Marilyn Goh

From this Author

Agostino Bonalumi: The Glass of Shadows

When Lucio Fontana published his Spazialismo series in the 1940s, a fundamental reiteration of this theory was that matter should be transformed into energy to invade space in a dynamic form. In essence, only the conceptually abstract offered the freedom within linear space to explore ideas about movement and time in art. Fontana’s slash series went on to demonstrate this idea, where linear slashes and[.....]

Ronald Ventura: Recyclables

Ronald Ventura’s latest suite of works, produced at the Singapore Tyler Print Institute, examines how humanity relates to the environment, and how we often leave in our wake, a trail of destruction. Recyclables is Ventura’s show of lithographs, cast paper sculptures and paper relief on canvas produced from the discarded waste of urbanity, which he has recycled into a visual mélange of apocalyptic tales drawn[.....]

Joel Morrison at Gagosian Hong Kong

Joel Morrison, The Reaganomic Youth (version 2), 2012. Stainless steel, 28 1/2 x 18 x 22 1/2 inches (72.4 x 45.7 x 57.2 cm), Ed. of 3. Photo by Erich Koyama.

In his first solo exhibition in Asia at the Gagosian gallery in Hong Kong, Joel Morrison presents a reasonably entertaining series of recent works that challenges formalist sculpture while engaging in a constant critique of art historical directions. Drawing on readily-available objects utilised in daily life, Morrison’s composite sculptures begin as disparate Duchampian readymades: weather balloons, bullets, mannequin busts and shopping carts, just to list[.....]

We Like STATIC

Static, Luxury Vandals MMXI, 2011. Five color screen print , 220 gsm Mirriboard, 46 x 46 cm. Edition: 35 (per color variant).

Long entrenched in British literary tradition, parody, pastiche and caricature have, more recently, been revived in contemporary British urban art. Street artist Banksy’s foray into social criticism of war, art world commercialism and totalitarianism (just to name a few) or Mau Mau’s sprawling colourful murals, elaborately scrawled on public surfaces are such notable instances of irreverent commentaries that satirise and caricaturise. A more domestic, less[.....]

Supporting Partick Thistle: Paintings, Rob McLeod

Robert McLeod, The Three Graces Struggle with the Goochi Handbag, 2011, Installation view, Bath Street Gallery. Photo: Sait Akkirman

Even fanatic football fans would be hard-pressed to remember a Glaswegian football team called Partick Thistle, a perpetual underdog in First Division Scottish Football League that’s oft-joked about because of their non-winning ways. Getting behind a team that tries every week but gets nowhere requires no small measure of faith, an action probably synonymous with holding out hope in the long term for that which[.....]

Seeker of Hope: Works by Jia Aili

untitled-2010-2012

As Jia Aili grew up in the 1980s, it seemed as though post-Mao Zedong China was well on its way into transforming itself into a superpower, leaving in its wake the trauma of the Great Leap Forward and the Cultural Revolution, struggling more with material trappings and economic growth rather than ideological fulfilment. These reforms and attitudes quickly penetrated across China’s vast landscapes, accompanied by[.....]

Ian Davenport: Between the Lines

Ian Davenport, Puddle Painting: Titanium White, 2009. Acrylic paint on aluminium, mounted on aluminium panel,  28 3/4 x 28 3/4 in / 73 x 73 cm. Image: Courtesy of Waddington Galleries

Between The Lines by British artist Ian Davenport currently on view at the Art Plural Gallery, is an exploration of the materiality of paint and the balance between chance and control where colours are submitted to a rigorous pouring system of densely packed vertical strips on canvases and aluminium panels. Davenport’s creative process thrives within the ambiguities of probability and chance: through the employment of[.....]