From the DS Archives: George Jenne

Today from the DS Archives we bring George Jenne’s exhibition, Don’t Look Now at Civilian Art Projects, Washington DC. Jenne is currently in the group show, Pan’s Pipes, with Ryan Hill and Erick Jackson at Civilian Art Projects, on view until October 22, 2011.

This article was originally posted on January 21, 2010 by Rebekah Drysdale:

Courtesy of the artist and Civilian Art Projects

Civilian Art Projects in Washington, D.C. is currently presenting Don’t Look Now, a multimedia exhibition by Brooklyn-based artist George Jenne. Don’t Look Now consists of manipulated movie posters, sculpture, and graphite drawings, all reflecting the artist’s interest in the horror movie genre. Jenne sees a correlation between the unease and trauma delivered by such films and the unsettling experience of early adolescence. The artist states in the press release, “For me, there is a strong connection between the act of warning or revealing and the portentous atmosphere of pre-pubescence, thus a strong connection between the abject, mutated form of the monster, and a person’s tenuously pristine state of mind during early adolescence.”

Hellion (2007), a mixed media sculpture constructed of plastic, resin, embroidery, Fun Fur, polyethylene, wood, sound and light, both tantalizes and torments the viewer. The sculpture resembles a boy scout, but the formidable stance, monster’s head, and bloody knees indicate something more malevolent. Upon closer examination, the viewer encounters such sinister details as cigarette and swastika “merit” badges carefully adorned to the sash, and a wooden plank with the words “Be Irreverent” emblazoned beneath a crest.

Courtesy of the artist and Civilian Art Projects

George Jenne, who currently lives and works in New York, received his B.F.A. from the Rhode Island School of Design in 1995. He is the founder of Bandolier, Inc., a commercial prop making company. Jenne has recently shown his work in New York at Exit Art, Jack the Pelican Presents, Envoy Enterprises, and PS122.

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