Fashion

This Space is Mine, Again

John-Galliano12.1-tile-600x450

This was originally published as part of DailyServing’s week-long FORCE OF FAILURE in March 2011. Then, MOCA had opened a show of Rodarte’s Black Swan costumes that coincided with the Oscars and Fashion Weeks around the world, and L.A. performance artist Dawn Kasper had just done a performance in which she revisited Vito Acconci’s 1971 Claim performance. Since Autumn/Winter collections have just debuted in London,[…..]

World Disclosers: Medusa’s Mirror at Pro Arts Gallery

Some philosophy holds that the fundamental role of human beings is to be “world disclosers.”  Medusa’s Mirror: Fears, Spells, and Other Transfixed Positions, a small yet conceptually powerful show at Oakland’s Pro Arts Gallery, demonstrates this principle via the visual arts.  The exhibit, curated by Amanda Cachia, is expansive in at least two important ways. First, the objects on view include both traditional and new[…..]

Interview with Glenn Adamson

Today’s interview is from our friends at Art Practical, where Bean Gilsdorf gets a chance to chat with Glenn Adamson, deputy head of research and head of Graduate Studies at the Victoria and Albert Museum, where he leads a graduate program in the History of Design. My interest in Glenn Adamson’s work began in 2006 with his essay “Handy-Crafts: A Doctrine,” which is included in[…..]

Use and Abuse

Rise of Rebellion: DailyServing’s latest week-long series Today on DS, we look at the desire and longing for rebellion embedded in the work of Nan Goldin, Larry Clark, Dash Snow and Ryan McGinley. Check out how the acts captured in these artists’ work become an icon for a generation desperate for a more rebellious lifestyle. Thinking back to the days of being a rebellious teenager[…..]

Mella Jaarsma

Recalling the stateliness and beauty of warriors, the delicate chainmail in Mella Jaarsma‘s latest work, Dirty Hands, is only interrupted through the visitor’s intervention in the form of light projections of 17th century Dutch prints picturing early colonial confrontations in Indonesia. While on one hand, the interactivity provides a recreation of these historical tensions, the intervention subtly implicates the viewer in their role as teller[…..]

Nick Cave and Phyllis Galembo

Call and Response: Africa to America / The Art of Nick Cave and Phyllis Galembo recently opened at the Halsey Institute of Contemporary Art in Charleston, South Carolina. The exhibition brings together the work of two American artists intrigued by the formation of cultural identity and individual experience within a society. Drawing inspiration from the rich ceremonial traditions and elaborate guises of African nations, Nick[…..]

Kimberly Brooks: The Stylist Project

The art world. It’s way more serious and important than every other industry! This thinking at least seems to persist even though the field of contemporary art has maintained an open flirtation with its sassy sister, the fashion industry, since long before even Andy Warhol trotted his wacky wigs around Studio 54 with the likes of Diane von Fürstenberg. There is a mutual fascination between[…..]