Installation

David Altmejd: Juices at Andrea Rosen Gallery

David Altmejd. The Flux and the Puddle, 2014; Plexiglas, quartz, polystyrene, expandable foam, epoxy clay, epoxy gel, resin, synthetic hair, clothing, leather shoes, thread, mirror, plaster, acrylic paint, latex paint, metal wire, glass eyes, sequin, ceramic, synthetic flowers, synthetic branches, glue, gold, feathers, steel, coconuts, aqua resin, burlap, lighting system including fluorescent lights, Sharpie ink, wood; 129 x 252 x 281 inches. Courtesy of the artist and Andrea Rosen Gallery.

In the main space of Andrea Rosen Gallery, David Altmejd’s gridded plastic network The Flux and the Puddle forms a labyrinthine rectangle—a wrinkle in time. In an homage to science and metaphysics, behind a network of clear vitrines, a series of human-animal hybrids construct themselves out of resin, epoxy, and clay, morphing in and out of candied fruits as harbingers of a kind of alternate evolutionary[.....]

From the Archives – Kevin Cooley: Skyward at the Boiler

Skyward Installation

The weather has been unusually brutal all across the U.S. this winter, from the unending snow and ice in most of the country to the ongoing drought in Northern California. With even more snow predicted for the Northeast this weekend, we thought we’d take our readers back to revisit Kevin Cooley‘s Skyward project, a bright, sunlit space reminding us of warmer times ahead. This article was[.....]

Cai Guo-Qiang: Falling Back to Earth at the Queensland Gallery of Modern Art

Cai Guo-Qiang, Heritage, 2013. 99 life-sized replicas of animals, water, sand, drip mechanism; installed dimensions variable
 commissioned for the exhibition ‘Falling Back to Earth’, 2013; proposed for the Queensland Art Gallery collection with funds from the Josephine Ulrick and Win Schubert Diversity Foundation through and with the assistance of the Queensland Art Gallery | Gallery of Modern Art Foundation.

Ninety-nine animals stand in a circle, heads bent, drinking from a clear pool of impossibly blue water. Predators and prey are lined up in peaceful harmony: lions and tigers together with giraffes, zebras, and antelope; a big black bear with small furry creatures. What utopian vision is this? In Cai Guo-Qiang′s allegorical installation for the Queensland Gallery of Modern Art, he has abandoned his usual[.....]

From the Archives – Jacob Hashimoto: The Other Sun

Today from our archives we bring you Margaret Zuckerman‘s review of Jacob Hashimoto‘s 2012 exhibition at Ronchini Gallery in London. Hashimoto has a new exhibition opening in February at Martha Otero Gallery in Los Angeles, hopefully as “buoyant, ethereal, and celebratory” as the work reviewed here. This article was originally published on July 19, 2012. American-born Jacob Hashimoto’s eye-catching exhibition, The Other Sun, at London’s Ronchini Gallery in[.....]

Terry Berlier: Erased Loop Random Walk at the San Jose Institute of Contemporary Art

Terry Berlier. Core Sampling (Tick Tock), 2009 (detail); FGR-95, dyes, steel, motors, MAKE Controller, computer, sensor, microscope camera, PVC, aluminum, pocket watch, and MAX. Courtesy of the Artist. Photo: David Pace.

From our partners at Art Practical, today we bring you Rob Marks‘ review of Erased Loop Random Walk, a solo exhibition of works by Terry Berlier now on view at the San Jose Institute of Contemporary Art. As Marks sees it, “Any despair over impending catastrophic environmental change evoked by [the work]…is balanced by a full-out sense of wonder and possibility.” This article was originally published on January 14,[.....]

Stay in Love at Lisa Cooley and Laurel Gitlen

Love is a kind of obsession, and obsession is a kind of love. It is this sentiment, not one of sensationalism or romanticism, that permeates the works in the two-gallery group exhibition, Stay in Love, curated by Chris Sharp at Lisa Cooley and Laurel Gitlen. Alternating between meditative, neurotic, and celebratory, the featured artists investigate the subjects of their fascination with the thoroughness that exists[.....]

Julia Rometti & Victor Costales: Savage Palms, Worn Stones, Moonshine Vision at Midway Contemporary Art

Julia Rometti & Victor Costales, Ediciones del Exotismo Ordinario Internacional Neotropical (detail), ongoing from 2011, digital prints on newsprint paper (lapel revolución). Courtesy Midway Contemporary Art. Photo: Caylon Hackwith.

At Midway Contemporary Art in Minneapolis, dueling 35mm slide projectors whir and click in a darkened back room. Perched on top of two of the room’s many bookcases (this backroom also houses Midway’s impressive library), these projectors cast their images onto a shared center screen. Each slide contains a simple form on a white background: a single geological mass anchored by a heavy shadow. Overlapped[.....]