Articles

Fan Mail: Marcus James

Marcus James. Bidean Nam Bian, 2015; colour pencil on Fabriano paper; 2000 x 1300 mm. Courtesy of the Artist.

In this time of rapid environmental decline, visual depictions of landscape can become sites for critical positioning. Marcus James’s 2015 works encapsulate the disjuncture between a desire for pristine, solitary experiences in nature and the technological interventions that reveal this desire as pure fantasy. But rather than present a crass comment on this contradiction, James’s pieces offer a possibility outside of the binary constructed between[…..]

Pipilotti Rist: Pixel Forest at the New Museum

Pipilotti Rist. Mercy Garden, 2014; two-channel video and sound installation, color, with carpet; 10:30 min; dimensions variable. Sound by Heinz Rohrer. Courtesy of the Artist, Hauser & Wirth, Luhring Augustine, and New Museum. Photo: Maris Hutchinson / EPW Studio.

I admit that I’m late to discovering Swiss artist Pipilotti Rist. However, given that she has been producing work since the 1980s, and only in 2016 has received her first major retrospective in New York, Pixel Forest at the New Museum, I may not be the only one. The exhibition as a whole is an immersive environment, where one can easily and pleasurably lose time—an[…..]

Amy Reidel: Radar Home, 11.8.13 at the Sheldon Art Galleries

Amy Reidel. Tumor Storm, 2016; loose glitter and colored sand on printed vinyl; dimensions vary. Courtesy of the Artist. Photo: David Johnson Photography

Amy Reidel’s solo exhibition, Radar Home, 11.8.13, takes its name from the date her mother received a doctor’s call. A week later, she was diagnosed with multiple myeloma—an incurable though treatable blood cancer. Though her mother has since recovered and is now cancer-free, this decisive moment in Reidel’s personal life unifies the wide-ranging works of painting, digital prints, video, sculpture, and installation on view at[…..]

Citizenship, the Body, and the Ethics of Exposure

Felix Gonzalez-Torres. "Untitled" (Portrait of Ross in L.A.), 1991; Candies individually wrapped in multicolored cellophane, endless supply; Overall dimensions vary; Installation view: More Love: Art, Politics and Sharing Since the 1990s. Ackland Art Museum, University of North Carolina, Chapel Hill. 1 Feb. - 31 Mar. 2013. Courtesy of Andrea Rosen Gallery, New York. © The Felix Gonzalez-Torres Foundation

From our sister publication, Art Practical, today we bring you Michelle Weidman’s piece from “Issue 8.1: Art + Citizenship.” Weidman excavates the ethics of exposure, and the violation and consumption of black bodies, brown bodies, women’s bodies. She asserts, “We live in a society that relishes exposure—see nude photo leaks; the Kardashians; interest in diaries and private correspondence cloaked with the pretense of literary or political[…..]

Ludovic Duchâteau: In Dreamland at A Stark Project

Ludovic Duchateau. In Dreamland, 2016; installation view, A Stark Project, Berkeley. Courtesy of the Artist and A Stark Project. Photo: Hillary Goidell.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Noah Sudarsky reviews Ludovic Duchâteau: In Dreamland at A Stark Project in Berkeley. French sculptor Ludovic Duchâteau’s first solo show in the[…..]

Manifesto at the Park Avenue Armory

Julian Rosefeldt. Manifesto, 2015; installation view, Park Avenue Armory, New York. Courtesy of Park Avenue Armory. Photo: James Ewing.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Bai Yuting reviews Julian Rosefeldt: Manifesto the Park Avenue Armory. This winter, the Park Avenue Armory presents the German cinematographer Julian Rosefeldt’s thirteen-channel video installation, Manifesto (2015).[…..]

Soulèvements (Uprisings) at the Jeu de Paume

Dennis Adams. Patriot, 2002; C-print mounted on aluminum; 40.5 x 54 in. Courtesy of Centre National des Arts Plastiques, Paris. Photo: Galerie Gabrielle Maubrie.

What if the imagination made mountains rise up? Georges Didi-Huberman poses this question in Soulèvements (Uprisings), a new exhibition at the Jeu de Paume National Gallery in Paris. Throughout the museum’s galleries, contemporary artworks, books, historical documents, and photographs present a potent survey on the theme of social rebellions in the West, ranging from Victor Hugo’s call for the abolition of the death penalty (in[…..]