Carmen Winant

From this Author

Fort at Lime Point: John Chiara at Von Lintel Gallery

CJ11_Oakat4thFedBldg_300-600x703

Every photographer has wished, at some point, that they could substitute the lens for their own eye. John Chiara does the next best thing: he crawls inside his homemade camera, the size of a small Uhual trailer, in order to make unique photographs. He may not be able to be the camera’s retina, but he can certainly inhabit its brain. The results are monumentally large[.....]

Unweaving the Rainbow: An Interview with Mike Womack

Colorado-based artist Mike Womack’s show Spectres, Phantoms, and Poltergeists opened at the Chelsea gallery ZieherSmith on September 15.  DailyServing’s Carmen Winant had a chance to catch up with him this weekend to chat about his practice and the new work. Carmen Winant: What is your background in fine arts? Are you trained in sculpture and is that how you would define your practice? Mike Womack:[.....]

An Interview with Zoe Crosher

Zoe Crosher’s haunting photographs—showcasing spots where both fictional and non-fictional characters disappeared—have been on display for the last month at Las Cienegas Projects in Los Angeles.  The show closes July 16th.  Crosher recently sat down with DS writer Carmen Winant to talk about the project and her work in general. Carmen Winant: Hi Zoe! Thanks for agreeing to talk with us.  In your latest series,[.....]

For A Long Time at Roberts & Tilton

In The Body in Pain: The Making and Unmaking of the World, scholar Elaine Scarry describes the inability of language to interpret and express physical pain: “By its very nature, pain resists, even destroys the language that grapples with it.” But what of the capacity of visual art to interpret and translate this bodily experience? “For a Long Time”, on view now at Roberts &[.....]

A Man, A Plan, An Award: Matthew Barney Reconsidered at the San Francisco International Film Festival

“It is so very hard to become a man. . .Everything threatens to beat us down, to strip us of our biological birthright, to destroy us simply for asserting our essential, metaphysical manliness.” – Roger D. Hodge, Onan the Magnificent: The Triumph of the Testicle in Contemporary Art (2000) Today, Matthew Barney will receive the prestigious Golden Gate Persistence of Vision Award during the San[.....]

Scott Treleaven at Silverman Gallery

In the 1990s, Scott Treleaven was best known as a film and zine-maker. Toronto-bred and living in Paris, Treleaven had made a name for himself through his zine, Salivation Army, which he filled with collage, drawings, 35mm photographs and sprawling notes. It was a meeting place of Queer, occult, and punk interests, if you can imagine such a wild thing. Treleaven’s new show at Silverman[.....]