Installation

Fan Mail: Meeson Pae Yang

Meeson Pae Yang. Index, 2005–06; steel, glass, fluorescent lights, Plexiglas, sucrose solution, vinyl tubing, electrical components, vacuum-sealed packaging, latex, silicone, silicone tubing, polyurethane, trimmer line, nylon fittings; 78 x 114 x 36 in. Courtesy of El Camino College, Torrance, CA and the Artist.

Science and art have a variably rocky relationship in contemporary culture; it is not unusual to encounter people who believe these fields to be opposites on the spectrum of human inquiry. But Meeson Pae Yang’s body of work rejects such binary thinking. Her practice utilizes the affective and technical qualities of the natural sciences to create large works and immersive environments that direct viewers’ gazes[…..]

Dineo Seshee Bopape

Today from our friends at Kadist, we bring you a video interview with South African artist Dineo Seshee Bopape. She speaks about artist-run spaces in Johannesburg, a new work commissioned by the Montreal Biennale, her current show Untitled (of Occult Instability) [Feelings] at Palais de Tokyo, and the relationship between sound and image in her video Why Do You Call Me When You Know I Can’t[…..]

In Conversation with Artist Tiff Massey

Tiff Massey. Facet, 2013. Courtesy of the Library Street Collective.

Today, from our new friends at Arts.Black, we bring you an interview with Detroit-based metalsmith artist Tiff Massey by Taylor Renee Aldridge. They discussed “socio-politics in Detroit, ’80s bling, and Massey’s rigorous art practice.”  Massey speaks of symbolism and color in her work, explaining “I keep going back and forth to the use of the mirror, the cameo, this oval shape [points to massive rings[…..]

Hammer Projects: Simone Leigh

Simone Leigh. "Althea", 2016; Terra-cotta, India ink, porcelain, cobalt and epoxy. Courtesy of the Artist and the Hammer Museum. Photo: Brian Forrest.

Colony Little explores Simone Leigh’s first West Coast solo exhibition at the Hammer in Los Angeles.

Fiamma Montezemolo: The Secret at Kadist, San Francisco

Fiamma Montezemolo. Neon Afterwords (The Secret installation view), 2016; LED lights and text. Courtesy of the Artist and Kadist, San Francisco. Photo: Jeff Warrin.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Leila Easa reviews Fiamma Montezemolo: The Secret at Kadist in San Francisco. Like many other fascinating thought exercises, artist and anthropologist Fiamma[…..]

From the Archives – Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Anthony Discenza.

Fiamma Montezemolo’s The Secret just opened at Kadist SF, and Montezemolo’s solo show has us thinking about books, selves, and Borges. Just as Montezemolo deploys redaction of and extraction from Jorge Luis Borges’ short story “The Anthropologist” to draw us into The Secret, so did Anthony Discenza create what has been described as a Borgesian universe (that leads off with a quotation from Borges) of[…..]

Kapwani Kiwanga: Ujamaa

Kapwani Kiwanga. White Gold: Morogoro, 2016; installation; 236 x 196 x 157 in. Courtesy of La Ferme du Buisson. Photo: Emile Ouroumov.

In a major solo exhibition, Ujamaa, at La Ferme du Buisson in the Parisian suburb of Noisiel, Kapwani Kiwanga addresses Tanzania’s uprisings. Known for using methodologies from the social sciences without being didactic, the artist draws on two significant moments in the history of the eastern African country to remember and question the ideals of pan-Africanism. The first is the 1905 revolt of Kinjeketile Ngwale,[…..]