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From the Archives: “Hello, all-but-forgotten piece of 1970s feminist Earth Art, have you ever seen a transsexual before?”

Liz Rosenfeld, Untitled [Dyketactics Revisited], 2005. Video transfer.

This week, inundated with news of artists to watch at the Frieze Art Fair, we bring you Jaqueline Clay’s assessment of a group show at the now-closed MacArthur B Arthur Gallery in Oakland, one that included the work of Shana Moulton. Moulton’s work at Frieze this year includes video and sculpture, and her recent exhibitions include Picture Pattern Puzzle Door at the Yerba Buena Center for[…..]

Fourth World: Current Photography from Colombia at SF Camerawork

Andres Felipe Orjuela. Luis Aldana Uno de los Antisociales Detenidos en la Mañana de Hoy Cuando Trataba de Huir [Luis Aldana One of the Antisocial Arrested in the Morning While Trying to Escape], 2014; photograph on cotton paper, illuminated with Marshall's pigments. Courtesy of the Artist and SF Camerawork.

From our partners at Art Practical, today we bring you John Zarobell’s review of Fourth World: Current Photography from Colombia at SF Camerawork. Zarobell notes that Fourth World follows a survey of contemporary photography from Mexico: “Taken together, these exhibitions make SF Camerawork preeminent in presenting contemporary Latin American photography in the Bay Area. Such a program […] suggests other avenues that SF Camerawork could explore in order to continue[…..]

Printed Matters: An Old American Problem

Doug Rickard. #96.749058, Dallas, TX (2008), 2010; from A New American Picture (Aperture 2012). © Doug Rickard. Courtesy of Yossi Milo Gallery, New York, and Stephen Wirtz Gallery, San Francisco

Today from our partners at Art Practical, we bring you Amelia Rina’s review of the photography books A New American Picture by Doug Rickard (Aperture, 2012) and A New American Dream by Coll.eo (Concrete Press, 2014). This article was originally published on September 15, 2015. Today, with the ever-expanding visibility of public space facilitated by online image databases such as Google Street View and Google Images, it is now[…..]

Richard Colman: Faces, Figures, Places, and Things at Chandran Gallery

Richard Colman. Faces, Figures, Places and Things, 2015; installation view. Courtesy of the Artist and Chandran Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Laura Jaye Cramer reviews Richard Colman: Faces, Figures, Places, and Things at Chandran Gallery in San Francisco. In Richard Colman’s solo show, Faces, Figures, Places, and Things,[…..]

Radical Presence, Absence, A Body Without Politics

Girl [Chitra Ganesh + Simone Leigh]. My dreams, my works must wait till after hell... (still), 2011; Digital video, color, sound; 7:14 minutes. Courtesy of the Artists.

Today from our partners at Art Practical, we bring you Anna Martine Whitehead’s latest installation of “Endurance Tests,” a column “on current explorations of representation, the ethereal, and compulsiveness by black artists working in the field of performance.” The author notes, “[…] there is no accounting for blackness. It is too vast—it is everything—and can look any way it wants to. Or it can not look at all.” This article[…..]

Jay DeFeo/Alter Ego at Hosfelt Gallery

Jay DeFeo, Untitled, 1973; gelatin silver print, 7 3/4 x 9 9/16 in., Estate no. P0778A. May not be reproduced in any form without permission of The Jay DeFeo Trust, © 2015 The Jay DeFeo Trust/Artists Rights Society (ARS), New York.

Today from our partners at Art Practical, we bring you a review of Jay DeFeo/Alter Ego at Hosfelt Gallery in San Francisco. Author Anton Stuebner notes, “In reconceptualizing the forms of her everyday life, DeFeo’s work suggests the importance of embracing the imaginary and the real as necessary complements.” This article was originally published on October 1, 2015. Shadows suffuse Jay DeFeo’s work. In her gelatin silver prints,[…..]

I Spy with My Little Eye … A New Generation of Beirut Artists at Casa Árabe

Pages from Lara Tabet’s The Reeds (courtesy Oodee Books and the Village Bookstore)

From our friends at REORIENT, today we bring you a review from Madrid. Author María Gómez López notes that this exhibition of works connected to the city of Beirut “presents a complex network of challenges, connotations, and overlaid topics that reveal a unique and genuine vision, as well as a rediscovery of the world from a different perspective.” This article was originally published on September[…..]