Articles

Happy Thanksgiving!

Gianni Colombo. Installation view of Ambienti, n.d. Photo: Greene Naftali Gallery.

Today we raise a glass to our excellent writers, who send us reports from around the world on the most thought-provoking exhibitions; to our editors and copy editor, who make us look clean and sharp; and to our 2014 sponsors, who keep the lights on at Daily Serving. Of course, we’d be nothing without our readers. Thank you for joining us here every day for the[…..]

Fan Mail: Dene Leigh

Dene Leigh. Identify (someone or something) from having encountered before, 2014; oil on linen; 51 x 62 inches. Courtesy of the artist.

Dene Leigh paints, constructs, combines, and assembles his work using traditional and old-master techniques to confront the neurological conditions of human memory. With a mixture of found and trompe l’oeil representations of objects, Leigh creates works that push the boundaries of collage, painting, assemblage, and installation. Many of Leigh’s works deal specifically with the neuropsychological disorder called agnosia, which struck Leigh’s grandfather late in life[…..]

Landscape City at Center for the Arts Eagle Rock

Jennifer Juniper Stratford. Still from Program Vista, 2014, video projection. Courtesy of the Artist. Photo by the author.

A crowd gathered under the rafters and art-deco chandeliers of the Eagle Rock Center for the Arts, and the fifteen-piece Aaron Olson Ensemble began with the low strum of a bass guitar, continued into a bright piano melody that later became the distorted sound of a nightmare, and finally moved into a powerful brassy conclusion without ever losing its warm aural undercurrents. Aaron M. Olson’s[…..]

Help Desk: Ghost in the Art Writing Machine

Pierre Huyghe. The Host and the Cloud, 2009-2010; Museum Ludwig, Cologne.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m a young curator and an arts writer with a museum job, but like everyone in the world, I can always use extra money. I’ve been approached before about “ghostwriting” for more established curators[…..]

The Black Radical Imagination II at REDCAT

Jeannette Ehlers. Still from Black Bullets, 2012; 4:33 min.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Noé Gaytán reviews The Black Radical Imagination II at REDCAT in Los Angeles. The notion of the black radical imagination stems from the writing of Robin D.G. Kelley,[…..]

The State in Which You Find Yourself: Mamela Nyamza and Meryem Jazouli

(Left) Mamela Nyemza leading a workshop at the 2014 TBA Festival. Image: Courtesy of TBA Festival. (Right) Meryem Jazouli. Photo: Agnes Mellon.

Today from our partners at Art Practical, we bring you an excerpt from a conversation between artists Anna Martine Whitehead, Mamela Nyamza, and Meryem Jazouli. At the end of an interview that spans geography, race, performance, and limited resources, Jazouli notes, “If you are an artist [here], it’s as though you are different than everyone. But an artist should be talking about the world and what’s happening in the world[…..]

The Female Gaze at the Atrium Gallery at Haverford College

The Atrium Gallery at Haverford College is a smaller venue than the works of Diane Arbus and Carrie Mae Weems have seen in the past year; their works have appeared in the Victoria and Albert Museum in London and the Studio Museum in Harlem, New York, respectively. Yet here they are in the periphery of Philadelphia, along with the likes of Nan Goldin, Vivian Maier, and[…..]