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Valuing Labor in the Arts: Negotiating Terms and Setting Precedents

Gauging the Grey Area workshop, Valuing Laboring in the Arts practicum, April 19, 2014, UC Berkeley Art Museum. Courtesy of the Arts Research Center, UC Berkeley. Photo: Joseph del Pesco.

From our partners at Art Practical, today we bring you Patricia Maloney’s response to the workshop “Gauging the Gray Area: Standards for Artistic Labor,” which was part of the practicum Valuing Labor in the Arts hosted by the Arts Research Center at UC Berkeley. Maloney notes, “…negotiation is the most demonstrable and effective means of creating agency.” This article was originally published on May 22, 2014. “Gauging the[.....]

Sandra Ono: low tide at Conduit Gallery

Sandra Ono. Untitled, 2013; Mop heads and glue, 37.5 x 49 x 9 in.

Today from our friends at Glasstire, we bring you a review of Sandra Ono’s solo exhibition at Conduit Gallery in Dallas, Texas. Author Alejo Benedetti notes, “While many found-object artists attempt to aggrandize the ordinary, Ono recognizes her materials for what they are. The works are beautiful, delicate, and have a commanding presence, but they are also in on the joke.” This article was originally[.....]

From the Archives – Post-Fordlândia: A Critical Look at a Failed Development

Factory

Today we bring you a look back at the videos and photographs of Tom Flanagan and Megs Morley, whose project Post-Fordlândia explored the famous village created by Henry Ford in 1928. Author Tori Bush draws parallels between this forsaken 20th-century urban planning project in the Amazon and its counterpart in present-day New Orleans. This article was originally published on September 6, 2012. Post-Fordlândia, the new exhibit[.....]

Kamau Patton: The Sky Above

Today from our friends at Machine Project in Los Angeles, we bring you a video excerpt of artist Kamau Patton’s project The Sky Above, part of Pacific Standard Time Presents: Modern Architecture in L.A. While flying above L.A. in a chartered helicopter, Patton performed a responsive sound piece; the visual and sonic experiences were streamed live to Machine Project’s storefront space and the web. The project was originally[.....]

From the Archives – Abolishing War: A Conversation with Krzysztof Wodiczko

Krzysztof Wodiczko, War Veteran Vehicle, Liverpool, 2009. Photography courtesy Robert Ochshorn.

Today is Memorial Day in the United States, a day to remember the men and women who died while serving in our armed forces. In honor of this day, we bring you author Michelle Schultz’s interview with artist Krzysztof Wodiczko, who contends, “There is an extremely thick wall that separates those who know what war is and those who don’t.” This interview was originally published on January 2, 2012. Krzysztof[.....]

Fallen Fruit: Fruit Machine at Catharine Clark Gallery

Fallen Fruit (David Burns, Matias Viegener, Austin Young). Fruit Machine, 2009; Video, edition of 3 + 3AP, dimensions variable.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Calder Yates reviews Fallen Fruit’s video Fruit Machine at Catharine Clark Gallery in San Francisco. Visual depictions of gustatory sensations are currently on view at Catharine Clark Gallery. Deborah[.....]

Love & Ground: Interview with Conny Purtill and Friends

Conny Purtill. The Ground, 2014; installation view, Adams and Ollman Gallery, Portland, OR. Courtesy of the Artists and Adams and Ollman.

As an idea and word, “curator” continues to suffer a death from overdose. Still, I am tempted to place this burdensome phrase upon Conny Purtill and his chosen allies—that is, if we can agree that curating involves working with someone else’s objects to elucidate a concept. The exhibition The Ground, recently on view at Adams and Ollman Gallery in Portland, Oregon, began with Purtill gifting[.....]