Marilyn Goh

From this Author

Rirkrit Tiravanija: Time Travelers Chronicle (Doubt): 2014 – 802,701 A.D at Singapore Tyler Print Institute

Rirkrit Tiravanija. Sixth chapter: take the spin off, unwind, reverse directions, and shatter the bonsai, on the way back don't forget to smile, 2013; screen print, metal foil, cast paper, STPI handmade cotton paper, stainless steel pedestal, 3D printed object; 259.5 x 259.5 cm; 4 sheets. Image courtesy of Singapore Tyler Print Institute.

“There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it.”—H.G. Wells, The Time Machine (1895) In 1992, Rirkrit Tiravanija converted the spaces of 303 Gallery in New York into a kitchen where he served rice and Thai curry to a crowd that became unwitting participants in a hybrid installation titled Untitled (Free). Seven years[.....]

Paradise Lost at the Centre for Contemporary Art, Singapore

Trinh T. Minh-ha. Surname Viet Given Name Nam, 1989 (film still); 16mm; 108 min. Courtesy of Moongift Films.

“Southern Asia, in general, is the seat of awful images and associations. As the cradle of the human race, it would alone have a dim and reverential feeling connected with it… [the] mere antiquity of Asiatic things, of their institutions, histories, modes of faith, &c., is so impressive, that to me the vast age of the race and name overpowers the sense of youth in[.....]

If the World Changed: Singapore Biennale 2013

Teamlab. Peace Can Be Realized Even Without Order, 2012; interactive digital installation; dimensions variable. Courtesy of the Artist and Singapore Art Museum.

Premised on the obliquely hypothetical question “What if the world changed?”, the Singapore Biennale 2013 (SB2013) is presented as a deconstructed entity centered on allusive keywords—or “tags” in internetspeak—such as “histories,” “intervention,” and “materiality” in order to highlight the transmutative and the transformative qualities of the art produced in the region. With a collaborative team of 27 curators instead of an artistic director helming the show,[.....]

Chun Kwang Young: Assemblage

Chun Kwang Young. Aggregation 07 DE146, 2007 (detail); mixed media with Korean mulberry paper; 250 x 205 cm. Image courtesy of Michael Culme-Seymour and Art Plural gallery.

Chun Kwang Young’s Assemblage at Art Plural Gallery is a series of three-dimensional sculptural works wrapped with Korean mulberry paper and assembled within the two-dimensional frame of a canvas. Taking the ubiquitous use of the mulberry paper in Korea—also known as hanji—as a material point of reference, the Assemblage series explores a desolate landscape of depressions, protrusions and coloured spots, all of which seem to reference abstract painting’s visual language of prioritising[.....]

New Waves, Korea

A dominant feature of contemporary Asian art has always been the reflection of cultural and historical frameworks within which such works are produced: firmly entrenched in tradition, yet forward-looking thanks to the far-reaching changes – and homogenisation – brought about by the formidable impact of globalisation. Even though artistic production in South Korea seems to follow this trend, it is problematised by the emergence of[.....]

Thukral & Tagra: Windows of Opportunity

Windows of Opportunity (2013), Jiten Thukral’s and Sumir Tagra’s (branded as Thukral & Tagra) latest show at Art Plural gallery, gives expression to the cacophonous spectacle of hybridity that defines contemporary India, a site that they deem to be a hotbed of conflicted histories and global transactions. These issues of societal flux are explored in their oeuvre through an eclectic visual language composed of cartoonish[.....]

Geng Jianyi: The Artist Researcher

Born in 1962 of parents who were attached to the Chinese People’s Liberation Army, Geng Jianyi grew up in a country shaped by rigid, state-mandated structures that had, by the late 1960s to the early ‘70s, fallen a long way short of the idealistic socialist Chinese state that Mao Zedong had envisioned. Where solidary socialism was intended to create commitment to the system by way[.....]