Conceptual

Ludmiła Popiel at Fundacja Arton

Ludmiła Popiel and Jerzy Fedorowicz. IN, 1979; emulsion on canvas; dimensions unknown. Courtesy of the Museum in Koszalin and the archive of Ludmiła Popiel and Jerzy Fedorowicz.

Curators of contemporary Polish art have a somewhat paradoxical responsibility: to present the most up-to-the-moment work that is in the process of developing a history, while attempting to also excavate and frame the history of artworks produced during the last seventy years. As Poland expands its participation in the global contemporary art scene, it must also find a way to present the critical art-historical lineage[…..]

Michael Barron Interviews Camille Henrot

Camille Henrot. Bad Dad & Beyond, 2015; three dimensional resin print with video and telephone components; 44 x 20 x 9 inches. Courtesy of the Artist and Metro Pictures, New York.

From our friends at BOMB Magazine, today we bring you a conversation between Michael Barron and artist Camille Henrot. Discussing her recent solo show at Metro Pictures, Henrot says, “Bad Dad & Beyond is an investigation into a figure who uses his authority in violent ways. I was also interested in assembling the rules and values of various authority figures, not just for fathers.” This article was[…..]

Body Politic: Jill J. Tan interviews Eiko Otake

Photo: William Johnston. Courtesy of the Artist.

Eiko notes in the following interview, “I am using my body as a constant.”

Galeria Piwna 20/26 Emilia and Andrzej Dłużniewski 1980–1993 at Galeria Monopol

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Galeria Piwna 20/26 Emilia and Andrzej Dłużniewski 1980–1993 at Monopol provides a rare glimpse into the history of an influential apartment gallery that operated in Warsaw for thirteen years. From the imposition of Martial Law through the collapse of the Berlin Wall and beyond, the Dłużniewskis exhibited artworks by Polish and international post-conceptual artists. The retrospective exhibition at Monopol resonates with an uneasy timeliness: Given the prevailing political[…..]

Vicious Circles

Mounir Fatmi. Casablanca Circles, 2012 (detail); Print on baryte paper; 35 2/5 × 47 1/5 in. Courtesy the artist and a private collection.

From our friends at REORIENT, today we bring you “Vicious Circles.” In this piece, author Samannaz Kourang Pishdadi talks with Moroccan artist Mounir Fatmi about growing up in Tangier, the inspiration of the Beat movement, and his interdisciplinary career. Fatmi says of his work, “At the beginning, I think I was very naïve thinking my work could change things. Eventually, I realised that the most important [thing][…..]

Otobong Nkanga in Conversation with Clare Molloy at Kadist Paris

From our friends at Kadist Art Foundation in Paris, today we bring you a video of Clare Molloy in conversation with Nigerian artist Otobong Nkanga. They discuss Nkanga’s exhibition Comot Your Eyes Make I Borrow You Mine, which was on view from September 27 through December 20, 2015. Nkanga says, explaining the title, “In a way, traveling and going through all these places, I had only the eyes of others.” 

Tony Hope: TH+ at ASHES/ASHES

Tony Hope. Untitled (Hugh), 2015; installation view. Courtesy of the artist and ASHES/ASHES.

Obsessively attuned to the use of space, Tony Hope stages deceptively spare sculptural environments within the gallery of ASHES/ASHES in his first Los Angeles solo exhibition, TH+. The two installations, which are suggestive of one another in their polarity, speak to the larger context of the show as it pertains to the value of manufactured identity. Hope displays a deep understanding of the transience found within subcultural materials that do[…..]