Allegra Kirkland

From this Author

Alone Together: Newsha Tavakolian at Thomas Erben Gallery

“We are all so much together, but we are all dying of loneliness.” This quote by German theologian Albert Schweitzer captures a universal truth about the human condition, but its poignancy is particularly acute for city dwellers. Feeling lonesome while contemplating the vastness of the ocean or looking at the night sky is one thing; feeling isolated while surrounded by a crush of people on[.....]

Laughter in the Dark: Diego Perrone at Casey Kaplan Gallery

The leering white faces watch from the walls. They follow you from room to room, vacant eyes staring out from behind their grotesque masks. Though the lower part of their jaws are missing—unhinged—their slit-like eyes and upturned mouths indicate that the figures are consumed with mirth. We see the same white mask over and over, but from various angles: on its side, in three-quarter profile,[.....]

The Scattered Geometries of Matt Phillips

This, and then. It’s the title of Matt Phillips’ latest exhibition and a useful shorthand for the mental quick march a viewer undergoes when observing his work. Through his abstract oil and acrylic paintings, Phillips plays with color, form, and volume—the building blocks of our artistic experience—to create dynamic, shifting spatial relationships. His canvases evoke, simultaneously, the calm beauty of the natural world, the randomness[.....]

Enrique Metinides: Chronicling Catastrophe

The journalistic expression “If it bleeds; it leads” is particularly resonant in Mexico, where an entire subgenre of daily tabloids, devoted to crime and disaster, cover train wrecks and murders in lurid detail. Enrique Metinides made a career as a crime photographer for these nota roja (“bloody news”), earning the sobriquet the “Mexican Weegee” for his obsessive chronicling of accidents and crime scenes throughout Mexico[.....]

Looking Skyward

In an unassuming brick building on a gray Willamsburg street, adjacent to a used car lot and several doors down from a polythene bag manufacturer, there is a portal to the West Coast. Kevin Cooley’s Skyward, currently on view at the Boiler—the project space of the Pierogi Gallery—captures the quintessence of Los Angeles life: the car as constant, the looping freeways, the towering palm trees[.....]