January, 2012

HELP DESK: On Collaboration and Curating

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Welcome to HELP DESK, step into my office! Each week I’ll be answering your queries about making, finding, marketing, buying, selling—or any other activity related to—contemporary art. Together, we’ll sort through some of art’s thornier issues. But a few words before we begin: first, comments are enabled, but be good or be gone! You may email your questions to helpdesk@dailyserving.com. All submissions become the property[…..]

From the DS Archives: TEXT/URAL

Language is a thing that can easily be something we all take for granted. Today from the DS Archives we take a look back at the exhibit TEXT/URAL from OKOK Gallery. LACMA is currently exhibiting A is for Zebra, a group show “about alphabets making sense and non-sense.” The following article was originally published by Rebekah Drysdale on August 3, 2009: OKOK Gallery’s current exhibition,[…..]

The Future of Contemporary Art

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I must admit I am often plagued by skepticism walking into ‘best of’ exhibitions – the ones, like  the recent Bloomberg New Contemporaries 2011: In the Presence, that promise to clairvoyantly open up a window onto the future of contemporary art. Often, these group exhibitions seem plagued by too many artists, who are represented by a single work, thrust together in a curatorial jumble that[…..]

The Damned Don’t Cry

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley The Christmas arsonist began setting fires under cars in L.A. the day after his German mother’s extradition proceedings due to fraud allegations, including the charge she falsified the down payment for her breast implants. In a courtroom, he purportedly went on an “anti-American” tirade, then went out on a particularly anti-L.A. crime[…..]

Gabríela Friðriksdóttir: Crepusculum

Comprising only a large installation at the Schirn Kunsthalle, Gabríela Friðriksdóttir’s Crepusculum – Latin for “twilight” or “dusk” – is a mixed-media, polyphonic, physical exploration of metaphysical structures that govern the human psyche, and speculates that an enigmatic and irrational system of signs, meanings and forms counterbalances the deceptively ordered exteriors of our existence. Above all, it is an experiential and tactile show that prioritises[…..]

Fan Mail: Lee Yujin

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For this edition of Fan Mail, Berlin-based artist Lee Yujin has been selected from a group of worthy submissions. If you would like to be considered, please submit to info@dailyserving.com a link to your website with ‘Fan Mail’ in the subject line. One artist is featured each month—the next one could be you! Fire has always mesmerized me; as a child, I was frequently chastised for[…..]

The tiny photographs of Judy Fiskin

On the surface, Judy Fiskin’s tiny photographs of stucco apartment buildings (Stucco, 1973-6) and Southern California architecture (31 Views of San Bernadino, 1974) belong to a subset of works by artists obsessed with the typography of architecture, à la Bernd and Hilla Becher, or even Ed Ruscha. Each of these artists has produced dozens, if not hundreds, of images of buildings, usually in black-and-white.  The[…..]