Digital Media

More Real?: False Realities at SITE Santa Fe

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In place of what would have been SITE Santa Fe’s 9th International Biennial, the exhibition More Real?: Art in the Age of Truthiness is mounted as a question. Through cumulative stagings, illusions, virtual worlds, and fictional archives the exhibition creates a circuit of “truthiness”. The term coined by the venerable pop icon Stephen Colbert essentially means truth through gut feeling or desire rather than fact.[.....]

On View This Summer at MoMA PS1

MoMA PS1 is an art institution reputable for its exhibitions and events that inspire an unparalleled contemporary dialogue in both the United States and internationally. It’s building – a recovered and repurposed public schoolhouse – alone commands a stamp of novelty. The exterior recalls an architectural era that predates the now ubiquitous rolling glass façades with its sumptuous terra cotta bricks and ornate eaves. It’s interior has[.....]

Lorna Macintyre – Midnight Scenes & Other Works

This concluding feature on Glasgow International Festival of Visual Art presents Lorna Macintyre – ‘Midnight Scenes & Other Works’, a solo exhibition of recent works by Glasgow-based artist Lorna Macintyre at Mary Mary, Glasgow that runs till 2 June 2012. The exhibition’s title is drawn from the 1858 publication, ‘Midnight scenes and social photographs: sketches of life in the streets, wynds, and dens of the[.....]

And the Money Came Rolling in . . . Or Not.

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Because NEA funding cuts recently prompted Art21.org to stage a telethon, because this is fundraising season (a number of non-profits, included Los Angeles Contemporary Exhibitions, had their annual auctions, galas or other fundraisers this month), and because I’m preoccupied with MOCA’s recent Transmission L.A. festival — which I mentioned in last week’s[.....]

Springing Up at the New Museum: Phyllida Barlow, Tacita Dean & Nathalie Djurberg

Leaving the crowds behind after the frenzied week of Frieze, I headed down to the New Museum after waiting for a month in anticipation to see some of my favorite artists show under one roof. Though there are numerous shows currently at the New Museum, I was there to see Phyllida Barlow, Tacita Dean and Nathalie Djurberg, all artists with whom I have had minimal[.....]

Marking Time at the MCA

The revamped Museum of Contemporary Art Australia opened its doors with Marking Time, an exhibition exploring time, duration and mortality. Jim Campbell’s ‘Last Day in the Beginning of March 2003’, a reimagining of the last 24 hours in his brother’s life, is a transfixing experience. One enters the dark space into the sound of rain.  Pools of flickering light illuminate wall texts identifying single moments such as[.....]

Jennifer Steinkamp at ACME

Moth

Last week, I witnessed a birth. I know that it happened at 11:59 am on February 21st, 2012, that her grandmother made her a pink elephant blanket, and that she arrived an “overly punctual” three days ahead of schedule. I know this because she was tagged in seventy-three photos on Facebook; images that linked to her very own profile, created by her parents. Her birth[.....]