Fashion

Africa Forecast: Fashioning Contemporary Life at Spelman College Museum of Fine Art

Fabiola Jean-Louis. Amina, 2016; archival pigment print; 29 x 28.5 inches. Courtesy of the Artist and Alan Avery Art Company (Atlanta, GA).

Spelman College Museum of Fine Art’s current exhibition, Africa Forecast: Fashioning Contemporary Life, presents a small but dynamic assemblage of twenty designers and artists who blur the line between fine art and fashion from across the globe. Co-curated by Spelman Museum’s own Dr. Andrea Barnwell Brownlee and Dr. Erika Dalya Massaquoi to celebrate the 20th anniversary of the institution, this exhibition embodies the curatorial commitments[…..]

Irena Haiduk on Yugoexport

Today from our friends at Kadist Art Foundation, we bring you a video of artist Irena Haiduk on Yugoexport, a non-aligned oral-corporation. Yugoexport is a “productivist force extending the institutions of leisure and labor,” offering “release from the cruelty of waiting, wasting, transition, and sucking the life out of things” and operating with the tagline “Hope is the greatest Whore.” This video was originally published in[…..]

Interview with Adriana Lara

Today from our friends at Kadist, we present a video interview with Adriana Lara. In it, Michele Fiedler talks with Lara about her relationship to the readymade, the exhibition, and the wearable. This video was originally published October 6, 2015.

Howard Fried: The Decomposition of My Mother’s Wardrobe at The Box

Howard Fried. The Decomposition of My Mother's Wardrobe, 2014-2015. Courtesy of the Artist and The Box Gallery. Photo: Fredrik Nilsen Studio.

Carefully orchestrated yet unpredictable, the project has no predetermined solution, only possible actions.

#Hashtags: Punk Is Dead, Long Live Punk

27. Gallery View_430 Kings Road Period Room

#punk #institutions #historicity #commerce #style Is the Metropolitan Museum of Art’s Punk: Chaos to Couture the death knell of punk as a social and cultural movement? Certainly, the Met’s assertion that the locus of punk’s importance is in its influence on high fashion would indicate that it is no longer relevant to these larger concerns. The A-list attendees at May’s opening gala were decidedly mainstream[…..]

Craft is Not Dead

Sabrina Gschwandtner, “Hula Hoop,” 2010. 16mm film and polyamide thread. Smithsonian American Art Museum, Gift of Chris Rifkin in honor of the 40th anniversary of the Renwick Gallery. Photo by Sabrina Gschwandtner.

What defines the art of craft? What is the difference between art and craft? 40 Under 40: Craft Futures at Smithsonian’s Renwick Gallery blurred the lines for me, while at the same time helping me to appreciate craft in a new light. There is something about the word “craft” that connotes antiquated techniques that don’t necessarily relate to our contemporary world. This exhibition breathes new[…..]

Kate MccGwire: Glamorous Bait for a Merciless Trap

What sort of cold-blooded beast is this? Measuring ten meters long and towering overhead, a muscled, thick mass covered in iridescent black feathers swirls around itself and then dives into itself. Snaking out of the wall as if from a hell-like sewer, Gyre twists with the writhing energy of a sex-drunk lover. Seductive and nightmarish, intricately beautiful and somehow dangerous, the massive sculpture captures the[…..]