Jay DeFeo/Alter Ego at Hosfelt Gallery

Jay DeFeo, Untitled, 1973; gelatin silver print, 7 3/4 x 9 9/16 in., Estate no. P0778A. May not be reproduced in any form without permission of The Jay DeFeo Trust, © 2015 The Jay DeFeo Trust/Artists Rights Society (ARS), New York.

Today from our partners at Art Practical, we bring you a review of Jay DeFeo/Alter Ego at Hosfelt Gallery in San Francisco. Author Anton Stuebner notes, “In reconceptualizing the forms of her everyday life, DeFeo’s work suggests the importance of embracing the imaginary and the real as necessary complements.” This article was originally published on October 1, 2015. Shadows suffuse Jay DeFeo’s work. In her gelatin silver prints,[…..]

Fan Mail: Julia Westerbeke

Julia Westerbeke. Geophony, 2015 (detail); punctured and carved paper; 22 in x 15 in. Courtesy of the Artist.

Using strategies of asymmetry and organic mirroring, Julia Westerbeke explores abstraction as a vehicle of human imagination and a catalyst for subconscious thought. The artist cites science fiction and the biology of natural forms as two of her main sources of inspiration, and her paper-based explorations evoke a certain duality inherent within organic life—the ordinary morphing into the extraordinary, the mundane inspiring spurts of wonder.[…..]

Ellen Lesperance: We Were Singing at Adams and Ollman

Ellen Lesperance. We Were Singing, 2015; installation view, Adams and Ollman, Portland. Courtesy of the Artist and Adams and Ollman. Photo: Mario Gallucci.

Not many things are more difficult than articulating love. Displaying a lack of temperance can appear obsessive, while showing any sign of hesitance can be mistaken for a number of unintended things. Every so often, an individual demonstrates the ability to tow the line so eloquently and sincerely that the outcome is a lesson in expert labor. Ellen Lesperance’s exhibition We Were Singing at Adams[…..]

Drawing Sound Part II: Alvin Lucier at the Drawing Center

2.	Alvin Lucier. Bird and Person Dyning, 1975 (performance still); Drawing Center, New York; September 11, 2015; Alvin Lucier, performer. Courtesy of the Drawing Center. Photo: Chris Bradley.

To enter the main gallery at the Drawing Center for a recent performance, we couldn’t use its front doors. Instead, we had to descend the stairs near the lobby, walk along the lower-level corridor from the front to the back of the building, ascend the rear stairs, and pass through the smaller gallery called the Drawing Room. There, the walls were adorned with several wooden[…..]

Sprawl!: Drawing Outside the Lines at the High Museum of Art

Fabian Williams. Gossip, 2014; watercolor on paper; 8 x 10 in. Courtesy of the High Museum of Art, Atlanta.

Sprawl! Drawing Outside the Lines presents a compelling case for an expanded notion of drawing and draftsmanship in contemporary art. With over 100 drawings culled from artists and creative workers within the sprawling suburban metropolis of Atlanta, it’s a much-anticipated sequel to the 2013 exhibition Drawing Inside the Perimeter, which instigated the museum’s public commitment to acquiring and exhibiting the work of local artists. Sprawl! registers[…..]

Fan Mail: Jwan Yosef

Jwan Yosef. Head, 2013; oil on Perspex; 31 ½ x 24 inches. Courtesy of the artist.

Thank you, Will! Today we celebrate A. Will Brown’s 50th and final Fan Mail column, and wish him farewell as he embarks upon new adventures in his job as the curatorial assistant of contemporary art at the RISD Museum of Art in Providence, Rhode Island! We’ll return in the fall with a new Fan Mail columnist, stay tuned for the announcement. Look closely, what do you see?[…..]

Synecdoche at Jessica Silverman Gallery

Tony Lewis. Automatic, 2015; Pencil, graphite powder and tape on paper; 83 3/4 x 71 1/2 in. Courtesy of the Artist; Shane Campbell Gallery, Chicago; Massimo De Carlo, London/Milan, and Jessica Silverman Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Hana Metzger reviews Synecdoche at Jessica Silverman Gallery in San Francisco.  Synecdoche, an exhibition at Jessica Silverman Gallery featuring twelve works by five artists, borrows its[…..]