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From the Archives – Post-Fordlândia: A Critical Look at a Failed Development

Factory

Today we bring you a look back at the videos and photographs of Tom Flanagan and Megs Morley, whose project Post-Fordlândia explored the famous village created by Henry Ford in 1928. Author Tori Bush draws parallels between this forsaken 20th-century urban planning project in the Amazon and its counterpart in present-day New Orleans. This article was originally published on September 6, 2012. Post-Fordlândia, the new exhibit[.....]

Kamau Patton: The Sky Above

Today from our friends at Machine Project in Los Angeles, we bring you a video excerpt of artist Kamau Patton’s project The Sky Above, part of Pacific Standard Time Presents: Modern Architecture in L.A. While flying above L.A. in a chartered helicopter, Patton performed a responsive sound piece; the visual and sonic experiences were streamed live to Machine Project’s storefront space and the web. The project was originally[.....]

From the Archives – Abolishing War: A Conversation with Krzysztof Wodiczko

Krzysztof Wodiczko, War Veteran Vehicle, Liverpool, 2009. Photography courtesy Robert Ochshorn.

Today is Memorial Day in the United States, a day to remember the men and women who died while serving in our armed forces. In honor of this day, we bring you author Michelle Schultz’s interview with artist Krzysztof Wodiczko, who contends, “There is an extremely thick wall that separates those who know what war is and those who don’t.” This interview was originally published on January 2, 2012. Krzysztof[.....]

Fallen Fruit: Fruit Machine at Catharine Clark Gallery

Fallen Fruit (David Burns, Matias Viegener, Austin Young). Fruit Machine, 2009; Video, edition of 3 + 3AP, dimensions variable.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Calder Yates reviews Fallen Fruit’s video Fruit Machine at Catharine Clark Gallery in San Francisco. Visual depictions of gustatory sensations are currently on view at Catharine Clark Gallery. Deborah[.....]

Love & Ground: Interview with Conny Purtill and Friends

Conny Purtill. The Ground, 2014; installation view, Adams and Ollman Gallery, Portland, OR. Courtesy of the Artists and Adams and Ollman.

As an idea and word, “curator” continues to suffer a death from overdose. Still, I am tempted to place this burdensome phrase upon Conny Purtill and his chosen allies—that is, if we can agree that curating involves working with someone else’s objects to elucidate a concept. The exhibition The Ground, recently on view at Adams and Ollman Gallery in Portland, Oregon, began with Purtill gifting[.....]

Remembering the Dead

Joseph Grigely. The Gregory Battcock Archive, 2009-2014; Installation view, Whitney Museum of American Art.
Courtesy of Air de Paris, Paris. Photo: Andrés Ramírez.

From our friends at Bad at Sports, today we bring you another assessment of the Whitney Biennial, which closes this coming Sunday. Author Jessica Cochran examines the archival nature of the current exhibition and notes, “…as the art world grows ever bigger in size and speed, one can only hope that the Whitney Biennial continues to make room for the discursive, textual, and ‘tossed-aside particulars.’” This[.....]

Value/Labor/Arts: The Manifestos

W.A.G.E., Artist Payment Graphic, excerpt from W.A.G.E. graphic poster of artist survey results, 2011.

From our friends at Art Practical, today we bring you a publication that is more archive than article: Value/Labor/Arts: The Manifestos was one part of the spectacular issue “Valuing Labor in the Arts” that was guest-edited by Shannon Jackson, Director of the Arts Research Center at UC Berkeley. Compiled by Jackson and artist Helena Keeffe, Value/Labor/Arts: The Manifestos presents seven “recent and… not-so-very-old manifestos of artists who found[.....]