Articles

Fan Mail: Wendy Given

Wendy Given. On Myth and Magic No. 5: Eclipse, 2009; C-Print; 17.25” x 26” inches. Photo courtesy of the artist.

Mythos: fantasy, fiction, legend, saga, parable, fable, narrative, invention, fabrication, yarn. The conceptual distance between myth and the concrete manifestations of mythology is a potentially endless—yet meaningfully orderable—list of synonyms. But with each word the gap shrinks, as mental images of processes and then objects emerge, even if just as puns. Wendy Given is bridging the gaps between the abstract idea of a mythos and[.....]

BP Walk through British Art at Tate Britain

Installation view; Robert Peake, Lady Anne Pope, 1615; Oil on wood & Paul Van Somer, lady Elizabeth Grey, Countess of Kent, c.1619; Oil on wood. Courtesy of Tate Britain. Photo: A. E. Driggs.

Can you remember the last time you were really excited about seeing your local museum’s pre-modern permanent collection? Familiarity is the antagonist for the seasoned art viewer, and growing weary of a permanent collection becomes inescapable. Perhaps this is excusable in the case of a small collection in a provincial museum—but quite a different thing when the collection bills itself as the nation’s definitive authority[.....]

#Hashtags: The Squeezing of the Middle Class Gallery

#commerce #place-making #policy #class #gentrification With their leases recently terminated, the mid-sized galleries at 77 Geary Street in San Francisco are the latest casualties of the massive wealth divide that plagues contemporary American society. Gallerists George Krevsky, Rena Bransten, and Mark Jawgiel were notified that their month-to-month leases would be discontinued to make space for technology company MuleSoft to expand into the building’s second floor.[.....]

Multiple Perspectives: New Works by Xie Xiaoze at Chambers Fine Art

Xie Xiaoze. October 19, 2007; Oil and Acrylic on Canvas, 60 x 72 in; March 16-17, 2013, I.H.T., 2013; Oil and Acrylic on Canvas; 80 x 93 in. Photo: Adam Monohon.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Adam Monohon reviews Multiple Perspectives: New Works by Xie Xiaoze at Chambers Fine Art in New York City. Mass media plays an inescapable role in everyday life. The[.....]

Green Dream at kijidome

Tara Merenda Nelson (with Madge of Honor). Beautiful Secrets, episode 2, 2014; video still.

From our partners at Big Red & Shiny, today we bring you a review of Green Dream at kijidome in Boston. Author Edmond Caldwell notes, “Individually and collectively, the digital videos that comprise kijidome’s Green Dream come to no easy conclusions and issue no final statements. Instead, they leave the audience to continue the collaboration in their thoughts and discussions.” This article was originally published on February 19,[.....]

Sculpture after Sculpture at the Art Center College of Design

Name at the Sculpture after Sculpture Panel Discussion, Art Center College of Design. Photo: Chris Hatcher

Last Saturday, curator and Artforum editor-at-large Jack Bankowsky moderated a roundtable on “Sculpture after Sculpture” (more on the title in a moment) at the Art Center College of Design in Pasadena, in anticipation of his forthcoming three-artist survey of the same name at the Moderna Museet in Stockholm this October. The three artists, Katharina Fritsch, Jeff Koons, and Charles Ray, are united by work that[.....]

Jim Hodges: Give More Than You Take at the Walker Art Center

Jim Hodges. on the way between places (21 of 21), 2009; charcoal, saliva on paper; 30 × 22 1/2 in. Photo by Ronald Amstutz ©Jim Hodges.

“I love sculpture. Fundamentally, though, I am a ‘drawer.’ But I love spatial relationships and dimensionality. I’m interested in theatrical moments and choreographing experiences in space. I think as a drawer and make as a sculptor.” —Jim Hodges [1] With butterflies, silk flowers, spiderwebs, mirrors, camouflage, and gold, Jim Hodges draws in space. Constantly assembling and disassembling natural imagery and everyday items, he creates objects[.....]