Articles

Isabel Nolan: The Weakened Eye of Day at the Irish Museum of Modern Art

Isabel Nolan. The weakened eye of day, 2014; installation view, Irish Museum of Modern Art, Dublin. Courtesy of the CCA Wattis Institute. Photo: © Denis Mortell

Boldly and optimistically, a viewer might enter Isabel Nolan’s exhibition The Weakened Eye of Day with bright, wondering eyes. In Room 1, just on the right, is Dreams of No Thing, No Time (2014), a small green-and-orange watercolor painting of a subject that likely looks familiar: the sun on the horizon. Broad brushstrokes swept in half circles across the canvas render the composition abstract and[.....]

#Hashtags: Sweet and Low

Kara Walker. A Subtlety, 2014. Site-specific installation at Domino Sugar Factory, Brooklyn, NY. Commissioned by Creative Time. Photo by Rajath Vikram.

#race #gender #gentrification #access #development #labor Kara Walker’s massive sphinx at the Domino Sugar Factory in Brooklyn, titled At the behest of Creative Time Kara E. Walker has confected: A Subtlety, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of[.....]

Ranjani Shettar: Night Skies and Daydreams at Talwar Gallery

Ranjani Shettar. Tuntoroo, 2014; Hand‐molded wax beads, cotton thread, wooden beads and pigments; 131 x 188 x 135 in. Courtesy of the Artist and Talwar Gallery, New York and New Delhi.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Bansie Vasvani reviews Ranjani Shettar: Night Skies and Daydreams at Talwar Gallery in New York City.   Indian sculptor Ranjani Shettar’s seventh solo exhibition Night Skies and Daydreams[.....]

Precarity as Profession

Participation ≠ Compensation workshop, Valuing Laboring in the Arts practicum, April 19, 2014, UC Berkeley Art Museum. Courtesy of the Arts Research Center, UC Berkeley. Photo: Joseph del Pesco

From our partners at Art Practical, today we bring you Lane Relyea‘s commissioned response to Stephanie Syjuco’s “Participation ≠ Compensation” workshop at the Valuing Labor in the Arts practicum at the Arts Research Center at UC Berkeley. Relyea notes, “[...] art venues will often claim to treat artists as professionals by rewarding their research with exposure more than cash. But who then pays the bills?” This article was originally[.....]

Mixed Messages.4 at Antenna Gallery

Jave Yoshimoto. Bear My Shame, 2010; Gouache on Paper; 14" x 17". Courtesy of Antenna Gallery and the Artist. Photo: Jerald White.

Just over forty-seven years ago this month, it was illegal for interracial couples to marry in sixteen states throughout the United States. Richard and Mildred Loving, the serendipitously named couple, were married in 1958 and then promptly arrested under anti-miscegenation laws. The legacy of Loving v. Virginia, the landmark decision of the Supreme Court to strike down race-based restrictions on marriage, reverberates clearly on the[.....]

Help Desk: To Apply Oneself

Jim Lambie. Strychnine Seven and Seven, 2004; Record covers, tape, photocopies; 125 x 190 cm

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. Should there be a limit on the number of times you apply for the same opportunity before you come to the realization that they just aren’t buying what you’re selling? The[.....]

Other Primary Structures at The Jewish Museum

Nubuo Sekine. Phase of Nothingness—Water, 1969/2005; steel, lacquer, water; 47 ¼ x 47 ¼ in. (diameter)  and 11 7/8 x 86 5/8 x 63 in. Courtesy of the Artist and Blum & Poe Gallery, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Vanessa Thill reviews Other Primary Structures at The Jewish Museum in New York City. In 1966, the exhibition Primary Structures: Younger American and British Sculptors filled the[.....]