Articles

Van Gogh on Demand: China and the Readymade

How to Paint van Gogh’s “Sunflowers.” Photos of Zhao Xiaoyong and apprentice, eight states of two van Gogh Sunflowers, oil on canvas, 20 × 24 in., 28 Oct.–6 Nov. 2008. Photos: Winnie Wong.

Today from our partners at Art Practical, we bring you an excerpt from their Printed Matters column, a review of Winnie Won Yin Wong’s book Van Gogh on Demand: China and the Readymade. The review’s author, Jing Cao, makes note of the ramifications of Wong’s analysis: “In order to welcome ‘Chinese art’ into the global contemporary, the struggles within Chinese society for artistic legitimacy and the on-the-ground complexities of[…..]

Fan Mail: Zahra Nazari

Zahra Nazari. Inside Out Installation, 2014; acrylic on wood panel; 100 x 110 and 48 x 30 inches. Courtesy of the artist.

Follow the white line back into the middle ground; it outlines a blue-gray pathway that comes to the front of the picture plane. The pathway entreats viewers to step into the architecture of Zahra Nazari’s surreal composition Landscape #14 (2013). Along the way, columns and a house abut the path, and as the line winds backward and diminishes, the horizontal pathway merges with a wall. Beyond[…..]

Jason Kalogiros: The Measure, The Weight, The Ground, The Scale at CAPITAL

Jason Kalogiros. Untitled (Drawing), 2015; unique gelatin silver photograph; 24 x 20 in. Courtesy of the Artist and Capital, San Francisco.

 Today from our partners at Art Practical, we bring you a review of Jason Kalogiros’ current solo show at Capital in San Francisco. Author Danica Willard Sachs notes, “[T]he artist employs the methodology of photography to interrogate the discrete boundaries between media.” This article was originally published on July 2, 2015. The process of making a photograph bears striking resemblance to the process of making a bronze sculpture.[…..]

Alyson Shotz: Force of Nature at the Halsey Institute of Contemporary Art

Invariant Interval, 2013; installation view, Alyson Shotz: Force of Nature, 2015. Courtesy of the Halsey Institute of Contemporary Art, Charleston, SC. Photo: Rick Rhodes.

The desire to create forms via chance and natural phenomena is reflected in the works in Alyson Shotz: Force of Nature at Halsey Institute of Contemporary Art in Charleston, South Carolina. Despite a disparate range of formats, including porcelain sculpture, complex wire installations, and color aquatints, this exhibition brings together a wide array of works that originate from a process-based practice and share connections to[…..]

Help Desk: How to Lob a Pitch

Daniel Gordon. White Vase, 2015; Chromogenic print; 30 x 24 in. framed; edition of 3 +1 AP

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. How do I pitch an art article to an editor? I have begun a writing practice that is not reviewing art as much as just reflecting on art/science/visual culture in essay-length posts. I would[…..]

Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Musuem

Laurent Grasso. Soleil Noir, 2014; 16mm film, looped; 11:40. Courtesy of the Artist, Galerie Perrotin, and the Contemporary Jewish Museum, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Mary Coyne reviews Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Museum in San Francisco.  Night Begins the Day is a meditative,[…..]

Street Fighting Man

Nikoo Tarkhani.

Today from our friends at REORIENT, we bring you an excerpt from Joobin Bekhrad‘s interview with artist and curator Ali Ettehad, who says, “I strongly believe that at a time—especially in the Middle East—when art is, for the most part, commercially-driven, performance art is powerful in its ability to help artists retain their independence and integrity.” This article was originally published on June 2, 2015. Joobin[…..]