Magdalen Chua

From this Author

Interactions Between Representations of History

An exhibition of two adjoining shows by Slavs and Tatars and Lonnie van Brummelen & Siebren de Haan is on at Kiosk, Ghent till 22 January 2012, featuring works that deal with interpretations and associations surrounding historically significant events. Friendship of Nations: Polish-Shi’ite Showbiz by Slavs and Tatars presents a re-imagination of an Iranian Polish Solidarity. Even to an eye unfamiliar with Iranian and Polish[.....]

Startle Reaction

Startle Reaction, an exhibition of works by Torsten Lauschmann is on view at Dundee Contemporary Arts till 8 January 2012. Skipping Over Damaged Areas is a compilation of movie titles, sequenced to form a new narrative. It is screened in the first gallery with Misshapen Pearl, a film that assembles street scenes and television footage, with Lauschmann’s voiceover reflecting on the streetlamp as a manifestation[.....]

Next to Nothing: On the Price of Nothing and the Value of Everything

Next to Nothing: On the Price of Nothing and the Value of Everything is an exhibition by Black Dogs, an art collective comprising members based primarily in Leeds and London that interrogates the notion of art produced for social transformation and develops platforms for art production and presentation to exist outside and against the values of a capitalistic art system. This approach is apparent both[.....]

The Builders: An Interview with It’s Our Playground

The Builders is a “living exhibition” that runs till 30 October 2011 at The Market Gallery, Glasgow, and unfolds from interventions by a group of artists working in sequence. Heather and Ivan Morison first list the materials and tools that form their dream workshop; Neal Beggs creates new works in the gallery for seven days using only what is found within the workshop, and Nick[.....]

Gary Rough

Gary Rough’s solo show, ‘Monday, Tuesday, Wednesday, etc. …’ was developed during a residency of five weeks in the galleries of Sorcha Dallas, Glasgow. In the first gallery, copies of George Orwell’s ‘1984’ sit on shelves, lining the upper perimeter of the gallery. An installation of Rough’s ongoing attempt to acquire one thousand, nine hundred and eighty-four copies of ‘1984’ that are either used or[.....]

Ingrid Calame

At the entrance to the gallery’s first level of Ingrid Calame‘s solo exhibition at The Fruitmarket Gallery in Edinburgh, the pale green enamel of sspspss…UM biddle BOP appear like forceful strokes and splatters that drip down the wall, unfolding across the ground. Though emerging as paintings with energetic and abstract shapes, Calame’s works evolve from a painstaking process that originates from the representation of cracks[.....]

Live your questions now

Live your questions now is a survey exhibition of artists over 60 years old at the Mackintosh Museum of The Glasgow School of Art. The title is taken from a quote by Rainer Maria Rilke, on responding to the uncertainties of life by living out one’s questions, opening the possibility of living one’s way into the answer. Within the exhibition, several artists  reflect on the[.....]