Curators

Paradise Lost at the Centre for Contemporary Art, Singapore

Trinh T. Minh-ha. Surname Viet Given Name Nam, 1989 (film still); 16mm; 108 min. Courtesy of Moongift Films.

“Southern Asia, in general, is the seat of awful images and associations. As the cradle of the human race, it would alone have a dim and reverential feeling connected with it… [the] mere antiquity of Asiatic things, of their institutions, histories, modes of faith, &c., is so impressive, that to me the vast age of the race and name overpowers the sense of youth in[.....]

If the World Changed: Singapore Biennale 2013

Teamlab. Peace Can Be Realized Even Without Order, 2012; interactive digital installation; dimensions variable. Courtesy of the Artist and Singapore Art Museum.

Premised on the obliquely hypothetical question “What if the world changed?”, the Singapore Biennale 2013 (SB2013) is presented as a deconstructed entity centered on allusive keywords—or “tags” in internetspeak—such as “histories,” “intervention,” and “materiality” in order to highlight the transmutative and the transformative qualities of the art produced in the region. With a collaborative team of 27 curators instead of an artistic director helming the show,[.....]

The Fun of the Fair: Sydney Contemporary

Kim Joon, Bird Land - Chrysler, 2008, digital print, 47 x 83 inches, Sundaram Tagore Gallery, Hong Kong, New York, Singapore

Depending on who you ask, anywhere between eight thousand and thirteen thousand people attended the vernissage of the world’s newest art fair, Sydney Contemporary. By the end of three and a half days, the fair had attracted almost twenty-nine thousand visitors eager to see the offerings from eighty-three Australian and international galleries, presenting the work of more than three hundred artists. The physical scale was[.....]

#Hashtags: Proximity and Migration

Yamini Nayar. Head Over Heals, 2013. Lightjet print. Courtesy the artist, Thomas Erben Gallery, New York and Jhaveri Contemporary, Mumbai.

#institutions #representation #access #sustainability #visibility #regionalism #globalism Two shows at San Francisco museums this past July proposed to reconcile gaps between local and global concerns. For Proximities I: What Time Is It There? at the Asian Art Museum, guest curator Glen Helfand asked a group of Bay Area artists to consider the concept of Asia from the perspective of the culturally uninitiated. Migrating Identities, at Yerba[.....]

Zhang Rui’s One Year at 4A Centre for Contemporary Asian Art

In 2007 young artist Zhang Rui, then newly graduated from the Tianjin Academy of Fine Arts, was one of 1001 Chinese citizens selected by Ai Weiwei through his blog to participate in his project Fairytale for Documenta 12. The experience proved to be a transformative one. Her body of work One Year is showing at Sydney’s 4A Centre for Contemporary Asian Art. Small works, painted with[.....]

Perchance to Dream at Andrea Meislin Gallery

Adi Nes, Untitled, 1999 Digital C-print

Perchance to Dream, a group exhibition on view at New York’s Andrea Meislin Gallery, features twenty-five international artists’ photographs that relate to the Shakespeare quote referenced in the show’s title. We see napping children, embracing couples in bed, homeless men on the street, passed-out teenagers on the beach, and even an abandoned, sleeping dog. We also see the strange addition of soiled and torn mattress “landscapes,” presented[.....]

ICP Triennial: A Different Kind of Order

A Different Kind of Order, the International Center of Photography’s Triennial, includes artworks by twenty-eight international artists whose photographs, films, sculptures, video, and mixed-media works focus on the intersection of modern image making and our technologically advanced contemporary culture. The artists bring light to the nuances of our “new” world’s challenges, whether they are newfangled or all too familiar. Moving between the application and denial of[.....]