Ashley Stull

From this Author

Bruce Conner: Somebody Else’s Prints at the Ulrich Museum of Art

Bruce Conner, Bombhead, 2002. Pigmented inkjet print on paper, 32 x 25 in. Courtesy Magnolia Editions, Oakland, CA. © 2014 Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York

Sympathetic magic—the use of a surrogate object to magically influence the person or circumstance it represents—has long been one of my favorite subjects. The Ulrich Museum of Art’s current exhibition, Bruce Conner: Somebody Else’s Prints, is an impressive collection of prints, etchings, and lithographs, a number of which Conner attributed to pseudonyms. The show inventively chronicles the artist’s use of surrogate figures for a variety of[…..]

Interview with Josh Short

Josh Short. Going to Church, 2014; installation view, The Warehouse, Salina Art Center. Courtesy of the artist. Photo: April Engstrom.

I’ve recently been introduced to the term prairie madness. It’s fictional—not founded in medicine—but it captured my imagination all the same. Artist Josh Short laughed as he explained it to me: The gist is that one can be driven to psychosis by the far-flung expansiveness of the Midwest. Characters in novels have been driven to tears by the isolation, the seemingly never-ending wind, and their[…..]

Lifelike at the Blanton Museum of Art

Jonathan Seliger. Heartland, 2010; Enamel on bronze; 103 x 29 x 29 in. Courtesy of the Artist and Jack Shainman Gallery, NY

An unattended bag of garbage amid a pristine installation is quite a thing to behold. At first instinct, one can barely believe the carelessness. Perhaps, in the haste of opening night, preparatory staff neglected it—or, in the case of Lifelike at the Blanton Museum of Art, one should reprimand oneself for failure to look closely enough. Titled Hefty 2-Ply (1979–81), the garbage bag is a flawlessly[…..]