We are thrilled to bring you a review of The Theme Exhibition of the 4th Guangzhou Triennial from our partner ArtSpy, a website based in Beijing, P.R.China that is committed to establishing a platform for global artistic information. This article was originally written for ArtSpy and has been translated exclusively for DailyServing. About the theme, as curator Jiang Jiehong said, “The Unseen is the main framework[.....]

Wafts of ginger and cilantro from the nearby Vietnamese eateries swirls around the propelling bus exhaust as I walk through London’s funky Shoreditch on an overcast day. Though I (embarrassingly) have not yet visited before, the unexpected island of pristine glass of the Flower’s Gallery is not hard to miss among the rickety cheap shoe shops and tabacs littered with half-shredded ice cream posters. A[.....]

In his first solo exhibition in Asia at the Gagosian gallery in Hong Kong, Joel Morrison presents a reasonably entertaining series of recent works that challenges formalist sculpture while engaging in a constant critique of art historical directions. Drawing on readily-available objects utilised in daily life, Morrison’s composite sculptures begin as disparate Duchampian readymades: weather balloons, bullets, mannequin busts and shopping carts, just to list[.....]

  With Lutz Bacher‘s exhibition, San Francisco’s Ratio 3 creates a stark contrast to the surrounding neighborhood. Once the gallery’s heavy black doors close behind you, the vivid colors of Mission Street are abruptly shut off. The jagged, cavernous space is given over to stark black and white, or, to be more precise, irregular spatters of black on a white or light grey surface. The first thing one notices are small[.....]

For this edition of Fan Mail, Dennis Neuschaefer-Rube of Bielefeld, Germany has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. Dennis’s “stilled film” projects are exercises in visualizing the art of filmmaking—-charting changes in[.....]

Eric Yahnker’s current solo show VIRGIN BIRTH N’ TURF, at The Hole through October 6, is a meticulous chronicle of canonical American cultural mediocrity. Walking into the vaulted white squareness of The Hole, I’m slammed from all sides by Yahnker’s enormous images — meticulously hand-drawn, magnified portraits of kitsch. Yahnker takes aesthetically unexalted elements of popular media, elevating the mediocre cultural staple and outfitting it[.....]

“The temporary” might seem like a neutral concept, but in reality it is ideologically loaded. Depending on the context (and on the social class of the speaker), temporary work and temporary dwelling might mean either insecurity and precarity–or flexibility and dynamism. How are some of San Francisco’s city officials planning to lure young innovators and entrepreneurs, for instance? By allowing developers to build 220-square foot[.....]