Articles

From the Archives – The Culture of the Copy

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Today from the archives, we bring you an early #Hashtags column on images, photography, and the movement from two dimensions to three. Though this post was originally published on January 24, 2012, the distinction between “real” and “unreal” continue to be germane to both contemporary art and everyday culture. “Cameras are the antidote and the disease, a means of appropriating reality and of making it[.....]

Rhonda Holberton: YOU BECAUSE FREE INSTANTLY NEW at Pro Arts Gallery

Rhonda Holberton. YOU BECAUSE FREE INSTANTLY NEW, 2014; installation view; Pro Arts Gallery, Oakland, California. Courtesy of the Artist and Pro Arts Gallery.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Amanda N. Simons reviews Rhonda Holberton: YOU BECAUSE FREE INSTANTLY NEW at Pro Arts Gallery in Oakland, California. Pro Arts Gallery in downtown[.....]

From the Archives – Curating Activism: An Interview with Julio César Morales

Julio César Morales, "Undocumented Interventions #1," 2011. Watercolor and ink on paper. 32.5 x 24.5 in.

Today from our archives we bring you an interview with Julio César Morales, curator of the Arizona State University Art Museum in Tempe. Morales says, “I am working to develop the largest Latin American video archive in the U.S., housed in the city most threatening to Latinos in the U.S. This juxtaposition reflects the ongoing struggles between the U.S. and Mexico and their parasitic need[.....]

The Artist as Player in “Girls” & “The Golden Girls”

Jesse Peretz. "Bad Friend," Girls, 2013 (film still); 00:30:00. Courtesy of HBO.

From our partners at Art Practical, today we bring you an excerpt from an essay on artistic personae by Jim Gaylord. This article was commissioned by guest editor Jonn Herschend as part of Issue 5.5, Slapstick and the Sublime, and originally published on July 10, 2014. [...] Helping to keep the artist/heartbreaker stereotype alive today is the character of Booth Jonathan (Jorma Taccone) from the HBO series Girls (2013). The creation of writer/actor/director[.....]

Roger Hiorns at Luhring Augustine

Roger Hiorns; Untitled (Security Object), 2013; cast stone; and Untitled (Surface 2), 2014; Steel, flat screen and youth; © Roger Hiorns; Courtesy of the artist and Luhring Augustine, New York.

Roger Hiorns’ current solo exhibition at Luhring Augustine—the British artist’s first in New York City—presents viewers with two inscrutable situations: In one, a quantity of gray powder has been deposited, apparently by hand, over a large, rectangular area occupying the better part of the main gallery; in another, a nude male model loiters about a massive, faceted stone object and a low table, the surface[.....]

John Altoon at the Los Angeles County Museum of Art

John Alton, "Untitled (F-46)," 1966, Ink and airbrushing on illustration board, 30x40inches, National Gallery of Art, Washington, anonymous gift, 1997 | © 2014 Estate of John Altoon

Today from our friends at Artillery Magazine, we bring you John David O’Brien’s review of John Altoon’s retrospective at the Los Angeles County Museum of Art. O’Brien notes, “…Altoon’s art lives up to any expectations a viewer might have for it.” This article was originally published on September 2, 2014. John Altoon couples his relaxed, entirely convincing painterly hand with a flippant disregard for norms, whether social,[.....]

COMMUNE at White Rabbit Gallery of Contemporary Chinese Art

Xia XIng, '2010', 2010 - 2011, oil on canvas, 35 x 50cm (x60) image courtesy White Rabbit Gallery

The word commune, whether used as a noun or a verb, has complex connotations. From earnest Utopianism to grim, state-enforced collectivism; from familial relationships and networks to our connection with the natural world—all of these possible associations are present in the new show at Sydney’s White Rabbit Gallery of Contemporary Chinese Art. From Judith Neilson’s impressive collection, curator Bonnie Hudson has selected works by twenty-three artists.[.....]