A. Will Brown

From this Author

Fan Mail: Paul Taylor

Paul Taylor. SORRY, 2015; wood, steel, paint, hardware; 24 x 43 x 32 in. Courtesy of the artist.

At the risk of having his artwork go unrecognized, Paul Taylor creates subtle interventions in land- and cityscapes. His works simultaneously embody and critique the influence of the quotidian. To achieve such interventions, Taylor works with an array of media: film, video, concrete, ink, graphite, plants, and found industrial and construction material. Much of Taylor’s work appears as though he simply found a perfect organization[…..]

Fan Mail: Nando Alvarez-Perez

Nando Alvarez-Perez. Primary Document 013015, 2015; archival pigment print; 40 x 60 inches. Courtesy of the artist.

Photographs have many potential uses. They can serve as objective documents of history, standing in for memory, ideas, and sensory representations, but they also have the capacity to manifest images of fictional narratives that are markedly creative. Nando Alvarez-Perez’s photographs, often produced in a series, mirror the many capacities of the photograph, capturing an array of past and future meanings, motifs, styles, and contexts. At[…..]

Fan Mail: Cristina Burns

Christina Burns. Haunted Mansion, 2014; photograph; 20 x 27 ½ inches. Courtesy of the artist.

Cristina Burns’ work offers a poised and humorous vision of a world measured more by twisted fantasy than by the so-called sanity we are all so accustomed to assuming. Working primarily in photography, the artist creates works reminiscent of seventeenth-century European cabinets of curiosity, museums of medical and anthropological oddities, and children’s books, cartoons, and playthings—her photographs ooze a cloyingly saccharine Rococo sensibility that is[…..]

Fan Mail: Jason Engelund

Jason Engelund. Drawing with the Sun & Sea 60, 2015; photograph; 34 x 44 inches. Courtesy of the artist.

Photographer Jason Engelund is distinctly aware of the conceptual and metaphorical capacities of landscape. Engelund works with a single series of photographs at a time to capture one motif, location, technique, or compositional strategy from various positions. However, these discrete bodies of work resonate with one another as part of a long-term vision—an ongoing project, or more aptly a study of photographic mechanisms and the[…..]

Fan Mail: Willie Stewart

Willie Stewart. The Love You Withhold is the Pain that You Carry, 2014. Installation view kijidome, Boston, MA. Courtesy of kijidome and the Artist.

Willie Stewart incorporates a broad range of complex, mundane, strange, and dark subject matter and cultural references into his work. His interests and references include extraterrestrials, biker gangs and punk rock groups, German artist Kurt Schwitters’s Merzbau (1931–33), Mike Kelley’s book The Uncanny, and cult films such as Lloyd Kaufman’s Toxic Avenger (1984). Stewart’s sculptures, installations, videos, photographs, and photocollages are all individual works, but each[…..]

Fan Mail: Celeste Fichter

Celeste Fichter. Significant Others series: Pop, 2010; canned spinach, c-print; 7 x 10 x 2 inches. Courtesy of the artist.

A close-up shot of Dwayne “The Rock” Johnson’s face, Prince Charles atop his horse playing polo, and Dom DeLuise in drag pouring wine: What do these three things have in common? Nothing really, except that images of them, as well as many other well-known people, places, products, and tropes, appear in the uniquely humorous and witty compositions of artist Celeste Fichter. In her three serial[…..]

Fan Mail: Ben Bigelow

Ben Bigelow. Screen Shot 2014-02-23 at 5.12, 2014; Polaroid instant film; 4 x 4 inches. Courtesy of the artist.

Two sets of blinds layered over each other—one horizontal, one vertical, both a brilliant clean white—open and close slowly with nearly imperceptible movement. Like a dancer spinning in an endlessly repeating circle with no clear beginning or end, they move without purpose. When fully open, they form a matrix-like grid of perfect, uniform squares with an infinite series of colors glowing beneath, shifting, chemical, and[…..]