Kara Q. Smith

From this Author

Zhan Wang: Morph at Long March Space

Zhan Wang. Morph, 2014-15; installation view, Long March Space, Beijing. Courtesy of the Artist and Long March Space.

Quiet, cool, and dimly lit, Long March Gallery is an ethereal sanctuary for the five sculptures of Zhan Wang’s Morph. A tall, abstract sculptural form perches on a marble pedestal in the first gallery; next to it is a large, shiny work from Zhan’s ongoing Artificial Rock series. Together they create an intriguing juxtaposition. Immediately it seems odd to view such a work inside a[…..]

Isabel Nolan: The Weakened Eye of Day at the Irish Museum of Modern Art

Isabel Nolan. The weakened eye of day, 2014; installation view, Irish Museum of Modern Art, Dublin. Courtesy of the CCA Wattis Institute. Photo: © Denis Mortell

Boldly and optimistically, a viewer might enter Isabel Nolan’s exhibition The Weakened Eye of Day with bright, wondering eyes. In Room 1, just on the right, is Dreams of No Thing, No Time (2014), a small green-and-orange watercolor painting of a subject that likely looks familiar: the sun on the horizon. Broad brushstrokes swept in half circles across the canvas render the composition abstract and[…..]