Installation

Interview with Ian McMahon

Cascade, 2014; Freestanding cast plaster, used pallets; 40’ x 6’ x 21’ (each side).

Artist Ian McMahon is a material purist who makes monumental sculptures from raw clay and industrial plaster. The resulting works are contradictory in impression—domineering but fragile, familiar while avoiding redundancy. In his most recent exhibitions he has introduced an element of controversy for anyone who has ever engaged with the tedium of delicate materials—the work is made to be broken. Ashley Stull Meyers: Let’s talk[…..]

Sanaz Mazinani: Threshold at the Asian Art Museum

AAM Threshold_Still10

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Nancy Garcia reviews Sanaz Mazinani: Threshold at the Asian Art Museum in San Francisco. Currently on view at the Asian Art Museum is Threshold, a[…..]

Awst & Walther: Ground Control, An Interdisciplinary Forum at PSM Gallery

Awst & Walther. Ground Control: An interdisciplinary forum, 2015 (still); digital animation; infinite loop. Courtesy of the Artists and PSM Gallery, Berlin. Photo: André Wunstorf.

In the dark at PSM Gallery in Berlin, a digital animation is silently breathing. It appears as an inverted landscape split in equal parts by land and sky. A field recedes into the horizon, with a mass of permafrost above and mostly clear blue atmosphere below. Green shrubs flop and slide loosely on the screen, wriggling and dismorphic, moving as they would in an acid[…..]

2015 Triennial: Surround Audience at the New Museum

Josh Kline. Freedom, 2015; installation view, 2015 Triennial: Surround Audience, 2015, New Museum, New York. Courtesy of the Artist and 47 Canal, New York.

Surround Audience, the latest triennial exhibition at the New Museum, surveys fifty-one emerging artists, from twenty-five countries, whose practices are informed by their lived experience immersed in the digital landscape. The triennial has always billed itself as a predictive rather than reflective survey, and this iteration is no exception, with a focus on the culture of the immediate present and where it’s hurtling. Though the[…..]

James Cordas: a, dog I’m holding undermy arm with Its head pointed behind me at Et al. Gallery

James Cordas. Installation view of

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Alex Rojas reviews James Cordas: a, dog I’m holding undermy arm with Its head pointed behind me at Et al. Gallery in San Francisco.  James Cordas’ exhibition a, dog[…..]

Ragnar Kjartansson: The End at the Museum of Contemporary Art Detroit

Ragnar Kjartansson. The End, 2009; Video. Courtesy of MOCAD, the artist, Luhring Augustine, New York, and i8 Gallery, Reykjavik.

The Museum of Contemporary Art Detroit (MOCAD) presents Ragnar Kjartansson’s gorgeous and shrewd video installation The End (2009). On five rear projection screens, Kjartansson and his collaborator, Icelandic musician Davíð Þór Jónsson, play all of the parts of an unidentified country-music song on piano, banjo, drums, and acoustic and electric guitars. Shot in the Rocky Mountains in Canada, both men are bearded and dressed in[…..]

Anicka Yi: You Can Call Me F at The Kitchen

Anicka Yi. Installation view of You Can Call Me F at The Kithcen in New York City , 2015.

At the entrance to the black box of the Kitchen’s upstairs gallery, a long vitrine houses an illuminated culture of bacteria on agar jelly. The cracked slab teems with biological entities colored like bruises on sallow skin. Imprinted with capital letters, it reads: YOU CAN CALL ME F. Anicka Yi’s current solo show stages part breeding ground, part containment camp for “F”—the feminine, the woman[…..]