Lia Wilson

From this Author

Mona Hatoum at ICA Boston

Mona Hatoum. Natura morta (Edwardian vitrine), 2010; Murano glass and cabinet; 54 ½ x 24 x 11 ¾ inches. The Institute of Contemporary Art, Boston. Gift of Barbara Lee, The Barbara Lee Collection of Art by Women. Courtesy of Alexander and Bonin. Photo: Joerg Lohse.

Mona Hatoum’s solo exhibition, currently on view at Boston’s Institute of Contemporary Art, is made entirely of newly gifted works from philanthropist and political activist Barbara Lee. The Barbara Lee Family Foundation is focused on advancing female representation in politics. Lee is a major supporter of Hilary Clinton, in addition to being a collector who has shifted her focus exclusively to female artists. At the[…..]

Tseng Kwong Chi at Grey Art Gallery

Tseng Kwong Chi. New York, New York (World Trade Center), 1979, from the East Meets West series; Gelatin silver print, printed 2014; 36 x 36 in. Courtesy of Muna Tseng Dance Projects, Inc., New York

Tseng Kwong Chi: Performing for the Camera is the first major retrospective on the artist, co-organized by the Chrysler Gallery and NYU’s Grey Art Gallery. Bringing Tseng’s body of work to the fore is an important and overdue project; his career was regularly eclipsed by his friends, whose trajectories characterized the 1980s New York City art market boom, most notably Jean-Michel Basquiat and Keith Haring.[…..]

Margret: Chronicle of an Affair at White Columns

3.	Margret: Chronicle of an Affair—May 1969 to December 1970, 2015; detail. Courtesy of White Columns / Delmes & Zander.

Art-historical borders cease to have validity if they stand in the way of new theoretical connections and investigations.

2015 Triennial: Surround Audience at the New Museum

Josh Kline. Freedom, 2015; installation view, 2015 Triennial: Surround Audience, 2015, New Museum, New York. Courtesy of the Artist and 47 Canal, New York.

Surround Audience, the latest triennial exhibition at the New Museum, surveys fifty-one emerging artists, from twenty-five countries, whose practices are informed by their lived experience immersed in the digital landscape. The triennial has always billed itself as a predictive rather than reflective survey, and this iteration is no exception, with a focus on the culture of the immediate present and where it’s hurtling. Though the[…..]

Outsider Art Fair 2015

Edward Deeds. Untitled, 1936–66; installed at Hirschl and Adler Modern, Outsider Art Fair 2015. Photo: Lia Wilson.

The 2015 Outsider Art Fair, held at Center 548 in the Chelsea gallery district of New York City, marked the twenty-third iteration of the event. It also occurred within a season of mainstream museums prominently featuring the work of so-called outsider artists in very high-profile, insider art spaces. Judith Scott: Bound and Unbound, the artist’s first retrospective, was held at the Brooklyn Museum in the[…..]

Playing with Fire: Political Interventions, Dissident Acts, and Mischievous Actions at El Museo del Barrio

Adal Maldonado (ADAL). El Spanglish Sandwich, 2000; printed ceramic plate and stand; 8-inch diam. Courtesy of El Museo del Barrio.

Declarations of dissent can manifest in many ways. Playing with Fire: Political Interventions, Dissident Acts, and Mischievous Actions, currently on view at El Museo del Barrio, surveys a range of Latin American and Caribbean artists who through their art practices have voiced their dissent from oppressive cultural forces. The curator, Nicolás Dumit Estévez, frames these artistic impulses as foundational to the history and spirit of[…..]

Ayana V. Jackson: Archival Impulse at 33 Orchard

Ayana V. Jackson. Prototype/ Phenotype, 2013; archival pigment print; edition of 6 and 3 artist proofs; 39.4 x 45.5 in.

Ayana V. Jackson’s exhibition An Archival Impulse claims to take inspiration from Hal Foster’s idea that, through confronting the archive, new systems of knowledge can be created. Jackson’s artistic interrogation targets representations of non-European bodies during the 19th and 20th centuries, a period of significant colonial expansion in Africa and the Americas. This history of representation comprises a vast field of imagery and thousands of[…..]