For this Summer Session the topic is celebrity, and we’re investigating the various ways celebrity, pop culture, and art inform and reflect one another. Today we bring you an episode from artist Kalup Linzy’s web series Melody Set Me Free, in which actor Macaulay Culkin guest-stars as a music producer. This video was originally uploaded on July 23, 2014.
Today for our Summer Session topic of celebrity, we bring you an episode from artists Chris Vargas and Greg Youmans’ web-based trans/cisgender sitcom Falling in Love…with Chris and Greg. In this satirical video, Vargas and Youmans edit an episode of the short-lived reality TV show Work of Art, demonstrating the vital linkages between Pop art and queer art, and how commercially successful iterations of both are evacuated of their radical,[…..]
For this Summer Session topic of celebrity, we bring you a video from Hennessy Youngman, creator of the satirical YouTube series ART THOUGHTZ. In this clip, Youngman outlines the core criteria for becoming a commercially successful artist—a short list of requirements that might be funnier if they were not so true. This video was originally uploaded on May 2, 2010.
From our friends at REORIENT, today we bring you “Vicious Circles.” In this piece, author Samannaz Kourang Pishdadi talks with Moroccan artist Mounir Fatmi about growing up in Tangier, the inspiration of the Beat movement, and his interdisciplinary career. Fatmi says of his work, “At the beginning, I think I was very naïve thinking my work could change things. Eventually, I realised that the most important [thing][…..]
From our friends at Kadist Art Foundation in Paris, today we bring you a video of Clare Molloy in conversation with Nigerian artist Otobong Nkanga. They discuss Nkanga’s exhibition Comot Your Eyes Make I Borrow You Mine, which was on view from September 27 through December 20, 2015. Nkanga says, explaining the title, “In a way, traveling and going through all these places, I had only the eyes of others.”
Framed against a starlit sky, two female figures with feathered hair and large, limpid eyes sit astride blue and purple kangaroos. Their lush, naked bodies are stark white against a vibrant canvas of marks, lines, and dots. They stare out of pictorial space into an unknown distance, with their detached gazes separated from the viewer’s own perusal of them. Disengaged from us, their distance forms[…..]