Digital Media

Fan Mail: Masur Museum

Jenny Holzer. Sense, undated; still from s[edition] digital limited edition; edition 106 of 5,000, dimensions variable. Courtesy of the Artist and s[edition], London. Pending accession to Permanent Collection of Masur Museum of Art, Monroe, LA.

For this edition of Fan Mail, the Masur Museum of Monroe, Louisiana has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. For the upcoming exhibition Computer Aided, the Masur Museum is showing works by the[.....]

Aesthetics of the Spectacle

Kate Bonner

In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. —Guy Dubord, Society of the Spectacle, 1967 The Bay Area is the social media capital of the world; with headquarters for Google, Facebook, Twitter and Instagram, it is no surprise that everywhere you go, people are[.....]

Organism/Mechanism: Michael Theodore at David B. Smith Gallery

Michael Theodore, endo/exo (2013), installation view, dimensions variable, courtesy of David B. Smith Gallery and the artist.

When you enter your local supermarket, the door will most likely slide open automatically, welcoming you as it senses your presence. There’s nothing remarkable about that, you’re accustomed to the simple technology of motion sensors. What is remarkable is that technological fixtures such as motion sensors have become so ubiquitous that we scarcely notice them anymore. They are a part of your daily routine, a[.....]

Georgia Sagri is otherwise occupied

#Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts. In the prelude to his book The Triumph of Anti-Art, Thomas McEvilley held up the Greek philosopher Diogenes of Sinope, founder of the School of Cynics, as a prototypical conceptual and performance artist who strove to break down the barriers separating philosophy and life.[.....]

Silence at UC Berkeley Art Museum

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As a part of our ongoing partnership with Art Practical, today we bring you a feature from writer Bean Gilsdorf on UC Berkeley Art Museum‘s Silence exhibition. In Alan Moore’s graphic novel V for Vendetta, the main character tells his young acolyte, “Silence is a fragile thing. One loud noise and it’s gone.” On my way to the UC Berkeley Art Museum’s Silence exhibition, I had a related thought:[.....]

Doug Aitken: 100 YRS

Central to Doug Aitken’s “100 YRS” exhibition at 303 Gallery is a new “Sonic Fountain,” in which water drips from 5 rods suspended from the ceiling, falling into a concrete crater dug out of the gallery floor. The flow of water itself is controlled so as to create specific rhythmic patterns that will morph, collapse and overlap in shifting combinations of speed and volume, lending the physical phenomenon the[.....]

Traveling the universe / inside the human mind.

Imagine: you walk into a white room. One you can only enter wearing some of those sexy, plastic blue shoe protectors. An oversized flatscreen beams bright flickering light at the opposite wall. You sit down in front of the screen. The brightness is of an almost suffocating magnitude – there is so much light your eyes can’t cope. Instead of seeing light you start to[.....]