Randall Miller

From this Author

Feeling Is Mutual at Chicago Artists Coalition

Latham Zearfoss, Court of Apology #1 (COPA #1), 2014. Plexiglas, wood, subwoofer, audio. Courtesy of Chicago Artists Coalition.

Steven L. Bridges’ catalog essay for Feeling Is Mutual at Chicago Artists Coalition invokes a quote by Marcel Duchamp as a mission statement for this exhibition of performance and relational art works. Duchamp’s quote reads, “The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the[.....]

Best of 2013 – AFRICOBRA at the Logan Center for the Arts

Happy New Year! For the last day of our Best of 2013 series, we bring you Randall Miller‘s review of AFRICOBRA at the Logan Center for the Arts in Chicago. This review was originally published on July 23, 2013, and as a consideration of art, activism, race, class, and collectivism, it bears a second look as we move forward into the new year. What changes—in[.....]

Elijah Burgher: Friendship as a Way of Life b/w I’m Seeking the Minotaur at Western Exhibitions

Elijah Burgher. Excremental Philosophy Illustrated, Vol. 1, 2013; colored pencil on paper; 19" x 24". Courtesy of Western Exhibitions.

Elijah Burgher delves into the symbolic and uncanny in his one-man show Friendship as a Way of Life b/w I’m Seeking the Minotaur at Western Exhibitions. Large, painted drop cloths act as psychic doorways into an ancient universe of strange magic. On the other side, a confident series of colored pencil drawings feature unknown icons, nude men, or both. Excremental Philosophy Illustrated, Vol. 1 (2013) is[.....]

Iñigo Manglano-Ovalle at moniquemeloche

Something tells me the National Security Administration is monitoring Iñigo Manglano-Ovalle’s phone calls, and not just because the NSA monitors everyone’s phone calls. Since the early days of the War on Terror, the artist has built up an impressive arsenal of devastation. Starting in 2003 with Cloud Prototype 1 – a shiny amorphous blob reminiscent of a mushroom cloud, or a deformed variation of Warhol’s[.....]

Avenging Ancestors, Failing Spectacularly: Wisconessee at Kasia Kay Projects

Daniel Bruttig. Nick with Monster Mask, 2013. Colored pencil on paper. Courtesy of Kasia Kay Projects.

If you’re at all interested in seeing Wisconessee, Duncan R. Anderson and Daniel Bruttig’s semi-collaborative two man show at Kasia Kay Projects, I can tell you right now there’s a good chance you’ve already seen it. Typically, I’m not one to write a negative review for the sake of teeing off on artists who are just trying to get some work out there. But this[.....]

AFRICOBRA: Philosophy at the Logan Center

Barbara Jones-Hogu, "Unite," 1968-71; screenprint; 25.5 x 35 in. Courtesy of the artist and Logan Center for the Arts.

The assembly of works by AFRICOBRA (African Commune of Bad Relevant Artists), a collective of African American Chicago-based artists active during the 1960s and 1970s, now on display at the Logan Center for the Arts could fairly be described as a time capsule; it is more important for the moment it captures than for its contents. In addition to this exhibition, titled AFRICOBRA: Philosophy, the collective currently has two other[.....]

A Ballad for Chicago: Theaster Gates at MCA Chicago

nstallation view, Theaster Gates: 13th Ballad, MCA Chicago, 2013. Photo: Nathan Keay, © MCA Chicago.

Last year, Theaster Gates and a team of collaborators took over a run-down building in Kassel, Germany called Huguenot House, renovating the space for performances and creative interventions as part of 12 Ballads for Huguenot House, the artist’s contribution to dOCUMENTA (13). It was a fitting gesture considering the restorative origins of the first dOCUMENTA in 1955, which reintroduced modern art to Germany after years[.....]