Del Kathryn Barton: The Highway Is a Disco at ARNDT Singapore

Del Kathryn Barton. The highway is a disco, 2015; Acrylic on French linen; 240 × 180 cm. Courtesy of the Artist and Arndt Singapore.

Framed against a starlit sky, two female figures with feathered hair and large, limpid eyes sit astride blue and purple kangaroos. Their lush, naked bodies are stark white against a vibrant canvas of marks, lines, and dots. They stare out of pictorial space into an unknown distance, with their detached gazes separated from the viewer’s own perusal of them. Disengaged from us, their distance forms[…..]

Impossible Objects at the Museum of Contemporary Art in Krakow

Impossible Objects, 2014; installation view, Impossible Objects, 2015. Courtesy of Instytut Architektury, Krakow. Photo: Jakub Woynarowski

Cultural reproduction is at the center of Impossible Objects, an exhibition that returns to Poland after much lauded recognition at the Venice Biennale. On central display is a 1:1 replica of the baldachin designed by Adolf Szyszko-Bohusz at the beginning of the 20th century to honor the revolutionary Polish leader Marshal Józef Piłsudski. The reproduction is accompanied by artist and artistic director Jakub Woynarowski’s large-scale[…..]

Michael Waugh: Boom at Von Lintel Gallery

Michael Waugh. Derivative (FCIR, part 5), 2015 (detail); ink on mylar; 42 x 65 in. Courtesy of the Artist and Von Lintel Gallery.

Michael Waugh’s first solo exhibition in Los Angeles, Boom, is currently on view at Von Lintel Gallery. Using ink on Mylar, Waugh reimagines an assortment of 19th-century tableaux, depicting quaint scenes of countryside estates and horse stables, as well as turn-of-the-century buildings on New York City streets. These representational drawings consist wholly of handwritten text: Scribbled sentences produce the contour lines of buildings as they[…..]

Thomas Hirschhorn: In-Between at South London Gallery

Thomas Hirschhorn. In-Between, 2015; installation view, South London Gallery, London. Courtesy Thomas Hirschhorn. Photo: Mark Blower.

Thomas Hirschhorn’s show at the South London Gallery is a precarious, postapocalyptic mess. Collapsing floors are propped up with broken posts, and adjoining walls are held together by packing tape, which creates a foreboding sense that the installation could come down on the viewers at any moment. Yet the actual threat of fabricated precariousness is quite different than the threat posed to the viewer who[…..]

2BENAMED at Naming Gallery in Oakland

Art Party Collective.  2BENAMED, installation view, 2015;  Courtesy of the Artists and Naming Gallery. Photo: Wilson Linker and Lisa Aurora.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Takeema Hoffman reviews 2BENAMED at Naming Gallery in Oakland.  2BENAMED, an exhibition currently at Naming Gallery in the heart of downtown Oakland, is an electrifying showcase of[…..]

Peter Saul: Some Crazy Pictures at David Kordansky Gallery

Peter Saul. Singing Sandwich, 2014; acrylic on canvas; 60 x 72 inches. Courtesy of David Kordansky Gallery. Photo: Fredrik Nilsen.

In an interview earlier this year, Peter Saul confessed, “I have to admit I’ve been enjoying myself. But through a large part of my life I’ve been desperately trying to think of some good reason for all this, and I haven’t really thought of a good reason. So that’s that.” Saul’s work is the kind that begs critics to ask, “But why?” while simultaneously and[…..]

Entang Wiharso: Never Say No at Singapore Tyler Print Institute

Entang Wiharso. Shelter: Forest of Eyes, 2015; Aluminium sheet, laser cut, C-type print; 127 × 184 × 3 cm. Courtesy of STPI.

Set in profile, a man casts a doleful eye on a smaller figure that perches on his forehead and pulls insistently at his tongue, while a miniature chainsaw balances threateningly on his head. The palm of his hand is pierced with a plant-like dagger, and little bodies tumble out feet-first from the bottom of his torso, already bearing knives and swords in preparation for a skirmish.[…..]