Bryan Granger

From this Author

Yaakov Israel: The Quest for the Man on the White Donkey at the Halsey Institute for Contemporary Art

Yaakov Israel. Abandoned Water Park, Dead Sea, 2010; c-print. Courtesy the artist and the Halsey Institute of Contemporary Art, Charleston, South Carolina.

In 1981, John Baldessari said, “Probably one of the worst things to happen to photography is that cameras have viewfinders…” but artist Yaakov Israel would certainly disagree.[1] Israel’s photographs in The Quest for the Man on the White Donkey at the Halsey Institute for Contemporary Art in Charleston, South Carolina, are carefully constructed. Israeli-born and -based, Israel relishes the serendipitous encounters he’s had while exploring[.....]

Marie Orensanz: Works from the ‘70s at Alejandra von Hartz Gallery

Marie Orensanz. Marie Orensanz: Works from the ‘70s, 2014; installation view, Alejandra von Hartz Gallery, Miami. Courtesy of Alejandra von Hartz Gallery.

“Fragmentism searches for the integration of a part into a whole, transformed by its multiple readings, into an unfinished and unlimited object.” So declares Argentinian artist Marie Orensanz’s Manifesto Fragmentismo, which appears on a 1978 print in her current exhibition at Alejandra von Hartz Gallery in Miami. The print exists both as a work itself and as a framework in which to view the various[.....]

William Cordova: Ceiba: Reconsidering Ephemeral Spaces at MDC Museum of Art + Design

Installed in the Freedom Tower in downtown Miami, William Cordova’s exhibition Ceiba: Reconsidering Ephemeral Spaces shares a geopolitical bond with the building in which it is located. Now a venue for Miami-Dade College’s Museum of Art and Design, the Freedom Tower’s original tenant was the Miami News & Metropolis newspaper. After a period of vacancy, it served as an immigration center for Cuban refugees fleeing[.....]

Antonia Wright: You Make Me Sick: I Love You at Spinello Projects

Antonia Wright. Suddenly We Jumped (2),2014 (video still); single channel video, 00:14. Courtesy the artist and Spinello Projects, Miami.

If Antonia Wright ever tires of being an artist and desires a career change, she might find success as a stuntwoman. In a number of videos in her show You Make Me Sick: I Love You at Spinello Projects in Miami, she has transformed her body into a projectile, hurling herself through glass, piles of books, and into oncoming cars. The feelings of danger and[.....]

Nicolas Lobo: Bad Soda/Soft Drunk at Gallery Diet

Get Nexcited! So beckons the label of Nexcite, an aphrodisiac beverage once produced in Sweden. When it first came out in the early 2000s in the United States, it was sold under the moniker Niagara, and it was wildly popular. Shortly afterward, Pfizer filed a lawsuit claiming copyright infringement (the name is similar to Viagra), forcing the beverage to be renamed Nexcite. It was never able[.....]

Yael Bartana at Pérez Art Museum Miami

Yael Bartana. Inferno, 2013 (video still); HD video with sound; 18 minutes. Courtesy of the Artist; Petzel, New York; Annet Gelink Gallery, Amsterdam; and Sommer Contemporary Art, Tel Aviv.

To say that Yael Bartana’s latest film, Inferno, opens in epic fashion would be a bit of an understatement. Accompanied by a dramatic score, the initial shot begins with a flyover of an expansive forest, which suddenly opens up to the colossal cityscape of São Paulo. Dominating the frame, the city appears as a vast empire, an allusion that sets up the rest of the film. The[.....]

Grid’s World at Locust Projects

In any survey of post-war abstract painting, an inescapable topic of discussion is the grid. Usual examples cite artists such as Agnes Martin and Ad Reinhardt, and the grid as aesthetic style typically bears descriptive qualities like “clinical,” “sterile,” and “objective”—words that have minimalistic sensibilities. However, as Zachary Cahill points out in an introductory text for Grid’s World at Locust Projects in Miami, grids are[.....]