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Everything is Intertwined: Jay Kinney’s Gnosis Magazine

left to right: Bijou Funnies #1 (Fall 1968), illustration Jay Lynch;
page from Bijou Funnies #1 (Fall 1968) [all images courtesy Jay Kinney]

On Wednesday, the forty-eight-year-old San Francisco Bay Guardian announced that it would shut its doors, effective immediately. A report on the Bay Area blog SFist quotes SFBG publisher Glenn Zuehls as saying, “Unfortunately, [...] the obstacles for a profitable Bay Guardian are too great to overcome.” This, despite the SFBG’s wide popularity and the vast wealth that exists in the region.  The circumstances of this terminus are echoed in an interview between Art Papers‘ Editor/Artistic Director[.....]

From the Archives – Taner Ceylan: Lost Paintings at Paul Kasmin Gallery

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Today we look back to exactly where we were a year ago: contemplating the work of Turkish painter Taner Ceylan. Although author Alex Bigman likens many of the works to high-gloss fashion spreads, he notes: “A touch of vulgarity remains, and it’s hard to imagine these works having much political charge without it.” This article was originally published on October 16, 2013. Taner Ceylan’s Lost[.....]

From the Archives – Help Desk: On Being “Discovered”

Philippe Parreno, La Batalla de los Patos, a documentary project with Rirkrit Tiravanija, 2003, 2013. Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, edition of 6

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m just about to finish my first really serious series of paintings, and I’m curious about which approach is the best for self-promotion. Is it better to go all out and[.....]

From Two Arises Three at the Asian Art Museum

Michael Cherney and Arnold Chang. After Huang Gongwong 4, 2009 (detail); photographic inkjet print and ink on paper. From the collection of Akiko Yamazaki and Jerry Yang. Courtesy of the Artist and Asian Art Museum. Photo: Jing Cao.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Jing Cao reviews FromTwo Arises Three: The Collaborative Works of Arnold Chang and Michael Cherney at the Asian Art Museum in San Francisco. Chinese landscape painting is[.....]

Jessamyn Lovell: Dear Erin Hart at SF Camerawork

Jessamyn Lovell. Following 6 (Fence), 2014; digital print on vinyl; 96 x 133 in. Courtesy of the Artist and SF Camerawork, San Francisco.

From our sister publication Art Practical, today we bring you a review of artist Jessamyn Lovell’s surveillance photography—artwork that has an incredible backstory. Author Genevieve Quick notes, “By leaving the project open-ended, Lovell smartly expands the work beyond revenge and allows viewers to consider its complexities through their own moral codes.” This article was originally published on September 25, 2014.   In Jessamyn Lovell’s exhibition Dear Erin[.....]

Misako Inaoka: Fractured Fauna at Johansson Projects

Misako Inaoka. Bird Man, 2014; mixed media; 19 x 20 x 10 in. Courtesy of the Artist and Johansson Projects, Oakland.

Our partners at Art Practical are celebrating their sixth annual Shotgun! issue, so today we bring you Monica Westin’s review of Misako Inaoka: Fractured Fauna at Johansson Projects. This article was originally published on September 25, 2014. Misako Inaoka’s menagerie of upholstered animal sculptures, exquisite quasi-taxidermy, and delicate collage works is immediately alluring. It only becomes clear after spending time with the objects that their beguiling quality critiques our own desires for[.....]

Alex Becerra: Las Putas Problematicas at ltd los angeles

Alex Becerra. Brookstone Woman, 2014; oil on canvas; 72 x 63 in. Courtesy of the Artist and ltd los angeles.

Alex Becerra recently made his solo debut at ltd los angeles gallery with eleven icing-thick paintings that would fit nicely in the company of Werner Büttner, Philip Guston, or Willem de Kooning. Immense quantities of paint are brushed, squeezed, and caked together to form images that are as much mark and material as they are figure and object. Each piece offers itself up to the[.....]