Installation

Equilibrium: A Paul Kos Survey at di Rosa

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Ángel Rafael Vázquez-Concepción reviews Equilibrium: A Paul Kos Survey at di Rosa in Napa. Currently at di Rosa, Equilibrium: A Paul Kos Survey features works by one[…..]

Fan Mail: Rachel Granofsky

Rachel Granofsky. Ghost Sex, 2014; pigment print; 42 x 56 in. Courtesy of the Artist.

Rachel Granofsky’s approach to photography is akin to puzzle making, a balancing act between meticulously connecting individual parts while holding an unwavering attention to the whole. She creates her photographs at her Bushwick studio, which is set up as a miniature stage for building life-size installations. Granofsky constructs, frames, and captures; this labor-intensive process is her way of subverting the immediacy of digital photography. In[…..]

Make Your Mother at G-CADD

Catalina Quyang. Bumpy Plank (Girl Against Whites), 2016 (detail); aqua resin, extruded polystyrene, steel, bondo, enamel paint, clear coat; 96 x 24 x 10 inches. Courtesy of The Granite City Art and Design District.

The Granite City Art and Design District (also known as G-CADD) is an art compound of galleries and outdoor exhibition spaces along one block of Granite City, Illinois, located across the river from downtown St. Louis. Their exhibition, Make Your Mother, is a multifaceted grouping of works that investigate mother/child relationships. Curated by JE Baker, the exhibition at the gallery named Insurance features the artists[…..]

Jorge Macchi: Perspectiva at Museo de Arte Latinoamericano de Buenos Aires

Jorge Macchi. Monoblock, 2013; paper. Courtesy of MALBA.

Maps, clocks, dictionaries, music sheets, signals, and words are all different resources we have to decode our reality. By living under a unified structure, we can rest assured that our messages will be understood. A sense of normality is reinforced. But what lies underneath these layers of language? Can we realize how reality is built around us? Do we know how to dismantle the rules[…..]

Amir H. Fallah: All Experience Is an Arch at Hap Gallery

Students of metaphysics commonly debate about time and space as an arc—curving and perhaps boomeranging, to ends that are difficult to articulate. Los Angeles–based artist Amir H. Fallah, however, postulates the experience of time and space as something more solid and tangible, akin to a structure engineered for indiscriminate movement back and forth. All Experience Is an Arch at Hap Gallery is an experiential recounting[…..]

Cezary Poniatowski: No Center No Edges at Piktogram

Cesary Poniatowski. Untitled, 2016; acrylic on canvas, 180 x 145 cm. Image courtesy of Piktogram Gallery.

Cezary Poniatowski’s recent work at Piktogram Gallery compels viewers to navigate a veritable maze of pop-culture references and anthropological allusions. The exhibition is composed of more than twenty black-and-white acrylic paintings completed in 2015 and 2016, each depicting highly abstract, hybrid figures cavorting in confined, flat spaces reminiscent of comic-book panels. The recurrence of specific forms and motifs in the images creates the strong impression of a[…..]

Eric Yahnker: Noah’s Yacht at Zevitas Marcus

Eric Yahnker. Abe Lincorn, 2015; colored pencil on paper. Pierced Piety, 2015, colored pencil on paper. Shell Game, 2015 (detail); 314 Purell hand sanitizer bottles, spire seashells. Courtesy of the Artist and Zevitas Marcus.

Eric Yahnker’s large-scale colored pencil drawings are often satirical, social, and political in nature. The Los Angeles–based artist, who has worked both for South Park and as a journalist, views himself as a political cartoonist in the often patronizing and self-involved art world. Many of his previous shows have felt like incredible, offbeat, anarchic versions of the very best in political cartoons or Dadaist reinterpretations[…..]