May, 2014

Kamau Patton: The Sky Above

Today from our friends at Machine Project in Los Angeles, we bring you a video excerpt of artist Kamau Patton’s project The Sky Above, part of Pacific Standard Time Presents: Modern Architecture in L.A. While flying above L.A. in a chartered helicopter, Patton performed a responsive sound piece; the visual and sonic experiences were streamed live to Machine Project’s storefront space and the web. The project was originally[…..]

Visual Markers: Interview with Dushko Petrovich

Dushko Petrovich. El Oso Carnal (in progress), 2012-present; acrylic on paper, 108 x 90 in.

I first met Dushko Petrovich in 2013 at the “Painting Expanded” symposium at the California College of the Arts. In his brief presentation and in the panel discussion that followed, it was clear that Petrovich is a thoughtful artist not afraid to question his own and others’ artistic practices. This quality is also evident in the publications he co-produces with Roger White, the art journal Paper[…..]

Ragnar Kjartansson: Me, My Mother, My Father, and I at the New Museum

Ragnar Kjartansson. Take Me Here by the Dishwasher (Memorial for a Marraige), 2011. Installation view, Ragnar Kjartansson: Me, My Mother, My Father, and I, 2014. Courtesy New Museum, New York. Photo: Benoit Pailley

Ragnar Kjartansson’s Take Me Here by the Dishwasher: Memorial for a Marriage, a mixture of live performance and film, transforms the New Museum’s fourth floor into something like a college movie night sent adrift. The darkened gallery, one wall of which serves as projector screen, becomes a makeshift den—modestly furnished but amply stocked with beer—for ten shaggy troubadours with acoustic guitars. Their ambling, unbroken melody[…..]

David Schutter: What Is Not Clear Is Not French at Rhona Hoffman Gallery

At first appearance, David Schutter’s paintings appear almost blank, somewhere between painterly gray monochromes, awfully dry and dead, and overwrought images obliterated into neutral tones. Closer up, the grays separate into more grays—a brighter golden, a deeper charcoal, a greenish dead-moss, and so on—while the seemingly uniform surface opens into a surprising depth of layered brushwork. Like his drawings, Schutter’s paintings are intense accumulations of[…..]

Help Desk: Stop, Thief!

Raymond Pettibon. No Title (Are your motives), 1987; ink on paper.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. Last year I made a sculpture that was technically rather challenging but resulted in something I thought was a successful piece, which I displayed in a small group show. It’s[…..]

From the Archives – Abolishing War: A Conversation with Krzysztof Wodiczko

Krzysztof Wodiczko, War Veteran Vehicle, Liverpool, 2009. Photography courtesy Robert Ochshorn.

Today is Memorial Day in the United States, a day to remember the men and women who died while serving in our armed forces. In honor of this day, we bring you author Michelle Schultz’s interview with artist Krzysztof Wodiczko, who contends, “There is an extremely thick wall that separates those who know what war is and those who don’t.” This interview was originally published on January 2, 2012. Krzysztof[…..]

Fallen Fruit: Fruit Machine at Catharine Clark Gallery

Fallen Fruit (David Burns, Matias Viegener, Austin Young). Fruit Machine, 2009; Video, edition of 3 + 3AP, dimensions variable.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Calder Yates reviews Fallen Fruit’s video Fruit Machine at Catharine Clark Gallery in San Francisco. Visual depictions of gustatory sensations are currently on view at Catharine Clark Gallery. Deborah[…..]