Installation

The Part in the Story Where a Part Becomes a Part of Something Else at Witte de With

Ahmet Ögüt and Cevdet Erek. Ahmet Cevdet Bey: “Jacket”, 2011.

The Part in the Story Where a Part Becomes a Part of Something Else is an exhibition that covers a lot of ground. The Witte de With Center for Contemporary Art brings together over fifty artists with multifaceted disciplines, but despite the large scale, the show can be distilled to a few threads that highlight the potential for art to create constructed moments. This underlying[.....]

What I See When I Look at Sound at PICA

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In What I See When I Look at Sound at Perth Institute of Contemporary Arts, curator Leigh Robb has presented five works by artists whose practices collectively traverse the visual, sonic, and performative. With a title that nods to books by writers Raymond Carver and Haruki Murakami, this exhibition aims to probe the relationship between the seen and heard, exploiting the synesthetic interplay between the senses. To[.....]

#Hashtags: Sweet and Low

Kara Walker. A Subtlety, 2014. Site-specific installation at Domino Sugar Factory, Brooklyn, NY. Commissioned by Creative Time. Photo by Rajath Vikram.

#race #gender #gentrification #access #development #labor Kara Walker’s massive sphinx at the Domino Sugar Factory in Brooklyn, titled At the behest of Creative Time Kara E. Walker has confected: A Subtlety, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of[.....]

Ranjani Shettar: Night Skies and Daydreams at Talwar Gallery

Ranjani Shettar. Tuntoroo, 2014; Hand‐molded wax beads, cotton thread, wooden beads and pigments; 131 x 188 x 135 in. Courtesy of the Artist and Talwar Gallery, New York and New Delhi.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Bansie Vasvani reviews Ranjani Shettar: Night Skies and Daydreams at Talwar Gallery in New York City.   Indian sculptor Ranjani Shettar’s seventh solo exhibition Night Skies and Daydreams[.....]

Home and Away: Chien-chi Chang and Chen Chieh-jen at the Sherman Contemporary Art Foundation

Chen Chieh-jen Realm of Reverberations, installation view at Sherman Contemporary Art Foundation image courtesy SCAF

The word “home” has elusive, slippery connotations. In Chinese, the character “jia” (家) also means “family.” It suggests notions of sanctuary, shelter, belonging. But for some the meanings are more complicated. For the marginalized, the outsiders, the lost ones in our midst, it reminds them of all that is missing. For others, in a world crisscrossed by a diaspora of dislocated people seeking safety and[.....]

Rirkrit Tiravanija: Time Travelers Chronicle (Doubt): 2014 – 802,701 A.D at Singapore Tyler Print Institute

Rirkrit Tiravanija. Sixth chapter: take the spin off, unwind, reverse directions, and shatter the bonsai, on the way back don't forget to smile, 2013; screen print, metal foil, cast paper, STPI handmade cotton paper, stainless steel pedestal, 3D printed object; 259.5 x 259.5 cm; 4 sheets. Image courtesy of Singapore Tyler Print Institute.

“There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it.”—H.G. Wells, The Time Machine (1895) In 1992, Rirkrit Tiravanija converted the spaces of 303 Gallery in New York into a kitchen where he served rice and Thai curry to a crowd that became unwitting participants in a hybrid installation titled Untitled (Free). Seven years[.....]

Isa Genzken: Retrospective at MCA Chicago

Installation view, Isa Genzken: Retrospective, MCA Chicago. April 12-August 3, 2014. Photo: Nathan Keay, © MCA Chicago.

Perhaps the most striking aspect of Isa Genzken: Retrospective—an expansive four-decade survey of the German artist’s work at MCA Chicago featuring sculpture, film, installation, painting, and photography—is the fact that it was all made by the same person. Over the course of her career, Genzken has successfully assimilated a wide array of styles without losing sight of a handful of core concerns: architectural structure, the[.....]