CONSTRUCT\S at the Wing Luke Museum

Lynne Yamamoto. Whither House, 2015; installation; dimensions variable. Courtesy of the Wing Luke Museum. Photo: Toryan Dixon.

CONSTRUCT\S: Installations by Asian Pacific American Women Artists at the Wing Luke Museum is a journey into the lives and minds of six artists who employ a range of media and creative tactics to explore sociocultural identity, familial history, and locality. The exhibition does not claim to be a comprehensive survey of “Asian Pacific American art.” Rather, it provides an array of entry points into[…..]

Hammer Projects: Mary Reid Kelley at Hammer Museum

Mary Reid Kelley with Patrick Kelley. Priapus Agonistes, 2013 (video still). Single-channel HD video, black and white, sound; 15:09 min. Courtesy of the Artists; Susanne Vielmetter Los Angeles Projects; Fredericks & Freiser Gallery, New York; and Pilar Corrias, London.

Now on view at Hammer Museum, Mary Reid Kelley’s videos are a collision of drawing, performance, and wordplay that clatter against Greek mythology to produce a visually spare, lexically rich cycle. Working with videographer Patrick Kelley, the artist has produced three black-and-white videos that follow the story of the half-woman, half-bull Minotaur, her lust-crazed mother Pasiphae, and her helpless sister Ariadne through boldly drawn landscapes.[…..]

Leo Saul Berk: Structure and Ornament at Frye Art Museum

Leo Saul Berk. Structure and Ornament, 2014; plywood, acrylic; 120 x 213 x 59 in. Courtesy of the Artist. Photo: Mark Woods.

Can architecture transform lives? Can it transform us? These questions lay the foundation for Structure and Ornament, a solo exhibition of work by Seattle-based artist Leo Saul Berk, on view at Frye Art Museum. Presented in a meandering array of multimedia sculpture, site-specific installation, and video with sound, Berk’s ongoing series is a reflection on his childhood home in Aurora, Illinois—a site formative to his personal and artistic growth. In the[…..]

Simon Denny: The Innovator’s Dilemma at MoMA PS1

Simon Denny. New Management, 2014; installation view, Portikus, Frankfurt. Photo: Helena Schlichting. Courtesy of the Museum of Modern Art.

Startup culture is ripe for satire. The tech industry’s social and economic dominance makes it a necessary target, and its penchant for jargon-heavy, wildly inflated rhetoric makes it an easy one. Mike Judge’s HBO sitcom, Silicon Valley, deftly picks the low-hanging fruit, but it hardly needs to. The elevator pitches of most weak-to-average startups on the venture-capital trail, quixotically ascribing revolutionary potential to the most[…..]

Marion Belanger: Rift/Fault – Landscape Photographs of the North American Continental Plate at Haverford College

Marion Belanger. Rift #51 (Geothermal pipes alongside a road at Hengill, Iceland), 2011; Fault #26 (North Shore, Salton Sea, CA), 2012; archival pigment print; 18.5 x 14.8 in. Courtesy of the Artist and Atrium Gallery, Haverford College.

Northward light fills the gallery upon entering Marion Belanger’s exhibition Rift/Fault. The exhibition, currently on view at Haverford College, contains roughly two dozen pairings of photographs drawn from Belanger’s decade-long investigation into the geography and geology of an unseen tectonic boundary: the North American Continental Plate. Along the edges of the plate lies the Mid-Atlantic Rift in Iceland, bisecting and pulling the small nation apart, and[…..]

Ling Sepúlveda: Un Ciclo de Lavado en Vivo at Biquini Wax

Ling Sepulveda. Un ciclo de lavado en vivo, 2015; Performance at Bikini Wax, Mexico City, May 16, 2015. Photo: Ramiro Chavez

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. Today’s Shotgun Review is the fifth in a series of five written by the finalists for the Daily Serving/Kadist Art Foundation Writing Fellowship in Mexico City; author Dorothée Dupuis reviews the work of Ling Sepúlveda at Biquini Wax in Mexico City. Un Ciclo de Lavado en Vivo[…..]

Jorge Méndez Blake: Topographic transferrals from the Biblioteca Nacional at MUAC

Jorge Méndez Blake. The Topographer. (Marking a Series of Points from the National Library to the University Museum of Contemporary Art), Still, 2015. Courtesy Museo Universitario de Arte Contemporáneo (MUAC).

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. For the next five Sundays, our Shotgun Reviews will come from the finalists for the Daily Serving/Kadist Art Foundation Writing Fellowship in Mexico City. In today’s edition, author Tania Puente reviews the work of Jorge Méndez Blake at the Museo Universitario de Arte Contemporáneo in Mexico City.[…..]