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Misako Inaoka: Fractured Fauna at Johansson Projects

Misako Inaoka. Bird Man, 2014; mixed media; 19 x 20 x 10 in. Courtesy of the Artist and Johansson Projects, Oakland.

Our partners at Art Practical are celebrating their sixth annual Shotgun! issue, so today we bring you Monica Westin’s review of Misako Inaoka: Fractured Fauna at Johansson Projects. This article was originally published on September 25, 2014. Misako Inaoka’s menagerie of upholstered animal sculptures, exquisite quasi-taxidermy, and delicate collage works is immediately alluring. It only becomes clear after spending time with the objects that their beguiling quality critiques our own desires for[.....]

Alex Becerra: Las Putas Problematicas at ltd los angeles

Alex Becerra. Brookstone Woman, 2014; oil on canvas; 72 x 63 in. Courtesy of the Artist and ltd los angeles.

Alex Becerra recently made his solo debut at ltd los angeles gallery with eleven icing-thick paintings that would fit nicely in the company of Werner Büttner, Philip Guston, or Willem de Kooning. Immense quantities of paint are brushed, squeezed, and caked together to form images that are as much mark and material as they are figure and object. Each piece offers itself up to the[.....]

From the Archives – #Hashtags: Georgia Sagri is otherwise occupied

GEORGIA SAGRI, "Working the no work/Travaillez je ne travaille pas/Δουλεύοντας τη μη δουλειά," Whitney Biennial 2012, Whitney Museum of American Art, New York. Courtesy of the artist and Melas Papadopoulos, Athens. Copyright Georgia Sagri. Photo: Paula Court

Three years ago this week, Occupy protests had spread to over 851 cities in 82 countries. Today from our archives we bring you a look back at Carol Cheh’s consideration of Georgia Sagri’s practice in relation to the Occupy movement. Cheh reminds us: “The real point of Occupy, after all, was to occupy oneself and one’s own actions, to keep seeking ways out of the status quo,[.....]

Mungo Thomson: Wall, Window, or Bar Signs at Kadist Art Foundation

Mungo Thomson. My Name as Written by Bruce Nauman, 2014; neon, 60 x 120 in. Courtesy of the Artist and the Kadist Art Foundation, San Francisco. Photo by Jeff Warrin.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Melissa Miller reviews Mungo Thomson’s Wall, Window, or Bar Signs at Kadist Art Foundation in San Francisco. In Mungo Thomson’s solo exhibition[.....]

Pablo Guardiola: Maintenance Yard at Romer Young Gallery

Pablo Guardiola. Sharks 1, 2014; digital C-print, 10 x 15 in. Courtesy of Romer Young Gallery, San Francisco.

Today from our sister publication Art Practical, we bring you a review of Pablo Guardiola’s Maintenance Yard at Romer Young Gallery in San Francisco. Author Genevieve Quick notes, “Guardiola positions history as an active investigatory process rather than a passive reiteration of fact.” This article was originally published on September 25, 2014. Having lived in San Francisco and currently residing in San Juan, in his native Puerto Rico,[.....]

From the Archives – Help Desk: Padding the Resume

Oscar Tuazon. Sensory Spaces, 2013; installation view, Museum Boijmans Van Beuningen, Rotterdam. Courtesy of Museum Boijmans Van Beuningen. Photo: Studio Hans Wilschut.

Today from our archives we bring you a Help Desk column that never goes out of style. To submit your question anonymously, follow this link. All submissions become the property of Daily Serving.  Artists are routinely asked to donate work toward the benefit of an organization. I have reached the point where I am just not sure how my participation ranks along with my overall exhibition[.....]

Issei Suda: Life in Flower 1971–1977 at Miyako Yoshinaga

Oume 1977

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Bansie Vasvani reviews Issei Suda: Life in Flower 1971–1977 at Miyako Yoshinaga in New York City. Using a medium-format camera, Issei Suda’s square-shaped black-and-white[.....]