Digital Media

#Hashtags: On the Political in Art

Thomas Hirschhorn. Gramsci Monument, 2013. Children's Class. Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo by Romain Lopez.

#race #class #access #commerce #representation #empowerment #codeswitching As the values of the contemporary art elite veer ever farther toward commerce, art with a social justice conscience is rallying in New York—arguably the center of the global art market. This summer, three prominent artists known for their political consciences have been drawing attention for thoughtful, research-heavy projects. In Chelsea, Hank Willis Thomas and the team of William Powhida and Jade Townsend have[.....]

Deeply Concentric: An Interview with Yael Kanarek

Yael Kanarek. Installation view (l-r): Sanctify Thyself No. 1; Deeply Concentric; Perpetual Dream Catcher; all 2013. Photo by John Berens. Image courtesy bitforms gallery nyc.

Yael Kanarek is interested in the signs and systems that we use to quantify and communicate knowledge, specifically words and numbers. She focuses on the spaces where meaning is conveyed or lost as it passes through cultural and disciplinary frameworks, while her work fluctuates between painting, sculpture, and time-based interactivity. She has exhibited at The Drawing Center and in the 2002 Whitney Biennial and has received numerous awards,[.....]

Postscript: An Ambitious Take on Conceptual Art and Writing at the Power Plant

Kenneth Goldsmith, Soliloquy, 1996.

Upon entering Toronto’s Power Plant Contemporary Art Gallery to see Postscript: Writing After Conceptual Art, the viewer is immediately confronted by a raucous wash of sonorous elements. Over fifty artists and conceptual writers occupy the gallery space; canonical works from Andy Warhol, Sol LeWitt, Marcel Broodthaers, Carl Andre, and Dan Graham are nestled among pieces by contemporary practitioners, contributing to the sense of saturation. Originally curated[.....]

Perchance to Dream at Andrea Meislin Gallery

Adi Nes, Untitled, 1999 Digital C-print

Perchance to Dream, a group exhibition on view at New York’s Andrea Meislin Gallery, features twenty-five international artists’ photographs that relate to the Shakespeare quote referenced in the show’s title. We see napping children, embracing couples in bed, homeless men on the street, passed-out teenagers on the beach, and even an abandoned, sleeping dog. We also see the strange addition of soiled and torn mattress “landscapes,” presented[.....]

Fan Mail: Masur Museum

Jenny Holzer. Sense, undated; still from s[edition] digital limited edition; edition 106 of 5,000, dimensions variable. Courtesy of the Artist and s[edition], London. Pending accession to Permanent Collection of Masur Museum of Art, Monroe, LA.

For this edition of Fan Mail, the Masur Museum of Monroe, Louisiana has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. For the upcoming exhibition Computer Aided, the Masur Museum is showing works by the[.....]

Aesthetics of the Spectacle

Kate Bonner

In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. —Guy Dubord, Society of the Spectacle, 1967 The Bay Area is the social media capital of the world; with headquarters for Google, Facebook, Twitter and Instagram, it is no surprise that everywhere you go, people are[.....]

Organism/Mechanism: Michael Theodore at David B. Smith Gallery

Michael Theodore, endo/exo (2013), installation view, dimensions variable, courtesy of David B. Smith Gallery and the artist.

When you enter your local supermarket, the door will most likely slide open automatically, welcoming you as it senses your presence. There’s nothing remarkable about that, you’re accustomed to the simple technology of motion sensors. What is remarkable is that technological fixtures such as motion sensors have become so ubiquitous that we scarcely notice them anymore. They are a part of your daily routine, a[.....]