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Interview with Barbara Bloom

Today, we bring you a video from our friends at Kadist Art Foundation. In this video, Barbara Bloom (in conversation with Jo-ey Tang), describes the impetus for her installation The Bedroom (1997), her fascination with the utilitarian object and the fictional narrative, and the work’s inception in a flea market gouache painting.   

From the Archives – Art in Limbo

Robert Smithson, Spiral Jetty (1970).  Image copyright Danielle Sommer.

On Tuesday, February 9, Utah’s House of Representatives will vote on whether to make Robert Smithson’s iconic land art, Spiral Jetty (1970), the state’s official work of art. If the legislation passes, Utah will become the first state to have an official work of art. Today we bring you Danielle Sommer’s reaction to the state’s initial acquisition of the work from the Dia Foundation. This[…..]

Connecting Intentionality: The Beginning of Blights Out

Blights out began in 2014 during Prospect.3: Notes for Now with Artist Lisa Sigal’s nstallations on houses in New Oreleans’ mid-city neighborhood. Courtesy of the Artist and Blights Out, New Orleans.

From our friends at Pelican Bomb, today we bring you an interview with Blights Out, a New Orleans project that “prioritizes transparency, interdisciplinary collaboration, community involvement, and creativity.” Blights Out is New York–based artist Lisa Sigal, New Orleans artist Carl Joe Williams, and arts activist Imani Jacqueline Brown. Author Rosemary Reyes says, “Blights Out looks to ignite conversations around the rapid economic development in New Orleans by ‘performing[…..]

Metahaven: The Sprawl at the Yerba Buena Center for the Arts

Metahaven. The Sprawl (still), 2015. Co-produced by Lighthouse and commissioned by Lighthouse and the Space.

Today from our partners at Art Practical, we bring you Anton Stuebner’s review of Metahaven: The Sprawl at the Yerba Buena Center for the Arts. The author notes, “[…] Metahaven poetically suggests that trauma’s real origins aren’t found in the images on screen—they’re located within ourselves and in our inherent capacity for perpetuating violence in the world around us.” This article was originally published on February 2, 2016. A[…..]

Lewd at JOY Gallery

Alaina Varrone. Untitled, 2010; embroidery; 9 x 5 in. Courtesy of the Artist and JOY Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Ariel Zaccheo reviews Lewd at JOY Gallery in San Francisco. Like the best hedonistic pleasure palaces, JOY Gallery is a bit off the beaten path. Located in San Francisco’s[…..]

Michael Barron Interviews Camille Henrot

Camille Henrot. Bad Dad & Beyond, 2015; three dimensional resin print with video and telephone components; 44 x 20 x 9 inches. Courtesy of the Artist and Metro Pictures, New York.

From our friends at BOMB Magazine, today we bring you a conversation between Michael Barron and artist Camille Henrot. Discussing her recent solo show at Metro Pictures, Henrot says, “Bad Dad & Beyond is an investigation into a figure who uses his authority in violent ways. I was also interested in assembling the rules and values of various authority figures, not just for fathers.” This article was[…..]

UNEARTHED: Found + Made at Oakland Museum of California

Installation view, UNEARTHED: Found + Made, 2015-2016. Courtesy of the Oakland Museum of California. Photo: Johnna Arnold.

Today from our partners at Art Practical, we bring you Vivian Sming’s review of UNEARTHED: Found + Made at Oakland Museum of California. The author notes, “[The] democratic approach of placing contemporary art and local clubs side by side compresses and erases hierarchies, providing a slice of history, place, and time.” This article was originally published on January 26, 2016. In the late 19th century, anthropologist Franz Boas[…..]