Book

Postscript: An Ambitious Take on Conceptual Art and Writing at the Power Plant

Kenneth Goldsmith, Soliloquy, 1996.

Upon entering Toronto’s Power Plant Contemporary Art Gallery to see Postscript: Writing After Conceptual Art, the viewer is immediately confronted by a raucous wash of sonorous elements. Over fifty artists and conceptual writers occupy the gallery space; canonical works from Andy Warhol, Sol LeWitt, Marcel Broodthaers, Carl Andre, and Dan Graham are nestled among pieces by contemporary practitioners, contributing to the sense of saturation. Originally curated[.....]

Enrique Chagoya: Freedom of Expression

Enrique Chagoya. The Pastoral or Arcadian State, Illegal Alien’s Guide to Greater America, 2006; color lithograph. Courtesy of the artist and Shark's Ink. Photo: Kala Art Institute.

Code-switching is the linguist’s term for substituting one language for another in the course of a single conversation. “Oye, Teacher Bean,” a student once told me, “I couldn’t do mi tarea because mi tia was late and I had to watch mi sobrino hasta medianoche.” Notice that even though the sentence ping-pongs between Spanish and English, it’s still grammatically correct. To code switch, you need[.....]

Rebound: Dissections and Excavations in Book Art

Doug Beube, Disaster Series, Twister.

There is no doubt that “the relevance of physical books in our culture is diminishing” according to curator Karen Ann Meyers. Rebound, presented by the College of Charleston‘s Halsey Institute of Contemporary Art, shows five artists who use books to create sculpture. Books provide a mass of free material for these artists. Encyclopedia sets were once functional objects from a different time and culture. These discarded[.....]

The XEROX BOOK

In December of 1968, Seth Siegelaub and Jack Wendler published The XEROX BOOK, an exhibition produced entirely in book form. The project included seven contributing conceptual artists: Carl Andre, Robert Barry, Joseph Kosuth, Sol LeWitt, Douglas Huebler, Robert Morris and Lawrence Weiner. The Kadist Art Foundation in San Francisco recently spoke to Jack Wendler about The XEROX BOOK offering a unique glimpse into the history[.....]