Articles

Janet Cardiff and George Miller: Infinity Machine at the Menil Collection

Janet Cardiff and George Miller. The Infinity Machine, 2015 (detail). Mixed-media installation in the byzantine Chapel of the Menil Collection, Houston.

From our friends at Glasstire, today we bring you an excerpt from Terry Mahaffey’s review of the inaugural installation at the Byzantine Chapel in Houston. Mahaffey explores his memories of the site—it originally housed a series of frescoes, now gone—and wonders if Janet Cardiff and George Miller’s installation would be better presented in a more neutral space. This article was originally published on April 20, 2015. Dominique de Menil’s[…..]

Fan Mail: Nicola Dale

Nicola Dale. Model for Ideology VI, 2015; durational performance. Courtesy of Mark Devereux Projects.

Webster’s definition of ideology is: “A system of ideas and ideals, especially one that forms the basis of economic or political theory and policy.” Artist Nicola Dale’s sculptures, performances, and installations are interpretations of this definition of ideology—one of many subjects that Dale explores in her work. Dale often works on one subject or idea for an extended period, in distinctive bodies that incorporate various[…..]

On Kawara: Silence at the Guggenheim Museum

On Kawara. DEC. 29, 1977 (Thursday, New York), 1977, from Today series, 1966–2013; acrylic on canvas; 8 x 10 in; shown with artist-made cardboard storage box, 10-1/2 x 10-3/4 x 2 in. Photo courtesy of David Zwirner, New York/London and the Solomon R. Guggenheim Foundation.

The first retrospective since On Kawara’s death in July 2014, On Kawara—Silence at the Guggenheim Museum presents fifty years of the artist’s work. At the core of the exhibition are the daily practices that constituted Kawara’s life and art: the conceptual rituals that produced the Today, I Got Up, I Met, I Went, and I Am Still Alive series. Each series represents a different way[…..]

Beta Space: Diana Thater at San Jose Museum of Art

Diana Thater. Science, Fiction, 2015; two video projectors, media player, and lights; dimensions variable. Courtesy of the Artist; San Jose Museum of Art, San Jose; and David Zwirner, London/New York.

From our partners at Art Practical, today we bring you a review of Diana Thater’s current solo exhibition at the San Jose Museum of Art. Author Genevieve Quick notes that this exhibition is remarkably similar to ones the artist has already presented: “I am unconvinced that Thater’s minor changes constitute new works or the experimentation that the series seeks to support.” This article was originally published on April 28,[…..]

From the Archives – Help Desk: To Apply Oneself

Jim Lambie. Strychnine Seven and Seven, 2004; Record covers, tape, photocopies; 125 x 190 cm

It’s application season, and today’s Help Desk column contains some advice about making strategic decisions when applying—again—to various opportunities. This article was originally published on June 23, 2014. You can submit your question to Help Desk anonymously here. All submissions become the property of Daily Serving. Should there be a limit on the number of times you apply for the same opportunity before you come to the realization that[…..]

Josh Greene: Bound to Be Held at the Contemporary Jewish Museum

Josh Greene. Bound to Be Held: A Book Show, 2015; installation view. Courtesy of the Artist and the Contemporary Jewish Museum, San Francisco. Photo: Johnna Arnold.

From our partners at Art Practical, today we bring you a Shotgun Review of Josh Greene’s Bound to Be Held at the Contemporary Jewish Museum. Author Adriana Rabinovitch notes that the exhibition “allows for visitors to grasp, and possibly reciprocate, a relationship that a stranger has with a literary work.” This review was originally published on April 18, 2015. Josh Greene’s Bound to Be Held: A Book Show[…..]

From the Archives – David Schutter: What Is Not Clear Is Not French at Rhona Hoffman Gallery

David Schutter, L LB dc 59, 2011-2014; chalk and crayon on paper; 13.375 x 9.375 inches. Courtesy Rhona Hoffman Gallery.

The 2015 Rome Prize winners include artists Mark Boulos, Emily Jacir, Senam Okudzeto, and David Schutter, and today from our archives we bring you a review of Schutter’s last show at Rhona Hoffman Gallery in Chicago. Author Steve Ruiz notes, “The strongest tension in David Schutter’s paintings is between their historical referents and their contemporary interpretation.” This article was originally published on May 28, 2014. At first appearance,[…..]