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From the Archive – Fan Mail: Joe Webb

Joe Webb. TV Times, 2014; collage; 9 ½” x 6 ¾” inches. Image courtesy of the artist.

Almost a year ago today we published an article featuring the work of Joe Webb. Fan Mail columnist Will Brown selected Webb’s work from hundreds of reader submissions, noting that “humor comes to the fore in all of [the artist’s] images.” Currently, Webb’s work is on view in the Prints & Originals Gallery at the Saatchi Gallery in London through April 7, 2015. This article was originally published on March[…..]

Alec Soth: Songbook at Fraenkel Gallery

Alec Soth. Bree, Liberty Cheer All-Stars, Corsicana, Texas, 2012; pigment print; 39 x 52 in. Courtesy of Fraenkel Gallery, San Francisco. © Alec Soth.

Today we bring you a review of Alec Soth: Songbook at Fraenkel Gallery in San Francisco. Writing for Art Practical, author Danica Willard Sachs notes that “The project marks a departure from [Soth’s] usual reliance on narrative annotations to explain his images; it’s a more free-flowing, less didactic viewing experience.” This article was originally published on March 26, 2015. In twenty-one black-and-white pigment prints from the larger photobook Songbook,[…..]

Nate Boyce: Polyscroll at YBCA

Nate Boyce. Polyscroll II, 2015 (still); HD video. Courtesy of the Artist and Altman Siegel Gallery, San Francisco.

Today from our partners at Art Practical, we bring you a review of Nate Boyce’s solo show at Yerba Buena Center for the Arts in San Francisco. Author Monica Westin notes: “The overall effect is akin to walking around a sculpture in a completely unanchored plane in space that occasionally drifts into and out of alignment with other planes and other worlds.” This article was[…..]

James Cordas: a, dog I’m holding undermy arm with Its head pointed behind me at Et al. Gallery

James Cordas. Installation view of

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Alex Rojas reviews James Cordas: a, dog I’m holding undermy arm with Its head pointed behind me at Et al. Gallery in San Francisco.  James Cordas’ exhibition a, dog[…..]

Jenni Olson: The Royal Road

Jenni Olson. The Royal Road; 2015 (still). 16mm/HD; 65:00 min. Courtesy of Jenni Olson Productions.

Today from our partners at Art Practical, we bring you Sean Uyehara’s review of The Royal Road by Jenni Olson. Uyehara notes that the film echoes “…dreams, those deferred and distorted forms of wish fulfillment, where the destination is never reached and that inevitably lead back to the thorny, tangled territory of the unconscious.” This article was originally published on March 12, 2015. Jenni Olson’s second feature-length narrative[…..]

Shaping Abstraction at the de Young Museum in San Francisco

Oskar Fischinger. Rhythmic Tapestry, 1952; oil on canvas; 17 1/4 x 22 1/8 in. Courtesy of the Harriet and Maurice Gregg Collection of American Abstract Art and the Fine Arts Museums of San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Emily Swaim reviews Shaping Abstraction at the de Young Museum in San Francisco, California. Full disclosure—I have embarrassingly little education in abstract art. In fact, I chose[…..]

Janet Delaney: South of Market at the de Young Museum

Janet Delaney. Bulk Natural Foods, Russ at Howard Street, 1980; archival pigment print. Image courtesy of the Artist. © 2014 Janet Delaney

Today from our partners at Art Practical we bring you a review of Janet Delaney’s photographs, on view at the de Young Museum in San Francisco through July 19, 2015. Author Glen Helfand explains that the power of these images lies not just in themselves: “Delaney’s exhibition becomes a social space for the exchange of memory and the erratic flow of time in the city, and[…..]