Articles

Yaakov Israel: The Quest for the Man on the White Donkey at the Halsey Institute for Contemporary Art

Yaakov Israel. Abandoned Water Park, Dead Sea, 2010; c-print. Courtesy the artist and the Halsey Institute of Contemporary Art, Charleston, South Carolina.

In 1981, John Baldessari said, “Probably one of the worst things to happen to photography is that cameras have viewfinders…” but artist Yaakov Israel would certainly disagree.[1] Israel’s photographs in The Quest for the Man on the White Donkey at the Halsey Institute for Contemporary Art in Charleston, South Carolina, are carefully constructed. Israeli-born and -based, Israel relishes the serendipitous encounters he’s had while exploring[…..]

The Artist as Player in “Girls” & “The Golden Girls”

Jesse Peretz. "Bad Friend," Girls, 2013 (film still); 00:30:00. Courtesy of HBO.

From our partners at Art Practical, today we bring you an excerpt from an essay on artistic personae by Jim Gaylord. This article was commissioned by guest editor Jonn Herschend as part of Issue 5.5, Slapstick and the Sublime, and originally published on July 10, 2014. […] Helping to keep the artist/heartbreaker stereotype alive today is the character of Booth Jonathan (Jorma Taccone) from the HBO series Girls (2013). The creation of writer/actor/director[…..]

Help Desk: The Ethics of Application Fees, part 1

Eberhard Havekost.
In Control, 2009;
Oil on canvas;
27.5 x 15.75 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. Recently I submitted work in response to a thematic juried call by a large, reputable, nationally known and respected arts organization [in my city]. It’s my habit to first inspect a[…..]

From the Archives – Eugene Isabey: Fishing Village at the Legion of Honor

Caption: Eugene Isabey. Fishing Village, 1854-8155; oil on canvas; 53.7 x 35.43 in. Collection of the Art Museum at the University of Kentucky. Courtesy of the Athenaeum.

This week, the opening bustle of the fall art season has us thinking about exhibitions and art criticism, and since we often publish Shotgun Reviews on Sundays, it seems especially relevant to share a previous submission from our archives. Although all the Shotgun Reviews we have published are written with sensitivity and care, this one always stands out in our minds as exceptional—not just for the quality of[…..]

Finding Photography “Secondhand” at Pier 24

Maurizio Anzeri. Pierre, 2013; Courtesy of the artist.

From our friends at KQED, today we bring you Matthew Harrison Tedford’s review of Secondhand, the new exhibition at Pier 24 Photography. Tedford notes, “[…] these works possess the power to convey a corporeal and emotional truth […]” This article was originally published on August 14, 2014. Secondhand, the first new exhibition to open at Pier 24 Photography in San Francisco since July 2013, presents the work[…..]

Happy Labor Day!

Wish you were here! Love, DS

In honor of Labor Day, we’re taking the day off! See you tomorrow, when we kick off an impressive lineup of exhibition reviews, essays, and interviews from around the world.

Summer Reading: My 1980s and Other Essays

Image from The Art Book Review.

As the editors of Art Practical and Daily Serving get ready to take their end-of-summer vacations, we find ourselves swapping reading lists—the articles we’ll dive into once have some uninterrupted time to catch up on what our colleagues have been writing. We’ve gotten so excited about what’s on our lists that we want to share them with our readers. Between now and Labor Day, Daily Serving will feature the efforts[…..]