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Meat Is Murder

Soukaina Joual. Halal, 2016; light panel; 13.7 x 13.2 in.

Today from our friends at REORIENT we bring you Zöe Hu’s article on artist Soukaina Joual. Hu says of Joual’s exploration of meat as a subject, “Meat’s link to violence is an easily made one, and it only takes the viewer another thoughtless step forward to affix the MENA region onto that relationship; but Joual avoids the obvious constellation of meat–violence–Arab world, instead tinkering with a[…..]

Rina Banerjee: Human Likeness at Hosfelt Gallery

Rina Banerjee. Heavens no place for girls, no sand, no flowers no count of curls no irons to flatten nor straighten or curl you coiled corns, your hair would not leave you naked as girls when all but one could leave open my calls to trumpet her thoughts, stainless steel bikini and sanding wheels for girls who will not open, 2016; blue silver leaf, acrylic, aluminum leaf, and ink on paper; 66 x 30 inches. Courtesy of Hosfelt Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maddie Klett reviews Rina Banerjee: Human Likeness at Hosfelt Gallery in San Francisco. Indian artist Rina Banerjee titles her bold paintings and[…..]

A Quinquennial and Two Biennials

Forget Fear, 2012; installation view of the KW Institute for Contemporary Art’s ground floor, 7th Berlin Biennale, 2012. Courtesy of Frieze.

Today we honor the work of our friend and contributor Leigh Markopoulos, who died tragically on Friday after a car accident in Los Angeles. Leigh worked at Serpentine Gallery, Hayward Gallery, and the Wattis Institute for Contemporary Arts; eventually becoming the Chair of the Graduate Program in Curatorial Practice at California College of the Arts, where she shaped more than a decade of cohorts of MA students in the first[…..]

Ho Tzu Nyen

Today, from our friends at Kadist, we bring you a video interview with Singapore-based artist Ho Tzu Nyen. The artist speaks about their interest in transience, metamorphosis, migration, and the correlation between renaissance painting and their contemporary video work. He reflects on his interest in tracking clouds, stating “this, for me, is a way of tracking an art-historical motif which migrates from the East to the West or[…..]

Red in View at the Whitney Museum of American Art

MPA , Entrance, 2014–2016; Pigmented inkjet print mounted on mat board and painted wood; 7 × 7 in. Courtesy of MPA and the Whitney Museum

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Jasa McKenzie assesses Red in View at the Whitney Museum of American Art. Red in View by MPA aims to explore the potential[…..]

Interview with Njideka Akunyili Crosby

I Refuse to Be Invisible, 2011, acrylic, charcoal, and xerox transfer on paper, 24 × 16 inches. Courtesy of the artist.

Today from our friends at BOMB Magazine, we bring you author Erica Ando’s interview with Nigerian artist Njideka Akunyili Crosby. Crosby says of her paintings, “I always make sure the woman is in a position of power—where her agency is not questioned and where she is an active participant.” This article was originally published in BOMB 137: Fall 2016. The figures who people Njideka Akunyili Crosby’s[…..]

From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum

From Generation to Generation: Inherited Memory and Contemporary Art, 2016; installation view, San Francisco, CA. Courtesy of the Contemporary Jewish Museum. Photo: JKA Photography.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carlos Kong reviews From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum in San Francisco. Memories take[…..]