Randall Miller

From this Author

Painter of History

Painting has been around for a while, haven’t you heard? So it’s no surprise when a new show can set off a flurry of historical associations and still appear to be of its own time. Jon Pestoni’s exhibition of recent abstract paintings at Shane Campbell gallery does just that. Pestoni’s paintings bare a superficial resemblance to work by Gehard Richter. The vertical and horizontal movement[.....]

(Made by) PICASSO AND (owned in) CHICAGO

Trying to critique a blockbuster museum show like “Picasso and Chicago” at the Art Institute of Chicago is kind of like trying to offer thoughtful criticism of Coca-Cola; at this point, there’s not much that can be said that would enhance or diminish the iconic status of either of these monolithic cultural forces. So why bother? Here are a few personal thoughts and observations about[.....]

Hidden In Plain Sight

Artist Jeremy Bolen brought back a lot of pictures from his trip to Geneva, Switzerland last year, which are currently on view at Andrew Rafacz Gallery in Chicago. Bolen’s one-man show titled CERN, features conceptual photography that is driven by unique processes of exposing film, processes which point toward challenging questions about the veracity of art. The Geneva photos aren’t exactly your standard images of a bucolic European countryside,[.....]

Where Images Fail: Newton, Connecticut

Editors note: “Where Images Fail: Newton, Connecticut” explores the inability of images to accurately explain the tradgedy and greif afflicted by mass shootings. As a result, we have decided to remove all images from today’s article. **** In one picture, a teenaged girl holds a phone to her ear. Her free hand clutches her chest. She’s alone in a parking lot on a sunny day. The[.....]

“Under One Sun” Erika Harrsch at Kasia Kay Art Projects Gallery

According to chaos theory, a single flap from the wings of a butterfly can set off a string of events leading to major global changes. It’s no coincidence that the butterfly is the chosen catalyst in this theoretical scenario; symbolically, butterflies have been a remarkably durable representation of change, transition, transformation, and resurrection in the human imagination. In Erika Harrsch’s exhibition “Under One Sky” at[.....]

ALLEYS AND PARKING LOTS Joel Ross in collaboration with Jason Creps at moniquemeloche

In the foreground of one of Joel Ross and Jason Creps’ photographs, the artists installed a sign that reads “At the beginning of the story I will say to you ‘This is how it happened’ and then we will proceed, okay?” This statement could be the thesis for the artists’ exhibition of cinematic photographs titled “Alleys and Parking Lots” at moniquemeloche, a show in which[.....]

Seymour Rosofsky “Xylophone Solo” at Corbett vs. Dempsey

"Couple Dancing In The Living Room" (1970), gouache and watercolor on paper, 24 x 35.75 inches. Courtesy of Corbett vs. Dempsey.

Sometimes when I am out looking at art I ask myself the question “What does it mean to experience this artwork in this moment?” I found myself asking that question at the exhibition of Seymour Rosofsky’s drawings at Corbett vs. Dempsey titled “Xylophone Solo.” Rosofsky died the year I was born, 1981. He was part of the Chicago Imagists’ Monster Roster, a loosely affiliated movement[.....]