April, 2014

Evan Gruzis: Shell Game at The Suburban

Evan Gruzis. Free Box, 2014; Textile dye and acrylic on canvas; 48 x 32 in. Courtesy of the artist.

Located more than nine miles west of Chicago’s city center, The Suburban is one of a number of alternative spaces that have caught on in the bordering village of Oak Park. It’s quiet, affluent, and easily accessed by public transit, yet Oak Park is an unlikely host to such alternative spaces as Terrain Exhibitions, The Franklin, and The Suburban, all of which locate innovative art[…..]

Take Ecstasy With Me at The Whitney Biennial

Jacolby Satterwhite, Reifying Desire 5, 2014 (performance still); duration varied. Courtesy of the artist and The Whitney Museum, New York. Photo: Filip Wolak.

“It would deeply heal me,” artist Jorge Cortiñas urged, “if we all sang this song together.” The ensuing karaoke-like moment was the climax of Cortiñas’ performance, Back Room, which re-told the contentious story of meeting a future lover during an orgy in the dark rear of a now-extinct East Village bar—a story that none of Cortiñas’ straight friends ever wanted to hear. Such tongue-in-cheek emotional self-indulgence invigorated[…..]

Help Desk: A Man’s World?

Cosima von Bonin. Internationales Wollsekretariat, 2003; wool, cotton, loden; 108.27 x 112.99 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here: http://bit.ly/132VchD. All submissions become the property of Daily Serving. Recently I was invited to join an artists’ group that meets about once a month. These meetings have no particular agenda outside of socializing and conversation, and so I[…..]

Will Rogan: MATRIX 253 at Berkeley Art Museum & Pacific Film Archive

Will Rogan. Erase, 2014; still from video, silent; 8:10. Courtesy of the Artist, Altman 
Siegel, San Francisco; and Laurel Gitlen, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maria Porges reviews Will Rogan’s exhibition at the Berkeley Art Museum & Pacific Film Archive. Viewing Will Rogan’s MATRIX show at the Berkeley Art Museum leaves one with[…..]

Locating Technology: Against Recognition

Zach Blas. Facial Weaponization Suite Communiqué: Fag Face, 2012 (video still); HD video; 08:10. Courtesy of the Artist. Photo: Zach Blas.

From our partners at Art Practical, today we bring you an essay by Emily K. Holmes, who analyzes the work of artist Zach Blas: “Blas creates space for facial-recognition technology to be not only strange, but dangerous and deserving of our critical questioning.” This article was originally published on April 16, 2014. Biometric technologies aim to “authenticate” and “verify” individuals by digitally scanning physical traits on[…..]

Fan Mail: Christopher Manzione

Christopher Manzione. Excavatum Installation View, 2011. Image courtesy of the artist.

Christopher Manzione works with a number of mediums: sculpture, video, performance, drawing, digital rendering, mobile- and web-based applications, digital imaging, and 3D rendering. Across this plethora of forms, Manzione explores the perceived and actual divisions and overlaps between notions of digital vs. analog and organic vs. inorganic, as well as combinations of these two sets. Manzione strives to unite two distant poles without placing a[…..]

Eleanor Antin: Passengers at Diane Rosenstein Fine Art

Eleanor Antin, Classical Frieze; 2008; Video; 21.33 minutes. Courtesy of the Artist and Diane Rosenstein Fine Art. Photo: Lenae Day.

Passengers where are you going? from here to there? do you ever get there? i don’t know why not? i’m only a passenger—just like you (from an Egyptian tomb) As you round the corner of the entryway at Diane Rosenstein where this phrase is visible, the first works on view in Eleanor Antin’s Passengers are two massive photographs from her 2004 series Roman Allegories. Going[…..]