Installation

Eric Yahnker: Noah’s Yacht at Zevitas Marcus

Eric Yahnker. Abe Lincorn, 2015; colored pencil on paper. Pierced Piety, 2015, colored pencil on paper. Shell Game, 2015 (detail); 314 Purell hand sanitizer bottles, spire seashells. Courtesy of the Artist and Zevitas Marcus.

Eric Yahnker’s large-scale colored pencil drawings are often satirical, social, and political in nature. The Los Angeles–based artist, who has worked both for South Park and as a journalist, views himself as a political cartoonist in the often patronizing and self-involved art world. Many of his previous shows have felt like incredible, offbeat, anarchic versions of the very best in political cartoons or Dadaist reinterpretations[…..]

The 5th Of July at Atlanta Contemporary Art Center

Installation shot of ‘The 5th of July’ (Far Left: Katherine Bernhardt’s Cantaloupe, iPhones, Nikes and Capri Suns (2014), Acrylic and Spray Pain on Canvas, 96 x 120 inches). Image courtesy of The Atlanta Contemporary Art Center (Atlanta, GA).

The symbolic charge of “the day after” marks itself as an interval structured by ambiguity as opposed to closure—a time of wake-up calls, hangovers, regrets, and comedowns. In science fiction, the phrase often suggests the apocalyptic nightmares of a world threatened by total disaster, while in revolutionary politics it articulates the call to reality after the collective euphoria from battle has worn away. It is[…..]

G.T. Pellizzi: Yo Transporto at Sala de Arte Público Siqueiros

G.T. Pellizzi. Yo Transporto, 2016; wood, plywood, Ethafoam. Courtesy of Sala de Arte Público Siqueiros.

Art travels. Within the globalized art scene, its journey takes the many forms of traveling exhibitions, international art fairs, biennials, public contests, and loans from personal or institutional collections. Although this wandering condition may enrich the experience of different public spheres by bringing them closer to popular works and major exhibitions, the accelerated speed at which these movements and spectacles take place commands a huge[…..]

Question Bridge: Black Males in America

Question Bridge: Black Males in America (Aperture/Campaign for Black Male Achievement, 2015)

Today we bring you an excerpt from Art Practical’s Printed Matters column. Roula Seikaly reviews Question Bridge: Black Males in America, the published companion to a project, platform, and installation that regards identity and representation. Seikaly notes, “Asking a question […] can be difficult; it can imply lack of knowledge and experience, rendering the asker vulnerable. No one wants to be caught out, least of all when the questions address identity, community, and most urgently,[…..]

Marcel Broodthaers: A Retrospective at the Museum of Modern Art

Marcel Broodthaers. Pense-Bete (Memory Aid), 1964; books, paper, plaster and plastic balls on wooden base, without wooden base; 11 13/16 × 33 1/4 × 16 15/16 in. Courtesy of the Collection Flemish Community, long-term loan S.M.A.K. © 2016 Estate of Marcel Broodthaers, the Artists Rights Society (ARS), New York, SABAM, Brussels, and the Museum of Modern Art, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Andreas Petrossiants reviews Marcel Broodthaers: A Retrospective at the Museum of Modern Art in New York. In Marcel Broodthaers’ poem “Question de[…..]

Invisible Presence: Bling Memories at the Atlanta Contemporary Art Center

Ebony G. Patterson. Invisible Presence: Bling Memories, 2014; installation view, Atlanta Contemporary Art Center, Atlanta, Georgia. Courtesy of the Artist and Atlanta Contemporary Art Center.

On May 8, 2001, the funeral of William Moore, aka Willie Haggart, was a raucous affair. Abandoning the somber mood of a typical funeral, the ceremony was a giant party at the National Arena in Kingston, Jamaica. Labeling it a “celebrity event,” Donna P. Hope writes that the style of Haggart’s funeral “ruptured the sobriety and mourning associated with traditional funeral rites.”[1] With this, the[…..]

Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Today from our partners at Art Practical, we bring you Maria Porges’ review of Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery in San Francisco. The author notes, “Achieving a successful understanding of the many layers [of the exhibition] yields a devious satisfaction.” This article was originally published on March 22, 2016. When or why does art become the idea of art:[…..]