Bean Gilsdorf

From this Author

Help Desk: The Ethics of Application Fees, part 2

Jean-Luc Moulene. Tronche / Avatar (Paris, April 2014), 2014; Polished concrete, blue blanket
15 x 10 5/8 x 11 in.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. What are your thoughts on application fees for residencies, fellowships, and exhibitions? Typically the odds of being selected are very long, and the vast majority of artists who apply for opportunities aren’t swimming in[.....]

Help Desk: The Ethics of Application Fees, part 1

Eberhard Havekost.
In Control, 2009;
Oil on canvas;
27.5 x 15.75 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. Recently I submitted work in response to a thematic juried call by a large, reputable, nationally known and respected arts organization [in my city]. It’s my habit to first inspect a[.....]

Help Desk: Race & Voice

Shinique Smith. Of A Particular Perfume, 2011; Hand-dyed clothing, fabric, binding, and wood 72 x 2 x 52 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I am a writer and curator. I’m also a woman of color. While people think this may not be important, it is! We don’t live in a postracial society. What I[.....]

Help Desk: Group Crit

Beatriz Milhazes. Sinfonia Nordestina, 2008; Acrylic on canvas, 96 7/8 X 144 7/8 inches

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’ve been accepted to an MFA program that begins this September. As the month approaches, I find myself getting increasingly nervous and anxious (as I always do on the first day[.....]

Help Desk: Friends with Benefits

Allora & Calzadilla. Body in Flight (Delta), 2012; Carved and stained wood; Dimensions variable.
Installation view: U.S. Pavilion, 54th International Art Exhibition, Venice, 2011. Photo: Andrew Bordwin

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. A few months ago I tried to collaborate with a good friend, but we didn’t complete any work. It’s not that we spent the time just hanging out—we worked, but it[.....]

Help Desk: To Apply Oneself

Jim Lambie. Strychnine Seven and Seven, 2004; Record covers, tape, photocopies; 125 x 190 cm

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. Should there be a limit on the number of times you apply for the same opportunity before you come to the realization that they just aren’t buying what you’re selling? The[.....]

Help Desk: The Biggest/Littlest Decision

Louise Bourgeois.
The Curved House, 1990; Marble, 14 x 37 x 13 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’ve now reached the age where the question regarding children has become increasingly relevant. To have or not to have? How does a successful artist combine her career with her[.....]