admin

From this Author

Artist Project: Jack + Leigh Ruby’s Car Wash Incident

Jack + Leigh Ruby. Matt's Convenience Store Robbery, evidentiary photo 21; 1975. Courtesy of the Artists. Photo: Leigh Ruby.

Today from our friends at Art Practical, we bring you an essay by Simon Lee and Eve Sussman about “the intersection of and differences between entertainment and art.” This article was originally published on July 9, 2014. I’ve been a fan of Eve Sussman’s work from the first moment I watched her film Rape of the Sabine Women (2007) during a screening at the San Francisco Museum[.....]

From the Archives – #Hashtags: Mimics and Minstrels

Sturtevant. Warhol Black Marilyn. 2004. Synthetic polymer silkscreen and acrylic on canvas. 15 ¾ x 13 ¾ in. (40 x 35 cm). Ringier Collection, courtesy Anthony Reynolds Gallery, London.  © Sturtevant.

Since July 2013, Daily Serving’s #Hashtags column has been written by Anuradha Vikram, Director of the Residency Programs at the 18th Street Arts Center in Los Angeles. For the past year, Vikram has eloquently and intelligently voiced arguments about—among other topics—institutionalized racism, representations of marginalized identities, and economic inequality, all the while offering nuanced critiques of the artworks that take up these subjects. (For example, see her incisive review of LaToya Ruby Frazier’s[.....]

Art Is Therapy at Rijksmuseum, Amsterdam

Post-it note discussing two paintings; installation view, Art Is Therapy, 2014. Courtesy of the Rijksmuseum, Amsterdam. Photo: Olivier Middendorp.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Christina Conklin reviews Art Is Therapy at the Rijksmuseum in Amsterdam. Viewers are supposed to marvel at Rembrandt’s Night Watch (1642), but do they really? Many of[.....]

The Times Are Not a-Changin, They Have Already a-Changed

Sean Orlando, Nathaniel Taylor, and David Shulman. Raygun Gothic Rocketship, 2010; installation at Pier 14, San Francisco. Courtesy of Black Rock Arts Foundation. Photo: David Yu.

Today from our partners at Art Practical, we bring you Chris Cobb’s essay on counterculture, money, and the annual Burning Man festival. Cobb wonders: “…what if successful tech companies—the ones whose leaders have bought into the Burning Man/Black Rock value of art that ‘connect[s] community members in creation, curiosity, and wonderment’—decided to allocate one or two percent of their investment income to cultivating the arts[.....]

My Generation: Young Chinese Artists at Tampa Museum of Art and Museum of Fine Arts, St. Petersburg

Xu Zhen. Fearless, 2012; mixed media on canvas; 254 x 124 ½ in. Produced by MadeIn. Courtesy of the Artist and Long March Space, Beijing.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danny Olda reviews My Generation: Young Chinese Artists, a joint exhibition of the Museum of Fine Arts, St. Petersburg, and the Tampa Museum of Art. My Generation: Young Chinese Artists[.....]

From the Archives – Whose Map Is It? New Mapping by Artists

BouchraKhalili

Today from our archives we bring you Kelly Nosari’s assessment of Whose Map Is It? at the Institute of International Visual Arts in London. Considering the wars currently being waged over land in Palestine, the Ukraine, Syria, and South Sudan (to name just a few), it is interesting to note how artists approach the representation of territory. This article was originally published on July 8,[.....]

Black Drop: Astral Observations In Spring, TX

Simon Starling. Black Drop, 2012; two stills from single channel projection (35 mm film transferred to HD), duration 27:42, the Museum of Fine Arts, Houston, joint acquisition of the Museum of Fine Arts, Houston, funded by the Anchorage Foundation; and the Dallas Museum of Art, funded by the DMA/amfAR Benefit Auction Fund. Image courtesy of the artist and Casey Kaplan, NY. © Simon Starling and Casey Kaplan, NY.

From our friends at Glasstire, today we bring you a review of Simon Starling’s film Black Drop. Author Peter Lucas notes, “The collaboration of art and science interests that led to the creation of the piece are fitting for its subject matter, as are the intersections of Texas arts institutions that led to the work’s first local exhibition at [a] suburban museum.” This article was originally published[.....]