. The videos do not run simultaneously,[…..]

Best of 2010
Lari Pittman at Regen Projects

Whew. For DailyServing, 2010 was a full year — 365 days of arts coverage from our 25 writers around the world, three new week-long series, our new weekly column, L.A. Expanded, and great new interviews with some of the world’s most high profile artists. For this last week of the year, our writers have selected their favorites for you to revisit. But, we want to[…..]

Best of 2010
Use and Abuse

Whew. For DailyServing, 2010 was a full year — 365 days of arts coverage from our 25 writers around the world, three new week-long series, our new weekly column, L.A. Expanded, and great new interviews with some of the world’s most high profile artists. For this last week of the year, our writers have selected their favorites for you to revisit. But, we want to[…..]

Best of 2010
Rachel Khedoori

Whew. For DailyServing, 2010 was a full year — 365 days of arts coverage from our 25 writers around the world, three new week-long series, our new weekly column, L.A. Expanded, and great new interviews with some of the world’s most high profile artists. For this last week of the year, our writers have selected their favorites for you to revisit. But, we want to[…..]

Best of 2010
@ MOMA

Whew. For DailyServing, 2010 was a full year — 365 days of arts coverage from our 25 writers around the world, three new week-long series, our new weekly column, L.A. Expanded, and great new interviews with some of the world’s most high profile artists. For this last week of the year, our writers have selected their favorites for you to revisit. But, we want to[…..]