Bryan Granger

From this Author

Antonia Wright: You Make Me Sick: I Love You at Spinello Projects

Antonia Wright. Suddenly We Jumped (2),2014 (video still); single channel video, 00:14. Courtesy the artist and Spinello Projects, Miami.

If Antonia Wright ever tires of being an artist and desires a career change, she might find success as a stuntwoman. In a number of videos in her show You Make Me Sick: I Love You at Spinello Projects in Miami, she has transformed her body into a projectile, hurling herself through glass, piles of books, and into oncoming cars. The feelings of danger and[.....]

Nicolas Lobo: Bad Soda/Soft Drunk at Gallery Diet

Get Nexcited! So beckons the label of Nexcite, an aphrodisiac beverage once produced in Sweden. When it first came out in the early 2000s in the United States, it was sold under the moniker Niagara, and it was wildly popular. Shortly afterward, Pfizer filed a lawsuit claiming copyright infringement (the name is similar to Viagra), forcing the beverage to be renamed Nexcite. It was never able[.....]

Yael Bartana at Pérez Art Museum Miami

Yael Bartana. Inferno, 2013 (video still); HD video with sound; 18 minutes. Courtesy of the Artist; Petzel, New York; Annet Gelink Gallery, Amsterdam; and Sommer Contemporary Art, Tel Aviv.

To say that Yael Bartana’s latest film, Inferno, opens in epic fashion would be a bit of an understatement. Accompanied by a dramatic score, the initial shot begins with a flyover of an expansive forest, which suddenly opens up to the colossal cityscape of São Paulo. Dominating the frame, the city appears as a vast empire, an allusion that sets up the rest of the film. The[.....]

Grid’s World at Locust Projects

In any survey of post-war abstract painting, an inescapable topic of discussion is the grid. Usual examples cite artists such as Agnes Martin and Ad Reinhardt, and the grid as aesthetic style typically bears descriptive qualities like “clinical,” “sterile,” and “objective”—words that have minimalistic sensibilities. However, as Zachary Cahill points out in an introductory text for Grid’s World at Locust Projects in Miami, grids are[.....]

Victoria Fu: Belle Captive at Emerson Dorsch

In a time when appropriation has become seamlessly integrated into contemporary art practice, it’s not easy to provide a precise definition for such an increasingly amorphous concept. Jan Verwoert offers a robust description, calling appropriation “an intense sense of an interruption of temporal continuity, a black out of historical time that mortifies culture and turns its tropes into inanimate figures, into a objectified, commodified visual[.....]

My Money at Fredric Snitzer Gallery

Peter Holzhauer. Girl, 2013; gelatin silver print; edition 1 of 6; 21 7/8 x 17 1/2 inches. Courtesy the artist and Fredric Snitzer Gallery, Miami.

Once a month, Miami’s Wynwood art district receives a massive influx of visitors for its Second Saturday Art Walk. Normally vacant lots are used for overpriced parking, and the usually quiet streets become gridlocked with expensive cars and bustling crowds of people. Amidst the monthly chaos, a few galleries tucked away in the neighborhood enjoy the increase in visitors, who take in the art on[.....]