admin

From this Author

The New Endurance of Linda Mary Montano, Part 1

Linda Mary Montano with Tehching Hsieh. Art/Life: One Year Performance 1983–1984 (Rope Piece), 1983-1984 (still); performance documentation. Courtesy of the Artist.

Today, from our partner site Art Practical, we bring you an excerpt of Patricia Maloney‘s conversation with artist Linda Montano, who says, “I am most authentic when I am performing. I am really 100 percent there. I can’t say that about any other aspect of my life.” This interview was originally published on January 19, 2015. Linda Mary Montano, born in 1942, is a seminal figure[…..]

Loris Gréaud: The Unplayed Notes Museum at Dallas Contemporary

Loris.

From our friends at Glasstire, today we bring you Christina Rees’ review of Loris Gréaud’s current solo exhibition at Dallas Contemporary. Rees describes the choreographed destruction of the work and characterizes the show as “a partial and contrived ruin,” noting that neither the artist nor the visitors seem invested. This article was originally published on January 19, 2015.  I suppose in the event of a chemical attack[…..]

Living with Endangered Languages in the Technological Age at Root Division Gallery

Tessie Barrera Scharaga. Nahua-Pipil, the Forbidden Language of El Salvador, 2014; Mixed media installation, 
10 x 7 x 11 ft.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Nancy Garcia reviews Living with Endangered Languages in the Technological Age at Root Division in San Francisco. In Living with Endangered Languages in the Technological[…..]

Keith Haring: The Political Line at the de Young Museum

Keith Haring. A Pile of Crowns for Jean-Michel Basquiat, 1988; acrylic on canvas; 120 x 120 x 120 in. Courtesy of de Young Museum San Francisco. Collection of the Keith Haring Foundation. © 2014, Keith Haring Foundation.

From our partners at Art Practical, today we bring you Kara Q. Smith’s review of Keith Haring: The Political Line at the de Young Museum in San Francisco. Smith notes that the exhibition “…offers the chance not only to appreciate the artist’s work and iconic imagery from multiple perspectives (albeit sometimes dizzying at this scale), but most importantly the chance to bring new context to the work.”[…..]

From the Archive – Help Desk: Race & Voice

Kerry James Marshall. Untitled, 2009; Acrylic on PVC, 61 1/8 x 72 7/8 x 3 7/8 in. Courtesy of the artist and Jack Shainman Gallery

In celebration of Dr. Martin Luther King, Jr. Day, today we bring you a Help Desk column that answers a question about race and voice. And as part of our ongoing commitment to sharing information and resources, we’d like to point readers to this page, which links to free PDF books on race, gender, sexuality, class, and culture. One of the best ways to honor Dr. King and the many people[…..]

Pierre Huyghe at LACMA

Pierre Huyghe. This is not a Time for Dreaming, 2004 (film still); transferred from 16mm film, 24:00; Courtesy of the Artist and Marian Goodman Gallery, Paris/New York. Photo by Michael Vahrenwald.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Scott Norton reviews Pierre Huyghe’s solo exhibition at the Los Angeles County Museum of Art. Entering the retrospective exhibition Pierre Huyghe at the Los Angeles[…..]

From the Archives – Interview with Johan Grimonprez

Johan Grimonprez, still/installation view of Double Take at Sean Kelley Gallery (2009).

Opening today at the SVA Chelsea Gallery, It’s a Poor Sort of Memory That Only Works Backwards is a solo exhibition of four films by Johan Grimonprez. To accompany the beginning of this exhibition, today we bring you an interview with the artist from 2011, when he memorably said, “… every kiss is a political act.” This article was originally published on March 23, 2011. Johan[…..]