From our partners at Art Practical, today we bring you Mediated Morandi, a project by Will Brown—the moniker of the San Francisco-based collective of Lindsey White, Jordan Stein, and David Kasprzak. This essay was commissioned by guest editor Jonn Herschend as part of Issue 5.5, Slapstick and the Sublime, and originally published on July 10, 2014. Will Brown is a collective that experiments with various modes of exhibition making while researching and manipulating histories as a part[.....]
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Today from our archives we bring you an interview with artist Mario Zoots, conducted by Daily Serving‘s founder, Seth Curcio. This article was originally published on February 15, 2010. The mysterious and psychologically challenging images created by Denver-based artist Mario Zoots are produced by applying a visual barrier between the viewer and the appropriated image. Each work carefully alters an existing picture and challenges our perception[.....]
From our partners at Art Practical, today we bring you a conversation between artist/curator Michelle Grabner and artist/writer/concrete comedian David Robbins. This interview was commissioned by guest editor Jonn Herschend as part of Issue 5.5, Slapstick and the Sublime, and originally published on July 10, 2014. Michelle Grabner: As you know, I am frequently visiting university art departments and art schools. In the past two years, it has become routine for me to find a copy of[.....]
Today from the DS archives, we bring you Allegra Kirkland’s review of Chronicling Catastrophe. Originally published on February 26, 2013, this article is a consideration of Enrique Metinides‘ fifty-year-long career in chronicling disasters that are, in Kirkland’s words, “anonymous crime [scenes] and hauntingly specific [tragedies].” Unfortunately, these images, and ones like them, are ever-relevant in our violent, modern world. The journalistic expression “If it bleeds, it leads” is particularly[.....]
Today we bring you Machine Project’s video documentation of Odyssey Odyssey, a play by artist and writer Johanna Kozma. Odyssey Odyssey is a contemporary take on Homer’s Odyssey, performed for an audience of two in a Honda Odyssey. This work was included in The Machine Project Field Guide to L.A. Architecture, as part of Pacific Standard Time Presents: Modern Architecture in L.A., and originally performed from July 10–22, 2013.
From our partners at Art Practical, today we bring you Live Radio Auction, a project by Wonderment Consortium—the artist team of Packard Jennings, Steuart Pittman, and Scott Vermeire. This essay was commissioned by guest editor Jonn Herschend as part of Issue 5.5, Slapstick and the Sublime, and originally published on July 10, 2014. Live Radio Auction appropriates a format from rural American radio stations in which the DJ auctions[.....]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Susannah Magers reviews Anthony Friedkin: The Gay Essay at the de Young Museum in San Francisco. The first question a show about documentary work made more[.....]