Fiber Arts

Some Parallels in Textiles and Composition

Vox amp. Photo: Rebecca Gates

As the discipline of sound art develops and becomes more common, artists, including those working in textiles, are exploring ways to relate to and collaborate with sound.

Ding Yi: Ivory Black at ShanghArt

Ding Yi. Appearance of Crosses-13, 2013; acrylic on canvas; 140 cm x 200 cm. Photo: Courtesy of the Artist and ShanghArt gallery Singapore.

“Grids punctured with crosses in varying patterns” is perhaps the best—and admittedly, the most simplistic—way of summing up Ding Yi’s oeuvre. Ivory Black at the ShanghArt gallery is his latest iteration of these basic, severely geometric forms, in varying shades of blue, black, and white hues, distinguished only by date and serial number. Like an astronomer’s chart of the night sky, Ding’s gridded, ordered forms[…..]

Outsider Art Fair 2015

Edward Deeds. Untitled, 1936–66; installed at Hirschl and Adler Modern, Outsider Art Fair 2015. Photo: Lia Wilson.

The 2015 Outsider Art Fair, held at Center 548 in the Chelsea gallery district of New York City, marked the twenty-third iteration of the event. It also occurred within a season of mainstream museums prominently featuring the work of so-called outsider artists in very high-profile, insider art spaces. Judith Scott: Bound and Unbound, the artist’s first retrospective, was held at the Brooklyn Museum in the[…..]

Totems Not Taboo at Newcomb Gallery

Hew Locke. Installation View of The Nameless, 2010-2014; at Newcomb Art Gallery for Prospect.3: Notes for Now, a Project of Prospect New Orleans, October 25, 2014 - January 25, 2015. Courtesy of the artist and Hales Gallery, London, Photo © Scott McCrossen/ FIVE65 Design

January 6 was the official start of the Carnival season in New Orleans. Totems Not Taboo, an exhibit at Newcomb Art Gallery as part of Prospect.3: Notes for Now, is an ode to Jermayne MacAgy’s 1959 exhibit of the same name at the Museum of Fine Arts Houston. MacAgy assembled one of the largest exhibitions of primitive art and displayed them as objects of fine[…..]

Howard Fried: The Decomposition of My Mother’s Wardrobe at The Box

Howard Fried. The Decomposition of My Mother's Wardrobe, 2014-2015. Courtesy of the Artist and The Box Gallery. Photo: Fredrik Nilsen Studio.

Carefully orchestrated yet unpredictable, the project has no predetermined solution, only possible actions.

Ann Hamilton: The Common S E N S E at Henry Art Gallery

Ann Hamilton, the common S E N S E, 2014, courtesy of Henry Art Gallery, Seattle. Photo: Jonathan Vanderweit.

I was instantly drawn to the Siberian Rubythroat. It must have been the vibrant red flash of exposed underbelly that first caught my eye, but it was the bird’s placement that focused my attention, a diminutive creature adrift in a mauve fog. The Rubythroat is just one of 200 animal specimens that have been scanned, printed in multiple, and hung in a mosaic of thick[…..]

Pia Camil: The Little Dog Laughed at Blum & Poe

Pia Camil, The Little Dog Laughed, Installation view, 2014, Blum & Poe, Los Angeles; l. Asfalto, 2014, Hand dyed and stitched canvas, 94 1/2 x 94 1/2 inches.
r. The little dog laughed, 2014, Hand dyed and stitched canvas, 108 1/4 x 330 11/16 inches. Courtesy of the artist and Blum & Poe, Los Angeles

Pia Camil’s hand-dyed and stitched canvases offer a fresh approach to the well-worn field of geometric abstraction. For her first solo show in Los Angeles, this Mexico City-based artist has created four large, square wall works whose surfaces are divided into loose grids of colored stripes. Each work has a dominant color theme—cream, tan, blue, and purple—with brighter accents of yellow, red, and peach. Within[…..]