Digital Media

From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum

From Generation to Generation: Inherited Memory and Contemporary Art, 2016; installation view, San Francisco, CA. Courtesy of the Contemporary Jewish Museum. Photo: JKA Photography.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carlos Kong reviews From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum in San Francisco. Memories take[…..]

Curating in an Era of Change: In Conversation With E. Jane

E. Jane. Notes on softness, 2016, NewHive site.

Today from our friends at ARTS.BLACK we bring you the third installment of author Ashley Stull Meyers’ series Curating in an Era of Change.  In this iteration of the work, Meyers interviews conceptual artist E. Jane. They discuss the internet as exhibition space, academia, and navigating the art world—and the world at large—as Black women. E. Jane states, “I think the social media feed has some Utopian possibility[…..]

An Atlas of Mirrors: Singapore Biennale 2016

Titarubi. History Repeats Itself, 2016; Gold-plated nutmeg, copper-plated wood, nickel-plated wood, burnt wood, sampan, wood, aluminium, copper, soil, light and nutmeg perfume; Dimensions variable. Image courtesy of Singapore Art Museum.

There is no shortage of mirrors and maps in the fifth iteration of the Singapore Biennale. Glass mirrors in Harumi Yukutake’s Paracosmos (2016) curve around the main circular stairwell of the Singapore Art Museum, dazzling the eye as light hits their multiple reflective surfaces. Dozens of mirrors appear in their reflections; dozens more yet, to the power of infinity, show up in the reflections of their reflections. In[…..]

Pipilotti Rist: Pixel Forest at the New Museum

Pipilotti Rist. Mercy Garden, 2014; two-channel video and sound installation, color, with carpet; 10:30 min; dimensions variable. Sound by Heinz Rohrer. Courtesy of the Artist, Hauser & Wirth, Luhring Augustine, and New Museum. Photo: Maris Hutchinson / EPW Studio.

I admit that I’m late to discovering Swiss artist Pipilotti Rist. However, given that she has been producing work since the 1980s, and only in 2016 has received her first major retrospective in New York, Pixel Forest at the New Museum, I may not be the only one. The exhibition as a whole is an immersive environment, where one can easily and pleasurably lose time—an[…..]

Odd Jobs: Danielle Dean

Danielle Dean. Hexafluorosilicic, 2015; installation view at Commonwealth & Council, Los Angeles. Courtesy of the artist.

Welcome back to Odd Jobs, where artists talk about their varied and nontraditional career arcs. For this installment, I spoke to Danielle Dean—born to a Nigerian father and an English mother in Alabama—whose interdisciplinary practice draws from this multinational background. Her work explores the interpellation of thoughts, feelings, and social relations by power structures working through news, advertising, political speech, and digital media. She has[…..]

From the Archives – La Polis Imagi-nada at El Quinto Piso

Liz Misterio. El regreso de Ana Suromal, 2015 (action-art still); action-art and video projection. Courtesy of the artist and El Quinto Piso, Mexico D.F. Photo: Liz Misterio.

While nation-states elect or appoint internationally recognized power brokers, real politics emerge on the ground in the lived experiences of our communities, in the polis. In the face of shifting national and international politics, local communities must commit to uphold human rights. In that spirit, San Francisco’s Board of Supervisors recently dismissed threats of funding cuts by the President-elect and affirmed the city’s commitment to[…..]

Jennifer and Kevin McCoy: Broker at Postmasters Gallery

Jennifer & Kevin McCoy. BROKER (still), 2016; video, 28 minutes. Courtesy of the Artists and Postmasters Gallery. Photo: Evan Schwartz

The Postmasters Gallery’s arched storefront entrance on Franklin Street in New York City’s Financial District conjures an era long gone, when artists inhabited the raw lofts of the area. High ceilings with brick and rustic Corinthian columns belie the sleek high-rise trend seeping into the city, which aptly form the setting of Jennifer and Kevin McCoy’s latest exhibition, BROKER. Well-loved for their maquettes often featuring[…..]