Conceptual

Equilibrium: A Paul Kos Survey at di Rosa

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Ángel Rafael Vázquez-Concepción reviews Equilibrium: A Paul Kos Survey at di Rosa in Napa. Currently at di Rosa, Equilibrium: A Paul Kos Survey features works by one[…..]

Irena Haiduk on Yugoexport

Today from our friends at Kadist Art Foundation, we bring you a video of artist Irena Haiduk on Yugoexport, a non-aligned oral-corporation. Yugoexport is a “productivist force extending the institutions of leisure and labor,” offering “release from the cruelty of waiting, wasting, transition, and sucking the life out of things” and operating with the tagline “Hope is the greatest Whore.” This video was originally published in[…..]

Marcel Broodthaers: A Retrospective at the Museum of Modern Art

Marcel Broodthaers. Pense-Bete (Memory Aid), 1964; books, paper, plaster and plastic balls on wooden base, without wooden base; 11 13/16 × 33 1/4 × 16 15/16 in. Courtesy of the Collection Flemish Community, long-term loan S.M.A.K. © 2016 Estate of Marcel Broodthaers, the Artists Rights Society (ARS), New York, SABAM, Brussels, and the Museum of Modern Art, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Andreas Petrossiants reviews Marcel Broodthaers: A Retrospective at the Museum of Modern Art in New York. In Marcel Broodthaers’ poem “Question de[…..]

The Lasting Concept at Portland Institute for Contemporary Art

Sara Greenberger Rafferty. Testing VIII, 2016 (detail); microphone stand and asparagus, dimensions variable. Courtesy of the artist and (gallery). Photo: Evan La Londe/WORKSIGHTED

The Lasting Concept at Portland Institute for Contemporary Art (PICA) is, by design, chronically unsure of its form. Initially conceptualized as a publication of the same name, the exhibition explores the nagging, process-driven revelation of being unable to excise a particular understanding from one’s thinking. With content that requires a method of digestion similar to reading, the exhibition’s connection to experimental publishing is evident. It’s[…..]

From Minimalism into Algorithm at the Kitchen

From Minimalism into Algorithm, Phase 2; 2016; installation view, The Kitchen. Featuring works by John McCracken, Zoe Leonard, Andrea Crespo, and Cheyney Thompson. Courtesy of The Kitchen. Photo: Jason Mandella.

In a 1966 review, Rosalind Krauss described how one of Donald Judd’s “progression” wall reliefs pulled the rug from under her. Its intervallic sequence of supporting members suggested a Renaissance colonnade, but its variable spacing negated the compositional and spatial logic that this model prepared her to expect. “The work itself exploits and at the same time confounds previous knowledge to project its own meaning,”[…..]

Mike Bray: Light Grammar/Grammar Light at Fourteen30 Contemporary

Mike Bray. ​The Necessity to Interfere with Movement​, 2016; light stands, ​acrylic, neon;​ 60​ x ​78​ x ​6​ inches. Courtesy of the Artist and Fourteen30 Contemporary.

The mechanics of grammar are the starter set of must-know rules for uniform speaking. They are the basic regulations without which language can be rendered clumsy beyond comprehension. Artist Mike Bray engages with these mechanics through his video, photographic, and sculptural works. At first concerned with the logistics of light and form on a fundamental level, Bray’s works expand to make visible their potential through[…..]

David Ireland at Walter and McBean Galleries

David Ireland. David Ireland, 2016; installation view, Walter and McBean Galleries, San Francisco Art Institute. Courtesy of San Francisco Art Institute. Photo: Gregory Goode.

Wry humor, mystery, and entropy: Today from our partners at Art Practical, we bring you Danica Willard Sachs’ review of David Ireland’s work at the Walter and McBean Galleries at the San Francisco Art Institute. The author notes, “Throughout, Ireland draws our attention repeatedly to the material conditions of each object, the where and how of every action, rooting them in real time and space.” This article was[…..]