Articles

‘Little Chance to Advance’: Why Women Artists in Academia Are Left Behind 

Karolina Melnica. Celujacy (Excellent), n.d.; performance documentation.

If you are currently attending or working in an academic arts institution, look around. What is the ratio of women to men in the student body? What proportion of the faculty is female? How many female faculty members are tenured? How many department chairs or deans are women? At many institutions, there is a visible disproportion between the number of women who are students versus[…..]

G.T. Pellizzi: Yo Transporto at Sala de Arte Público Siqueiros

G.T. Pellizzi. Yo Transporto, 2016; wood, plywood, Ethafoam. Courtesy of Sala de Arte Público Siqueiros.

Art travels. Within the globalized art scene, its journey takes the many forms of traveling exhibitions, international art fairs, biennials, public contests, and loans from personal or institutional collections. Although this wandering condition may enrich the experience of different public spheres by bringing them closer to popular works and major exhibitions, the accelerated speed at which these movements and spectacles take place commands a huge[…..]

Question Bridge: Black Males in America

Question Bridge: Black Males in America (Aperture/Campaign for Black Male Achievement, 2015)

Today we bring you an excerpt from Art Practical’s Printed Matters column. Roula Seikaly reviews Question Bridge: Black Males in America, the published companion to a project, platform, and installation that regards identity and representation. Seikaly notes, “Asking a question […] can be difficult; it can imply lack of knowledge and experience, rendering the asker vulnerable. No one wants to be caught out, least of all when the questions address identity, community, and most urgently,[…..]

Alice Könitz: Commonwealth at Commonwealth & Council

Alice Könitz. Kiosk, 2016; wood, wood stain, PVC pipe; 76½ x 96 x 96 in. Courtesy of the artist and Commonwealth & Council.

Just as a bar’s allure resides not in its efficient exchange of money for alcohol, but in its ability to be a pleasant setting for individuals to be together, a gallery’s strength resides in its ability to become a social space, where the art becomes a campfire around which people can mingle, chat, and maybe even have fun. Yet, from the ugly sterility of the[…..]

Marcel Broodthaers: A Retrospective at the Museum of Modern Art

Marcel Broodthaers. Pense-Bete (Memory Aid), 1964; books, paper, plaster and plastic balls on wooden base, without wooden base; 11 13/16 × 33 1/4 × 16 15/16 in. Courtesy of the Collection Flemish Community, long-term loan S.M.A.K. © 2016 Estate of Marcel Broodthaers, the Artists Rights Society (ARS), New York, SABAM, Brussels, and the Museum of Modern Art, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Andreas Petrossiants reviews Marcel Broodthaers: A Retrospective at the Museum of Modern Art in New York. In Marcel Broodthaers’ poem “Question de[…..]

#BlackGirlMagic: Interview with the Balti Gurls

balti_gurls_ds

From our friends at BmoreArt, today we bring you an interview with Jenné Afiya, the founder of the Baltimore Collective Balti Gurls. Author Angela N. Carroll talks with Afiya about the Balti Gurls’ beginnings, their necessity, and their upcoming projects. This article was originally published March 17, 2016. My first encounter with BALTI GURLS was during February’s All Over Street crawl, at the Copy Cat’s Penthouse gallery. BLK LUV presented[…..]

Fan Mail: Ville Andersson

Ville Andersson. Transition (My Little Empire series), 2013; pencil on paper; 11.6 x 8.2 in. Courtesy of the Artist.

At the heart of Ville Andersson’s art practice is his early childhood desire to become an art collector. For the Helsinki-based artist, his childhood was the primer for what would become an encyclopedic passion for art. In his hometown on the remote southern coast of Finland, in an art library compiled by his mother, an art teacher, Andersson discovered a realm of imagination far beyond[…..]