Lenae Day

From this Author

Eric Yahnker: Noah’s Yacht at Zevitas Marcus

Eric Yahnker. Abe Lincorn, 2015; colored pencil on paper. Pierced Piety, 2015, colored pencil on paper. Shell Game, 2015 (detail); 314 Purell hand sanitizer bottles, spire seashells. Courtesy of the Artist and Zevitas Marcus.

Eric Yahnker’s large-scale colored pencil drawings are often satirical, social, and political in nature. The Los Angeles–based artist, who has worked both for South Park and as a journalist, views himself as a political cartoonist in the often patronizing and self-involved art world. Many of his previous shows have felt like incredible, offbeat, anarchic versions of the very best in political cartoons or Dadaist reinterpretations[…..]

John Outterbridge: Rag Man at Art + Practice

John Outterbridge. Case in Point, c. 1970 (from the Rag Man Series); mixed media; 12 x 12 x 24 inches. Collection of the Hammer Museum. Photo: Andrew Zermeño.

In the South Central Los Angeles neighborhood of Leimert Park, an art and social movement is gaining steam. Art + Practice is a community outreach and education center as well as a gallery in partnership with UCLA’s Hammer Museum. Founded by artist Mark Bradford, philanthropist Eileen Harris Norton, and social activist Allan Di Castro, Art + Practice aims to educate and prepare disadvantaged foster youth[…..]

Larry Sultan: Here and Home at LACMA

Larry Sultan. Discussion, Kitchen Table, from the series “Pictures from Home,” 1985; chromogenic print; 30 x 40 in. Photo courtesy of the Estate of Larry Sultan.

“Isn’t imagination really the final measure of intelligence?” — Larry Sultan Picture it: golf courses, lawn furniture, sprinklers, empty pools, groceries, plush carpets you can almost feel under your feet, sunglasses, bulky watches, a Dodger’s game droning on TV, frosted glass, floor-to-ceiling curtains, a pink terry-cloth tracksuit, patterned linoleum, and green—the pervasive chartreuse of freshly cut grass or new growth is evident in almost every single[…..]

Burning Down the House at Pasadena Museum of California Art

Jo Ann Callis. Salt, Pepper, Fire, 1980; dye transfer print; 22 ½ x 17 ½ in. Courtesy of the Artist.

A woman in a long skirt spins dervishly against a mauve background while a wooden sculptural lamp in the shape of an embracing couple dominates the foreground. A man with two faces simultaneously laughs and cries behind a potted houseplant. The scene of a one-night stand is recorded in minute detail in the Polaroids left by a bed. Two clay women battle over a chintzy[…..]

Landscape City at Center for the Arts Eagle Rock

Jennifer Juniper Stratford. Still from Program Vista, 2014, video projection. Courtesy of the Artist. Photo by the author.

A crowd gathered under the rafters and art-deco chandeliers of the Eagle Rock Center for the Arts, and the fifteen-piece Aaron Olson Ensemble began with the low strum of a bass guitar, continued into a bright piano melody that later became the distorted sound of a nightmare, and finally moved into a powerful brassy conclusion without ever losing its warm aural undercurrents. Aaron M. Olson’s[…..]

Yvonne Rainer: Dances and Films at the Getty Center

Yvonne Rainer. Yvonne Rainer and John Erdman in This is the story of a woman who… performed at Theater for the New City, New York, 1973, Gelatin silver print, 20.2 x 25.2 cm. The Getty Research Institute. Photo: Babette Mangolte.

Contained within two rooms at the Getty Center is a lifetime’s work by conceptual art, dance, and film pioneer Yvonne Rainer. Dances and Films showcases the Getty’s complete archive of Rainer’s work—with journals, photographs, sketches, choreographic notation, films of performances, and a complete retrospective of her avant-garde films. In our contemporary world, where performance art (and art in general) is dominated by celebrity and personality, it[…..]

Eric Yahnker: Sticks and Drones at Paradise Row Gallery

Eric Yahnker. Crimea River, 2014, charcoal, graphite and ink on paper, 40 x 30 in. Courtesy of the Artist.

The cleverly titled Sticks and Drones at Paradise Row Gallery is Los Angeles-based artist Eric Yahnker’s London debut. On entering the gallery, viewers are confronted with Daddy Issues (2014), a crudely carved wooden cobra with the words “Daddy Issues” lovingly wood-burned into its hood. With a sequined magenta bow on the middle of its head, it’s the Honey Boo Boo of county-fair handicrafts. “Daddy Issues”[…..]