Installation

Leif Anderson: TATTARRATTAT at Melanie Flood Projects

Leif Anderson. Purple Slurry, 2015; installation view, TATTARRATTAT, 2015. Courtesy of the artist and Melanie Flood Projects. Photo: Worksighted.

The word “Tattarrattat” was first birthed in James Joyce’s 1922 novel, Ulysses. It’s the longest palindromic word in English literature and an unmistakable onomatopoeia that takes inalienable form only in a moment we can collectively imagine: a furious rapping at the door. Such phrases within Joyce’s Ulysses and Finnegans Wake make him a legend amongst Modernist writers who are trepidatious about inventing words where none[…..]

Del Kathryn Barton: The Highway Is a Disco at ARNDT Singapore

Del Kathryn Barton. The highway is a disco, 2015; Acrylic on French linen; 240 × 180 cm. Courtesy of the Artist and Arndt Singapore.

Framed against a starlit sky, two female figures with feathered hair and large, limpid eyes sit astride blue and purple kangaroos. Their lush, naked bodies are stark white against a vibrant canvas of marks, lines, and dots. They stare out of pictorial space into an unknown distance, with their detached gazes separated from the viewer’s own perusal of them. Disengaged from us, their distance forms[…..]

Manjunath Kamath: As Far As I Know at the SCAD Museum of Art

Manjunath Kamath. As Far As I Know, 2015; installation view, Savanna College of Art and Design Museum of Art, Savannah, Georgia. Courtesy of the SCAD Museum of Art.

The humorous pathos in the work is readily apparent, from the rabbits’ curiosity exposing them to deadly exhaust to a car dying and ascending to heaven.

Reformation: Public Art and the Philadelphia School Closures

Pepón Osorio. reForm, 2015; installation view, Temple University's Tyler School of Art. Photo: Constance Mensh.

Today from our friends at Pelican Bomb, we bring you Meredith Sellers’ article examining reForm, Pepón Osorio’s installation project at Temple University’s Tyler School of Art. Sellers discusses reForm critically in the larger political context of Philadelphia school closures. She states, “The reForm project […] aims to create much-needed public discussion around the fate of the Philadelphia school system and to be a potential catalyst for change. But a classroom,[…..]

Tomás Saraceno: Arachnid Orchestra. Jam Sessions at NTU Centre for Contemporary Art Singapore

Tomás Saraceno, Omega Centauri 1 Nephila Kenianensis 4 Cyrtophora citricola, 2014; Spidersilk, carbon fibre, light, Tripod. Courtesy of the artist and Esther Schipper Gallery, Berlin.

The gallery hums with screechy sounds resembling acoustic feedback, punctuated by random bursts of bass and cartoonish sound effects. The soundscape is queasily amorphous and disorienting, built on dissonance and the chaotic rhythms resonating from a handful of arachnids that have woven fine, thick webs around delicate wire frames. Featuring a plethora of spiderweb sound installations, Tomás Saraceno’s latest show Arachnid Orchestra. Jam Sessions is[…..]

Ken Price: Death Shrine I at the Harwood Museum of Art

Ken Price. Death Shrine I, 1972-76; dimensions variable. Courtesy of Ken Price Studio.

Ken Price is best known for his psychedelic ceramic sculptures: abstractions layered in paint and sanded to pristine finishes. His piece Death Shrine I (1972–1976), permanently installed at the Harwood Museum of Art in Taos, New Mexico, is an unexpected departure from this canon. The shrine is a facet of Price’s Happy’s Curios project, and is one of three such installations inspired by the iconography[…..]

Impossible Objects at the Museum of Contemporary Art in Krakow

Impossible Objects, 2014; installation view, Impossible Objects, 2015. Courtesy of Instytut Architektury, Krakow. Photo: Jakub Woynarowski

Cultural reproduction is at the center of Impossible Objects, an exhibition that returns to Poland after much lauded recognition at the Venice Biennale. On central display is a 1:1 replica of the baldachin designed by Adolf Szyszko-Bohusz at the beginning of the 20th century to honor the revolutionary Polish leader Marshal Józef Piłsudski. The reproduction is accompanied by artist and artistic director Jakub Woynarowski’s large-scale[…..]