Articles

Best of 2016 – Kapwani Kiwanga: Ujamaa

Kapwani Kiwanga. White Gold: Morogoro, 2016; installation; 236 x 196 x 157 in. Courtesy of La Ferme du Buisson. Photo: Emile Ouroumov.

As we look back over a decade of the best in arts writing, our final selection comes from our communication manager, Jackie Clay: “This year I would estimate that I’ve read nearly 90% of Daily Serving‘s articles from beginning to end. This one stuck with me. As deftly described by Marisol Rodriguez, artist Kapwani Kiwanga’s solo exhibition, Ujamaa was an open-ended, but not opaque love[…..]

Best of 2015 – Jennifer Moon, Jemima Wyman, and Robby Herbst at Commonwealth & Council

Jemima Wyman. Conjuring Radical Openness, 2015; Bronze; 20 x 19 x 9 in.; Unique edition of 3 + 1 A.P. Courtesy the artist and Commonwealth & Council, Los Angeles.

Jemima Wyman. Conjuring Power, 2015; DIY fabric-prints on cotton poplin, painted steel rods; Site-specific installation; dimensions variable. Courtesy the artist and Commonwealth & Council, Los Angeles.

As part of our ten-year anniversary celebrations, we’re considering the best of a decade of arts criticism. Today’s selection comes from the editor in chief of our sister publication, Art Practical: Kara Q. Smith opines, “It’s not easy to write about three shows in 1,000 words, but what I love about this review by Matt Stromberg is his ability to nod to the [California] art history that[…..]

Best of 2014 – #Hashtags: Culture, Class, and the New Economy

Stephanie Syjuco. Bedazzle a Tech Bus (I Mock Up Your Ideas): John Gourley "Gringo" Bus, 2014. Digital image. Submission to Mission Local's "Bedazzle a Tech Bus" Call for Entries.

As part of our ten-year anniversary celebrations, we’re considering the best of a decade of arts criticism. Today’s selection comes from our executive director Michele Carlson, who writes, “I reread this essay the same day that San Francisco’s first fleet of self-driving Uber cars rolled out and one sailed straight through a red light in front of SFMOMA. This comes on the heels of the[…..]

Best of 2013 – #Hashtags: The Ethnicity Exhibition

Happy holidays! We’re wrapping up the year—and celebrating our tenth anniversary—by taking a look back at the best writing from the last decade. Today’s selection comes from operations manager Addy Rabinovich: “Anuradha Vikram carefully considers the potential problems of curating according to identity politics. Citing Adrian Piper’s controversial withdrawal from Radical Presence, Vikram questions whether the format of the ‘ethnicity exhibition’ truly serves those whose[…..]

Best of 2012 – The Big Picture: An Interview with Edward Burtynsky

SOCAR Oil Fields #6 Baku, Azerbaijan, 2006 / Courtesy of the Artist

As part of our ten-year anniversary celebrations, we’re considering the best of a decade of arts writing. Today’s selection comes from editor Deanna Lee, who notes, “Although Burtynsky’s consistently stunning photographs of industrial landscapes can wordlessly convey with awesome grandeur the eroding environmental conditions worldwide, this interview complements and broadens the impact of the work with a discussion of the artist’s deep exploration of a[…..]

Best of 2011 – #Hashtags: We Are the 99%

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Happy birthday, Daily Serving! As part of our tenth-year celebrations, we’re looking back at important moments in our history. Today’s selection comes from editor Vanessa Kauffman Zimmerly, who says, “‘We are the workers of the 99% because we are scattered, divided by the competitive nature of capitalism—a system we did not consent to.’ Half a decade since the initial groundswell of the Occupy movement, and on the[…..]

Best of 2010 – L.A. Expanded: Sunday Boys

Andy Warhol, Dennis Hopper, Screen Tests Reel #4, 1964-65.

We’re looking back over a decade of Daily Serving’s greatest hits, and today’s selection comes from Shotgun Reviews editor Emily Holmes: “The column L.A. Expanded: Notes from the West Coast was started in 2010 by Catherine Wagley, who wrote about the multifaceted Los Angeles scene from an approachable, personal voice. One of her finest pieces in that first year explored masculinity and the politics of gendered[…..]