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From the Archives – Alien She at Yerba Buena Center for the Arts

L.J. Roberts. We Couldn’t Get In. We Couldn’t Get Out., 2006–07; installation view, Alien She, 2014. Courtesy of Phocasso and Yerba Buena Center for the Arts, San Francisco.

Alien She’s assemblage of Riot Grrrl output continues to inspire collective feminist organizing.

10 Questions for Julie Henson

Julie Henson in her studio in Los Angeles.

Happy birthday, Daily Serving! This month marks our tenth year of bringing you some of the smartest art writing, and since this is such a momentous anniversary, we’re going to be celebrating for the next few months. Today we bring you an excerpt from our interview with Daily Serving’s first Managing Editor, Julie Henson, who has been involved with the site since its inception. The importance of[…..]

From the Archives — Memoria (Memory): Bibiana Suárez at Hyde Park Art Center

(L t R): Bibiana Suárez. Aves raras (mexicanos) no. 1 / Strange Birds (Mexicans) no. 1, 2005-2011; archival inkjet print on aluminum panel (map courtesy of the University of Chicago’s Special Collections); 24 x 24 in.  Bibiana Suárez. Aves raras (mexicanos) no. 2 / Strange Birds (Mexicans) no. 2, 2005-2011; archival inkjet print (map courtesy of the University of Chicago’s Special Collections); 24 x 24 in.

Looking back to another election year, in 2012 author Randall Miller noted, “The language surrounding immigration, espoused by the [GOP] candidates as well as other jingoist hardliners, has become so vitriolic and so reduced that hyperbole strategically crowds out any sober dialogue that addresses the complexity of the issue.” In the face of those who advocate overtly prejudiced perspectives, today from our archives we bring you[…..]

From the Archives – Black Chronicles II at Spelman College Museum of Fine Art

Peter Jackson aka ‘The Black Prince’. London Stereoscopic Company, 2 December 1889. 42.5 x 31.5”. Framed & Unglazed. Courtesy of © Hulton Archive/Getty Images.

“New struggles for civil and race rights continue to challenge and mine the unequal fields of representation within American political life.” So writes author Jordan Amirkhani, who explored this exhibition earlier in 2016, and connected these studio portraits from the late 1800s to current images from the Black Lives Matter movement. Today from our archives we consider Black visibility in culture and history. This article was originally published on May[…..]

From the Archives – Help Desk: Insults & Insecurities

Dimitri Kozyrev, Last one 16, 2012. Acrylic on canvas, 84 x 72 inches

Today from our archives we bring you a Help Desk column about jealousy and competition—and some good ways of dealing with friends who become frenemies. Got an arts-related issue? Submit your question anonymously here. This article was originally published on November 12, 2012. I am having a rather embarrassing problem with some of my local colleagues in the visual arts. That problem is a general enmity[…..]

10 Questions for Seth Curcio

Daily Serving's founder, Seth Curcio.

Happy birthday, Daily Serving! This month marks our tenth year of bringing you some of the smartest art writing, and since this is such a momentous anniversary, we’re going to be celebrating for the next few months. To kick off the festivities, today we bring you an excerpt from our interview with Daily Serving’s founder, Seth Curcio. Back in 2006, Seth started this site from Charleston,[…..]

Devorah Jacoby at Seager Gray Gallery

Devorah Jacoby Painter. 
oil on canvas, 72 x 60. Courtesy of Seager/ Gray Gallery

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Mary Ellen Hannibal reviews Devorah Jacoby: Unearthed at Seager Gray Gallery in Mill Valley. Devorah Jacoby’s new exhibit, Unearthed, expresses the artist’s[…..]