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William Koone: 10:10 at City Limits

William Koone. 10:10, 2016; installation view, City Limits, Oakland. Courtesy of the Artist and City Limits. Photo: Kristine Eudey

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Colin L. Fernandes reviews William Koone’s solo exhibition 10:10 at City Limits gallery in Oakland, California. For his exhibition at City Limits[…..]

Interview with Beatriz Santiago Muñoz

Today, from our friends at Kadist, we bring you the first video in a two-part interview with Beatriz Santiago Muñoz. Michele Fiedler talks with Muñoz about Ojos Para Mis Enemigos, a piece done in collaboration with Pedro Ortiz exploring an abandoned military base in Puerto Rico, the displacement of families as a result of the base’s construction, and her project Prisoner’s Cinema. Watch the second part of this interview here. This[…..]

Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Today from our partners at Art Practical, we bring you Maria Porges’ review of Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery in San Francisco. The author notes, “Achieving a successful understanding of the many layers [of the exhibition] yields a devious satisfaction.” This article was originally published on March 22, 2016. When or why does art become the idea of art:[…..]

Bring It Home: (Re)Locating Cultural Legacy Through the Body at San Francisco Arts Commission Gallery

Zeina Barakeh. Homeland Insecurity, 2015; single channel animated video, 6:00. Courtesy of the Artist. Photo: Scott Chernis.

Today from our partners at Art Practical, we bring you an excerpt from Brian Karl’s review of Bring It Home: (Re)Locating Cultural Legacy Through the Body at the newly reopened San Francisco Arts Commission Gallery. The author notes, “Given the particularly intense struggles in the Bay Area today, where citizens are denied access to civil rights and basic resources by the structural discriminations of racialist and upward-funneling[…..]

Radiohalo at Blain|Southern

Michael Joo. Radiohalo, 2016; installation view. Courtesy of the Artist and Blain|Southern, London. Photo: Peter Mallet.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Adam Monohon reviews Michael Joo’s Radiohalo at Blain|Southern in London. At the center of debate between creationists and the scientific community over[…..]

Interview with Mariah Garnett

mariah_garnett

Today from our friends at BOMB Magazine, we bring you an interview with Mariah Garnett. Author Risa Puleo speaks with Garnett about her time in Belfast, the making of the film/exhibition Other & Father, and the roles of identity and failure in her films. Garnett says, “That was one thing I was interested in for the film: the way identity is constructed and history is performed,[…..]

Prima Materia at Weinstein Gallery

Enrico Donati. Aleppo Walls, 1960; mixed media on canvas; 60 x 60 in. Courtesy of the Estate of Enrico Donati and the Weinstein Gallery, San Francisco. Photo: Nicholas Pishvanov.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Garrett Caples reviews Prima Materia at Weinstein Gallery in San Francisco. To celebrate a recent monograph written by Dawn Ades, the Weinstein Gallery has mounted an ambitious show—in[…..]