Articles

Yvonne Rainer: Dances and Films at the Getty Center

Yvonne Rainer. Yvonne Rainer and John Erdman in This is the story of a woman who… performed at Theater for the New City, New York, 1973, Gelatin silver print, 20.2 x 25.2 cm. The Getty Research Institute. Photo: Babette Mangolte.

Contained within two rooms at the Getty Center is a lifetime’s work by conceptual art, dance, and film pioneer Yvonne Rainer. Dances and Films showcases the Getty’s complete archive of Rainer’s work—with journals, photographs, sketches, choreographic notation, films of performances, and a complete retrospective of her avant-garde films. In our contemporary world, where performance art (and art in general) is dominated by celebrity and personality, it[.....]

Help Desk: Friends with Benefits

Allora & Calzadilla. Body in Flight (Delta), 2012; Carved and stained wood; Dimensions variable.
Installation view: U.S. Pavilion, 54th International Art Exhibition, Venice, 2011. Photo: Andrew Bordwin

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. A few months ago I tried to collaborate with a good friend, but we didn’t complete any work. It’s not that we spent the time just hanging out—we worked, but it[.....]

Anthony Friedkin: The Gay Essay at the de Young Museum

Anthony Friedkin.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Susannah Magers reviews Anthony Friedkin: The Gay Essay at the de Young Museum in San Francisco.   The first question a show about documentary work made more[.....]

Dawn Weleski

Dawn Weleski. Conflict Kitchen, 2010-present; Pittsburgh, PA. Courtesy of the Artists.

From our partners at Art Practical, today we bring you a profile of artist Dawn Weleski and her project Conflict Kitchen. Author Matthew Harrison Tedford notes, “…the sorry state of public knowledge about foreign cultures makes even a brief, thoughtful conversation between cashier and customer a monumental achievement…” This article was originally published on May 7, 2014. A recent poll of Americans asked a variety of foreign-policy[.....]

Southern Machine Exposure Project Event #14: Josh Greene’s Audio Tour

In celebration of American Independence Day, today we bring you a video from our friends at Machine Project in Los Angeles. In 2012, Machine Project teamed up with Southern Exposure—another great independent art space—to program a series of performances and events throughout the city. Artist Josh Greene made this museum-style audio tour for the home of Maria Mortati & Mark Glusker, allowing visitors intimate access to[.....]

Fan Mail: Geoffry Smalley

Geoffry Smalley. Early Morning at Cold Spring, Across Home Run Cove, 2014; acrylic on book page; 12 x 9 inches. Courtesy the artist.

Geoffry Smalley’s work is rooted in early-19th-century American painting, deriving specific scenes and techniques from historical canvases and the Hudson River School. In 1836, painter Thomas Cole completed his five-part series The Course of Empire. The series documents Cole’s vision for the birth, life, and death of western civilization, from the pastoral to the desolate. Cole had a calculated optimism for life and renewal, but[.....]

Marie Orensanz: Works from the ‘70s at Alejandra von Hartz Gallery

Marie Orensanz. Marie Orensanz: Works from the ‘70s, 2014; installation view, Alejandra von Hartz Gallery, Miami. Courtesy of Alejandra von Hartz Gallery.

“Fragmentism searches for the integration of a part into a whole, transformed by its multiple readings, into an unfinished and unlimited object.” So declares Argentinian artist Marie Orensanz’s Manifesto Fragmentismo, which appears on a 1978 print in her current exhibition at Alejandra von Hartz Gallery in Miami. The print exists both as a work itself and as a framework in which to view the various[.....]